Home » Posts tagged "Alma Katsu"

Book Review: The Fervor by Alma Katsu

Cover art for The Fervor by Alma Katsu

The Fervor by Alma Katsu

G.P. Putnam’s Sons, 2022

ISBN-13 ‏ : ‎ 978-0593328330

Available: Hardcover, paperback, Kindle edition, audiobook

( Amazon.comBookshop.org )

 

 

The Fervor takes place during World War 2 and alternates between five points of view. Meiko Briggs is a Japanese immigrant married to a white man, Jamie Briggs, a pilot in the army. She and their daughter Meiko are living in the Japanese internment camp Camp Minidoka, where residents are becoming infected with an illness that makes them violent and murderous. Archie Mitchell is a pastor who saw his pregnant wife and several children killed in an explosion thought to have been a Japanese bomb, who was friends with Jamie and has now gotten entangled with local white nationalists. Fran Gurstwold is a Jewish woman reporter who witnessed a similar explosion and decides to investigate locations where she suspects other explosions have happened. These alternate with journal entries from 1927 by Mieko’s father, Japanese scientist Wasaburo Oishi, who discovered poisonous spiders related to the yokai jorogumo, that cause the illness now spreading through the camps and nearby towns. The story follows Mieko, Aiko, Archie, and Fran as their stories intersect and begin to make sense in the context of Oisho’s writings, while dealing with a coverup by the government.

 

Katsu notes that this book differs from her previous ones because rather than portraying a specific historical event she was using a wider lens to explore the bigotry and violence against Asian-Americans in the past as a way to deal with it in the present, so while period details are correct , events and places may have been moved around for plot purposes.

 

This was a fascinating book, and better than The Deep. I am a fan of yokai whenever I see them, and I enjoyed the way Katsu incorporated this into the book. The portrayal of Archie as a person who is drawn into a white nationalist group due to weak character rather than malice, was accurate and well-written. Unfortunately, there continue to be too many people like him today.

 

Contains: racial slurs and violence

 

Reviewed by Kirsten Kowalewski

 

Book Review: The Deep by Alma Katsu

cover art for The Deep by Alma Katsu

The Deep by Alma Katsu

G.P. Putnam, 2020

ISBN-13: 978-0525537908

Available: Hardcover, paperback, Kindle edition, audiobook ( Bookshop.org | Amazon.com )

 

Those who enjoy historical horror devoured Alma Katsu’s The Hunger, which should have taken home the major awards last year, will take the plunge into The Deep, a cross-genre tale that is beautifully disturbing and might even top her previous novel. Perfect timing, as it’s up for top honors at the Stokers this year.

Whereas her last novel mined the ill-fated travels of the pioneers who traversed the Donner Pass, this one dives into the mystique of the Titanic, with a twist. The ship had a sister – the Britannic. This ship was retrofitted to be a hospital to be used during the war.

The story is told by Annie Hebley, a young woman who takes a job as a maid on the Titanic, alternating chapters between the time prior to the sinking and after the disaster. Annie meets the enigmatic Mark Fletcher, a father of a infant and husband to an even stranger character, Caroline, and finds her fate forever intertwined with theirs. As the chapters alternate between her time on both ships. Annie left her  home to see a strange one on the high seas, but is quickly drawn to Mark, who holds a dark secret.

When Annie takes a job on the Britannic after recovering from the sinking of the sister ship, her life turns from serving as a maid to serving as a nurse, where she learns the horrors of war firsthand. Her mind has yet to heal, though, a fact that rears its ugly head when she encounters a man in one of the beds of the wounded. She is convinced it is Mark. Yet, why won’t he admit it to her? Her sanity begins to further unravel as readers are treated to the unreliable narrator motif… or are they?

In the part of the story told prior to the sinking of the Titanic, horror soon creeps in as other passengers, the rich Madeline Astor and her husband, are convinced something sinister has boarded the ship with them – or was built into the hull of the Titanic. After a tragic death, the passengers sense this presence growing, something that Annie seeks to explain while attempting to help Mark and his daughter, who may be facing a much more heinous foe. By the time the ship hits the iceberg, Annie realizes the scope of the disaster matches her own cracking psyche.

The Britannic is supposedly built to be safer and sturdier than the predecessor. Lightning can’t strike twice, can it? Annie’s relentless quest to convince Mark of what truly happened spirals into the dark currents of the Atlantic as it seems the forces that plagued the first ship may have followed her there as well.

What sets this novel apart from other disaster stories is the research Katsu has imbued between the pages. She nails every detail of the period, the ship itself, and the events that occurred on both ships, in a manner that could be exhausting in lesser hands. Instead, The Deep envelops the reader in its setting and drags them down until the final page. Her characters breathe and bleed through the chapters in both stories here, with minor players carving out roles which further both the mystery and the horror.

Highly recommended as both a horror novel and a suspense tale that should widen Alma Katsu’s audience even further.

 

 

Reviewed by David Simms

Editor’s Note: The Deep is a nominee on the final ballot for this year’s Bram Stoker Award in the category of Superior Achievement in a Novel. 

 

Book Review: Miscreations: Gods, Monstrosities, and Other Horrors edited by Doug Murano and Michael Bailey

cover art for Miscreations edited by Doug Murano and Michael Bailey

Bookshop.org |  Amazon.com )

Miscreations: Gods, Monstrosities, and Other Horrors edited by Doug Murano and Michael Bailey

Written Backwards, 2020

ISBN-13 : 978-1732724464

Available: Hardcover, paperback, Kindle edition

 

 

In the foreword to Miscreations, Alma Katsu writes that “we’re told from childhood that monsters exist… we don’t need anyone to tell us they’re real”. Collected within the pages are 23 tales of monsters of all kinds, from the traditional to the unconventional, from the literary to the personal.  Interspersed is artwork from HagCult, who also did the cover art for the book.

Josh Malerman gives us a werewolf tale in “One Last Transformation” with an engaging, murderous narrator addicted to the change, and a number of writers approach the Frankenstein story in different ways. My favorites of these tales were Stephanie M. Wytovich’s poem “A Benediction of Corpses”  in which the Creature addresses his creator directly, and “Frankenstein’s Daughter”, by Theodora Goss, with its surprising and satisfying ending. Christina Sng takes an unconventional approach to an evil Russian water spirit in “Vodoyanoy”.

More personal monsters also appeared.  Michael Wehunt’s “A Heart Arrhythmia Creeping Into A Dark Room” was an effective and creepy tale about the anxiety and dread that accompany someone living in the shadow of a potential heart attack. The story was flawed by the author’s insertion of a fictionalized monster and victim in a story that was far too realistic. Victor Lavalle’s “Spectral Evidence” touched on the way grief lives on, and Scott Edelman’s “Only Bruises Are Permanent” tells the story of a woman who has the bruises left from an incident of domestic violence tattooed on her body.

Monstrous mothers also appear, in Joanna Parypinski’s brutal “Matryoshka”, in which a family tradition of giving each mother and daughter a matryoshka doll goes dramatically wrong, and Mercedes M. Yardley’s ironic “The Making of Asylum Ophelia”, in which a mother raises her daughter to resemble Hamlet’s Ophelia with plans to also replicate her fate.

Other strong stories I especially enjoyed include Nadia Bulkin’s “Operations Other Than War”, Usman T. Malik’s “Resurrection Points”,  Lisa Morton’s “Imperfect Clay”, and the disturbing “My Knowing Glance” by Lucy A. Snyder, which went in a much different direction than I expected it to.

Miscreations is overall a strong collection. The authors have come up with imaginative creatures using a variety of creative approaches, and readers will find sitting down with it well worth their time. Highly recommended.

Contains: murder, torture, violence, gore, body horror

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: Miscreations: Gods, Monsters, and Other Horrors is a nominee on the final ballot for the 2020 Bram Stoker Award for Superior Achievement in an Anthology.