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Media Tie-ins and Monster High

So, one of the things that we talk about at MonsterLibrarian is the value of using media tie-ins and cross-platform media to get people involved in reading horror fiction. Given the way our world is evolving today, the natural targets for marketers are kids. I watch kids who do a great job integrating existing media characters and stories into completely different scenarios (the Monster Kid’s many stories about the classic mystery solving team of Detective Baby Godzilla and Scooby Doo come to mind) but, frankly, Godzilla and Scooby Doo are small potatoes when it comes to marketing to kids today.

In a discussion of this very topic, two very different people recently asked me  “What about Monster High”? I’ve actually read quite a bit about the problematic nature (to put it mildly) of Monster High, but I hadn’t done any real digging on the topic. Fashion dolls representing the “hip,” teenage children of Universal Horror monsters? I was done on a personal level when I saw the words “fashion dolls”– those are code words for “Barbie”.  In spite of her popularity, Barbie and friends aren’t coming into my house anytime soon. And Barbie is wholesome looking next to the dolls for Monster High. However, the dolls are mainstream, and they are a riff on the Universal Horror monsters, who in turn are tied to some of the great horror stories of our time. For example, there’s Operetta, the daughter of the Phantom of the Opera; Draculara, Dracula’s daughter; and the imaginatively named Frankie Stein who… well, I’m pretty sure you can guess her famous relative.

What I didn’t realize is how overwhelming the presence of Monster High is now.  I knew it was more than dolls– I see licensed items all over the place (and apparently even my daughter’s best friend has a Monster High backpack. My daughter is five). I even knew there were webisodes. But a musical? A possible movie? A series of books? This is merchandising that outstrips what Scholastic did with Goosebumps, or at least comes darn close. Are these dolls really drawing girls to explore the horror genre? I have no clue. MonsterHighMom, a commenter on a post about Monster High on Peggy Orenstein’s blog said she used the dolls to introduce her 6 year old to the Universal monsters (you’ll have to scroll down– she actually made several comments regarding sharing the dolls, and horror movies, with her 6yo), but that doesn’t seem to be part of  Mattel’s marketing scheme. Mattel is trying really hard to push the line as having an anti-bullying theme, but researchers and marketers are getting opposite messages from the actual content Mattel is putting out. “Mean girls” given monster guise to raise the “cool factor” of a toy line are, well, icky. Mean girls are monsters without looking like them.

But the idea is kind of a neat one, even if the execution isn’t. My own daughter is surrounded all the time by monster action figures and images from B movies (which she’s only mildly interested in, although she’ll play Mommy and Baby Godzilla anytime). But she also likes Tinkerbell and princesses. I think maybe there are a lot of girls who are elementary aged who like monsters and also like dress-up. I think there’s a place for a doll– not an action figure, or a miniature, or a model, but a doll.  If you look at the Universal Monsters franchise, there aren’t really any girl monsters (except the Bride of Frankenstein, but she’s not exactly a dynamic character). A doll could create a place for girls where it really doesn’t exist, and provide the opportunity for all kinds of creative storytelling. I might be convinced to buy a monster doll for my daughter if it wasn’t all sexed up. Melissa Wardy of Pigtail Pals, in meeting with Mattel about Monster High, told them something similar. Her daughter, who is not that much older than mine, loves monsters too.

It’s been suggested that the Monster High franchise could be used to teach media literacy, and it’s probably necessary to do that to get kids to think about the messages they’re internalizing. But how would you feel about promoting Monster High as a way of introducing young girls to the monster genre? I think it would make me uncomfortable, in a way that Goosebumps doesn’t. All media franchises are not equal, and Monster High’s adult messages aimed at little girls bother me a lot. There are so many strong, creative, and intelligent women in the horror genre that I think it’s really important for girls to feel like there’s a place for them there as readers, writers, and creators. Monster High is the mainstream, and I don’t feel like it creates that place for them: my question is, what are the alternatives to this powerful media franchise?

Help a Reader Out: A Spine Chilling Series for Kids

Nicholas writes:

Hi. I’m trying to find a kids to pre-teen scary book series and having alot of difficulty.. It was a small box set with three or four books, each with three stories. I can’t remember exactly what they were called.. Spine Chillers or something like that I think. One story was about hedge animals that come to life.. Another was about a cursed newspaper route a kid gets from his brother.. Another was about a kid who wakes up to nobody knowing who he is except a mysterious Asian woman.. Any ideas? It was around the Goosebumps days. Any help would be greatly appreciated. Thank you.

This seems like it should be an easy question to answer, but actually, it’s not. Publishers went bananas with the advent of Goosebumps. They all wanted to jump on that bandwagon! And all of those series lasted for more than three or four books. The series Nicholas remembers could be  Betsy Haynes’ Bone Chillers, M.T. Coffin’s Spinetinglers, or Fred E. Katz’s Spine Chillers. The only problem is that these series told only one story per book. The Midnight Library books by Damien Graves has three stories per volume, but the plots he describes don’t match up to the stories in the books. I shared the information I had with Nicholas, but I’d really like to know if this is a series, what series it is, and I’m sure Nicholas would love to know as well. If any of this sound familiar to you, post a comment, or email me at monsterlibrarian@monsterlibrarian.com

Guest Review by Rocky Wood: The Dark Tower Companion: A Guide to Stephen King’s Epic Fantasy by Bev Vincent

We are lucky today to have a review by Rocky Wood, an expert on the work of Stephen King, of  Bev Vincent’s reference work The Dark Tower Companion: A Guide to Stephen King’s Epic Fantasy, which will be released in April.  Thanks very much, Rocky!

 

The Dark Tower Companion: A Guide to Stephen King’s Epic Fantasy by Bev Vincent (New American Library paperback – April 2013)

The Dark Tower Cycle is Stephen King’s magnum opus – an epic dark fantasy contained in eight novels and a novella. The ‘Cycle’ also leaks over into many of his other books and short stories; so that it can be argued King’s entire canon is Dark Tower-centric. We all know King’s popularity with readers but many have yet to be exposed to this complex tale – so much so that many readers would benefit from a Guide to the series. The protagonist is Roland Deschain – a sort of gunslinger knight from a fallen empire on a quest to save the central hub of the Universe from destruction. Along the way he gathers a group of followers and we learn more about the flawed hero as each novel passes.

Robin Furth, a former research assistant for King, has previously published a work closely aligned with defining each character, place and things like social aspects of Mid-World (the setting for Roland Deschain’s search for the mysterious Dark Tower) – Stephen King’s The Dark Tower: The Complete Concordance, Revised and Updated.

Bev Vincent, author of The Road to the Dark Tower, takes a different tack – explaining each novel and related story in a clean, easy to follow narrative style. Allied to these are a number of small chapters dealing with such things as Roland’s enemies and a fascinating section about settings from our own world (there is a definite transfer between Roland’s world and ours).

The book will be a boon to new readers, as well as those who are familiar but find some of the complexity and what King admits are loose ends daunting. There’s even an interview with King, in which he reveals some interesting background. Possibly less useful to the average reader but of value to Dark Tower junkies is the Dark Tower artwork section (each book has ‘Artist’s Edition’ featuring exquisite imaginings of many characters and the Dark Tower itself); although the section on the many graphic novels the series has spawned will be particularly useful in libraries carrying that popular form.

Libraries should benefit from carrying this book in two ways. Firstly, it will assist new and even seasoned readers of the Dark Tower Cycle to a better understanding and enjoyment of the tales. Secondly, it should help those who haven’t dabbled in the King of Horror’s fantasy master work to decide whether to jump in and borrow those novels and graphic novels and commit to the series. Vincent has a clear eyed commitment to providing these readers with a portal into Mid-World and its never ending reading pleasures.

Reviewed by Rocky Wood.

Rocky Wood is the Bram Stoker Award winning author of Stephen King: A Literary Companion and other works. He lurks at www.rockywoodauthor.com