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Book Review: Olivia: The Sequel to Doll House by John Hunt

Olivia: The Sequel to Doll House by John Hunt

Black Rose Writing, 2022 (to be released October 27)

ISBN: 9781685130473

Available: Paperback, Kindle edition Bookshop.org |  Amazon.com )

 

If the first book in the series, Doll House, was a sleek sports car purring down the highway at an acceptable rate over the speed limit, then Olivia is a smoke belching, fire breathing locomotive roaring down the tracks that flattens anything in the way.  This book will run you over.  When you read it, block off enough time to read 200 pages in a sitting.  Once you start, you won’t want to stop.  

 

As in Doll House, the book features an extremely patient and methodical killer, but this one preys on the hikers of remote trails, abducting and then killing them.  A young lady named Bibi is the first to escape him, but five years later she is still an emotional mess.  Detective Davis, who worked on the Doll House investigation, introduces Bibi to Olivia, the heroine of the first book, in hopes they might be able to bond and bandage each other’s mental scars.  However, it also causes them to be drawn into the investigation of the ‘hiker killer’  It then becomes a question of stopping the killer, and whether Bibi and Olivia can ever live what passes for normal lives.

 

Doll House was good, but this is that rare time when the sequel betters the original, in every possible way. The story structure is one example. Doll House was narrative heavy, and more dialogue would have improved it.  With Olivia, the author does exactly that. The book is a perfectly balanced blend, and it makes the characters much more real, real enough you will react to them.  You’ll scream in anger at some parts, and possibly shed a tear or two at times, especially if you love animals.  That’s a mark of outstanding writing when you react as the characters do.

 

The author also did a better job on the police investigative material this time: he clearly did a lot of research.  It’s more detailed, but not overwhelming, and shows how the legal system can be exploited by the wrong people.  Olivia also nicely builds the elements of chance and randomness into the investigation.  In the book, as in real life, it can be the smallest things that trip a killer up.  You simply can’t account in your murder plans for nosy neighbors, or where someone decides to take a leak in the woods.

 

Finally, the scare factor is higher in this book, for two reasons.  One, it’s written better than the original.  Two, the plot is all too plausible, and it has happened. Australia’s ‘Backpack Killer,’ Ivan Milat, springs to mind. That’s why books like this can horrify: they remind us that the worst monsters do not merely exist in our imagination, they often live right next door to us.  Hunt understands that, and writes some truly chilling scenes.  The killer in the book knows how to prey on people’s worst fears, and it will prey on the reader as well.  

 

Bottom line: this is horror writing of the highest caliber. Read Doll House first, then be sure to get this one when it is published.  This is mandatory reading for horror fans: you won’t be disappointed.  It’s enough to keep hikers who read it out of the woods for a good, long time. Highly recommended, and then some.

 

Reviewed by Murray Samuelson

Book Review: It Came From the Swamp: A Cryptid Anthology edited by Joey R. Poole

Cover for It Came From The Swamp: A Cryptid Anthology

It Came From the Swamp: A Cryptid Anthology edited by Joey R. Poole

Malarkey Books, 2022

ISBN-13 ‏ : ‎ 978-1088025321

Available: Paperback Bookshop.orgAmazon.com )

 

This short story anthology is themed around cryptids and folkloric creatures. Mermaids and Bigfoot make multiple appearances, but so do more locally known creatures.

 

Standout stories include: “Flood Tide”, in which a maid for an anti-abortion senator feeds him and his handsy son to a carnivorous mermaid. I felt vicarious pleasure reading this one.In “Ceasing”, a lizard man and a Boo Hag go on a Halloween date. In “Soo-Soo Go Bye-Bye”, a father rushing to Wal-Mart on icy roads for baby supplies thinks he’s spotted a Sasquatch. “Der Butzemann” takes a figure from Pennsylvania Dutch folklore and uses it to enact vengeance on those poisoning the land. There’s some excellent writing in some of the other stories but they don’t quite feel like all the pieces fit together.

 

In any book themed on cryptids, they are really the stars, and “The Monster Beneath” and “The Valley Where the Fog Has Hooves” both have incredible, lyrical, descriptive writing about the cryptids in the stories. For readers into cryptids and folkloric creatures looking for something a little darker than Harry Dresden’s “Working for Bigfoot”, this is a title you’ll want to check out.

 

Reviewed by Kirsten Kowalewski

 

 

Book Review: The Mammoth Book of Folk Horror: Evil Lives on in the Land! edited by Stephen Jones

The Mammoth Book of Folk Horror: Evil Lives on in the Land! edited by Stephen Jones

Skyhorse, 2021

ISBN-13: 9781510749863

Available: Paperback, Kindle edition ( Bookshop.org  | Amazon.com)

 

 

Folk horror is finally getting the attention it deserves. Ancient traditions and practices, crumbling buildings surrounded by nature that has reclaimed the land, rituals that call down the gods, myths and legends coming to life. All of these and more can be found in the pages of The Mammoth Book of Folk Horror edited by Stephen Jones, acclaimed author and editor of horror and dark fantasy. While a relatively new term, folk horror has existed for much longer than this subgenre’s name.

 

This anthology contains many great tales of folk horror, old and new. The following are some of my favorites. “Jenny Greenteeth” by Alison Littlewood, set in the wartime English countryside, is the story of a young girl named Alice, an evacuee sent to live with a family that has two young daughters, Olivia and Betty. Olivia torments Alice with tales of Jenny Greenteeth until the stories seem to come true. In M. R. James’ “Wailing Well,” two members of a troop of scouts do not take the warning of a local shepherd seriously about avoiding the field containing the titular well, let alone using the water from it. Michael Marshall’s “The Offering,” set in Copenhagen, concerns a family on vacation staying in an Airbnb. When wife Lauren throws about a bowl of mysterious gray porridge in the refrigerator, Bill soon finds a sacrifice is made to the proper guardian of the house. Could it be the Nisse? “Gavin’s Field” by Steve Rasnic Tem tells of the titular character inheriting his father’s estate, but he discovers he should have done his homework on the property, and the town. “The Fourth Call” by the amazing Ramsey Campbell is my favorite story in the anthology. Mike returns to Leanbridge alone during Christmastime. He is drawn to the neighboring property, formerly owned by the Bundle family. When Mike tries to bring up the strange holiday tradition practiced in the village, longtime family friends, the Darlingtons, insist no such thing happened.

 

Other authors in this anthology include Algernon Blackwood, Christopher Fowler, Maura McHugh, Arthur Machen, Karl Edward Wagner, Simon Strantzas, Mike Chinn, David A. Sutton, H.P. Lovecraft, Kim Newman, Jan Edwards, Storm Constantine, Dennis Etchison, and Reggie Oliver. Included at the beginning of each entry is a write up of the author’s brief biography and works, as well as beautifully eerie black and white photography by Michael Marshall Smith.

 

The Mammoth Book of Folk Horror is a must-read for fans of folk horror, or new readers dipping their toes into the bog of the subgenre. Highly recommended.

 

Reviewed by Lizzy Walker