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Book Review: Midnight on Beacon Street by Emily Ruth Verona

cover art for Midnight on Beacon Street by Emily Ruth Verona

Midnight on Beacon Street by Emily Ruth Verona

Harper Perennial, 2024

ISBN: 9780063330511

Available: Paperback, Kindle edition, audiobook, audio CD

Buy:  Bookshop.org | Amazon.com

 

Midnight on Beacon Street has a fantastic first chapter, Seen through the eyes of six year old Ben, it starts just after midnight, and we immediately know something has gone terribly, violently, wrong. But there’s no clue as to what actually happened, who did it, or who it happened to. Emily Ruth Verona forces us to backtrack to the early evening arrival of Amy, the babysitter, to find out. Ben and Amy, the point-of-view characters, alternate chapters, with overlapping time frames that give us their differing views of the same events. Amy, the protagonist, suffers from anxiety, and we get some background on her own experience with a babysitter who helped her develop a way to cope with it. The back-and-forth on the timeline is a cool storytelling technique, but there’s so much jumping around that it messed with the narrative for me, as I was constantly having to flip around to figure out the linear sequence of events.

 

It’s 1993, and in the suburban community of Chase Hills, there have been a rash of burglaries. Amy shows up for her regular Friday night  babysitting job, watching hostile preteen Mira and her younger brother Ben while their mother is out on a date, She is expecting a relatively calm evening of games and stories until the kids go to bed, and then a cuddle with her boyfriend Miles over while they watch Halloween (horror movies are a way for her to deal with her anxiety, although Halloween is an interesting choice to take on a babysitting job).. Miles is not a fan of horror, but their debate over whether to watch it is interrupted when MIles’ obnoxious older brother Patrick, his girlfriend Sadie (Amy’s former babysitter), and Sadie’s sister Tess, who demanded a ride from Miles after their car broke down, push their way in and refuse to leave. It’s creepy, and I was so angry that Miles put her in that situation, even if it wasn’t on purpose. Amy tries to keep them away from her charges, but her anxiety makes it difficult to manage the older teens and also make sure the kids are safe. She finally draws the line, and Patrick, Sadie, and Tess leave in Miles’ car, leaving the two of them together.  Amy is so angry that she tells Miles to leave, and because the others have taken his car, she gives him her keys so he can drive her car home.

 

Meanwhile Mira and Ben are upstairs when the phone rings. They are never supposed to answer the phone when it rings but Ben answers and then Mira hangs the phone up, angry.

 

It’s apparently visiting night because a neighbor drops by next to drop off a letter, Then there’s another knock, and Amy(failing to follow basic rules for surviving a horror movie) opens the door to a strange man demanding to see his children. The single mother she’s sitting for has finally been tracked down by her abusive ex-husband, and he wants his kids right away. Amy tries to keep him out and protect Ben, and Mira and Amy together finally threaten him into leaving. It’s a lot scarier of a scene than that description makes it sound.

 

With Mira and Ben both safely upstairs again, Amy cleans up from the busy night only to hear a noise from the kitchen. Sadie is in the kitchen carving her initials into the baseball bat Amy threatened the kids’ father with, using a steak knife, believing Amy had left because her car is no longer there.  There have been several flashbacks in the book to the time when Sadie was Amy’s “cool big sis” babysitter. Now that Sadie is more of a peer, their past has created an unevenness to their relationship . Sadie admits she is the burglar in the news, but  it’s unclear exactly what her purpose is at this point– whether she’s there to steal something, create some other minor mischief, or do something really awful–, and we never really find out because Ben, who’s supposed to be asleep, comes into the kitchen looking for a glass of milk, and things spin out of control fast.

 

Verona has anxiety herself. She waited a long time to be able to write a character with anxiety realistically and with depth, and I think she succeeded with that. Amy does freeze up but she also has some agency and when it comes down to it she acts to protect herself and the kids. I also liked that she expressed her feelings to Miles and he respected her. As much of a pushover as he was for the older kids, his treatment of Amy felt almost too good to be true for an awkward teenage boy.

 

This does feel like a book where “things just happen”:: I can’t imagine all of these seemingly unrelated events occurring in one evening (although they do all end up contributing to the finale) and Sadie’s motives remain a mystery to me. It’s good that Amy had the opportunity to define herself and discover she could handle fear outside a movie screen, but as a parent, I wouldn’t be asking her back to watch my kids. Recommended.

 

Reviewed by Kirsten Kowalewski

Posted on February 12, 2024 by , Reply

Graphic Novel Review: Fragments of Horror by Junji Ito

Fragments of Horror - Ito, Junji

Fragments of Horror by Junji Ito

Viz Media, 2015

ISBN: 9781540050465

Available: Hardcover, Kindle edition

Buy: Bookshop.org |  Amazon.com

 

 

Junji Ito’s Fragments of Horror, consists of eight original manga horror stories published in Nemuki+ in 2014, created after a hiatus from horror. Tales have a wide range in terms of content and atmosphere.

 

In “Futon,” new wife Madoka is lamenting her husband Tomio’s strange affliction. He refuses to come out from under his futon because of strange visions. Soon, Madoka experiences her own visions. Is there something supernatural going on, or is there a more mundane explanation for the strange occurrences the couple is witnessing?

 

Megumi and her father are quite proud of their old house and accept a new boarder in “Wooden Spirit.” The young woman eventually charms her way into the family, but it isn’t Megumi’s father that is attracting her affection.

 

“Tomio: Red Turtleneck” is one of the strangest stories in this anthology. Tomio returns to his ex-girlfriend Madoka, desperate for help. He has his hands covering his ears when he arrives at her house. At first, she tells him to return to “that woman” when the story turns to three days earlier. We see Madoka breaking up with Tomio for being unfaithful with a fortune teller they consulted. He goes back to the fortuneteller who turns out to have a unique collection, and she wants to add Tomio. If he removes his hands from his head, she will surely get her new addition.

 

“Gentle Goodbye” is a touching story, a departure from Ito’s usual horror fare. Riko, who is afflicted with nightmares of her deceased father, marries Makoto Tokura, although the family disapproves of their marriage. When she sees ghosts in the familial home, Makoto explains that his family has the ability to create afterimages of family members who have passed on. Through this ability, Riko discovers the shocking secret about her own nightmares.

 

In “Dissection-chan,” a class in the dissection lab at Chuo Medical University is preparing to dissect a cadaver. When they open the body bag, however, the body within is not dead. One of the students recognizes her as a childhood friend, and when the young woman realizes who he is, she won’t leave him alone, begging him to cut her open.

 

Rescued and injured hiker Kume is taken to the hospital in “Black Bird.” When he reveals how long he was lost- for a month– nobody can believe it. Then, there is the strange woman who visits him and feeds him every night..

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“Magami Nanakuse” is a somewhat problematic story in this anthology. Kaoru Koketsu finally meets her favorite author, the titular Magami. The author is strangely obsessed with people’s nervous tics and uses them as a sort of muse for their work. They’ve gotten bored with the current run of tics their associates have and needs to find new ones. Hence the reason for Kaoru’s presence. Can Kaoru provide the ultimate tic the author is searching for? The problematic part of the story is that it is revealed the villain is a transgender woman, where the main character exclaims, “She’s a man…?” with a disgusted facial expression. It could also be a look of surprise–it really can be viewed both ways. The character is written as a fairly distasteful person. Regardless, this could have been written without the “man in a dress” stereotype.

 

In “Whispering Woman,” Mayumi cannot make decisions on her own. She requires someone to tell her what to do constantly. Mitsu Uchida has been hired as the girl’s latest attendant. Mitsu has an uncanny ability to be at Mayumi’s side at all times, despite the fact that her health is clearly being effected. Mitsu becomes frail and emaciated, but she is faithful to her charge. What would happen if Mayumi’s external voice fails?

 

Fragments of Horror isn’t my favorite Ito collection. It feels like more of an exercise or warm-up to get back into his rhythm of horror. However, I would recommend this for the Ito completist. There are a few strong chapters, such as “Tomio: Red Turtleneck”, “Gentle Goodbye”, and “Dissection-chan”, so it is worth reading. Just do not expect Ito’s best work in this volume. Recommended.

 

 

Reviewed by Lizzy Walker

Posted on February 9, 2024 by , Reply

Graphic Novel Review: Lovesickness: Junji Ito Story Collection by Junji Ito

Cover art for Lovesickness: Junji Ito Story Collection by Junji Ito

 

Lovesickness: Junji Ito Story Collection by Junji Ito

Viz Media, 2021

ISBN: 9781974719846

Available:  Hardcover, Kindle edition

Buy: Bookshop.org | Amazon.com

 

In Lovesickness, originally published in 1996 and told in 5 parts, Ryusuke Fukuda and his parents move back to the town of Nazumi after his father accepts a job there. The story opens with a teenage girl approaching the crossroads of an empty street where a man is emerging from the fog. She quickly places her notebook over her face and asks for a fortune. The older man responds and they part ways. When the man meets his family at the Nazumi train station, it is revealed that he is Ryusuke’s father. He relates the story to his wife and son, the latter shaken by the chance meeting.

 

When he starts at school the next day, he is greeted by an old friend, Midori. Eventually the topic of rumors comes up regarding teenage girls committing suicide after encountering a mysterious handsome young man. Ryusuke, in an attempt to calm his own guilty conscience when he reveals a terrible fortune he gave to a woman in distress, which led to a grisly suicide, hunts for the shadowy figure delivering his own tragic fortunes to innocent strangers at the crossroads.

 

The artwork in Lovesickness is probably some of my favorite in Ito’s work. The effect of the fog and shadows is excellent, and the body horror is fantastic. The handsome stranger is eerily beautiful. The character design reminds me of Fukusuke from the visual kei band Metronome.

 

Four other stories are included in this volume. “The Strange Hikizuri Siblings,” told in two parts, are a strange family, often at odds with each other while still trying to support each other the best they know how… to a degree. The first story, “Narumi’s Boyfriend”, shows the cruelty of the siblings and how they all take part in driving Kotani, the titular boyfriend, albeit in a forced relationship, to madness. In “The Séance”, we see family power dynamics play out in the worst possible way, with the two eldest brothers being just awful people.

 

The next story in the collection, “The Mansion of Phantom Pain”, relates the story of Kozeki, a young man employed to be a live-in caretaker for Yusuke, the son of a wealthy family. Yusuke’s condition is a strange phantom pain that extends beyond his normal body. A team of caretakers who can never leave the bricked up mansion manage the boy’s pain, day and night. When they start to experience their own maladies, and the death of Yusuke’s father, his mother still refuses to let them leave. Some of the caretakers slowly succumb to infections and hallucinations, but those remaining can’t leave, with the promise of the family’s wealth at stake, no matter how much Kozeki pleads for doctors.

 

Following that is “The Rib Woman”,  a cautionary tale of rib removal surgery and  obsession with the perfect figure. Yuki laments the lack of an hourglass figure like her friend Ruriko’s, and decides surgery is the best option. Throughout the story, Ruriko is tormented by strange and discordant music. One evening Yuki and her brother, who is also dating Ruriko, find the latter in agony on the sidewalk as she is trying to find the source of the song. They offer to help, and when they do find the source, they see a mysterious woman in the park playing a small instrument. She flees and leaves behind her instrument, which looks to be a large rib. After Yuki’s surgery, she too can hear the music. She also finds the woman and discovers there is more to the story than she believed. There is some deliciously good body horror in this one.

 

The final story in the collection is the inexplicable “Memories of Real Poop.” It’s the shortest chapter in this collection, at only four pages, but it’s memorable. I’ll just leave it at that. Highly recommended.

 

Reviewed by Lizzy Walker

Posted on February 7, 2024 by , Reply
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