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Book Review: Kiranis: Secrets of the Universe (Kiranis #3) by Ronald A. Geobey

Cover art for Kiranis #3 by Ronald A. Geobey

Kiranis: Secrets of the Universe, by Ronald A. Geobey

Temple Dark Books, 2023

ISBN: 9781739749248

Available: Paperback, Kindle edition

Buy:  Amazon.com

 

 

The saga continues…

The third volume in the Kiranis series, Secrets of the Universe continues the far-reaching galactic odyssey.

 

As in the previous two books, it is staggering in scope, and takes place in an entirely new era, with a new slate of characters.  However, while the series is still a very good read, it’s starting to feel like the foundation may be trembling a bit. Adding more detailed explanations to certain parts would certainly help shore the story up.

 

The basic idea still revolves around the hidden planet Kiranis and the fate of Earth, although the Garran race and their planet, Sieltor, play a part also.  A couple of the characters from previous books do play a part, Cassandra Messina being one, and as always, the prophet Naveen flits in and out of the story.  Having a new cast of characters is good and bad in this case: lt allows for a whole new dynamic group of characters, unfortunately just as we got used to the last batch (it’s a shame Sam Vawter didn’t make it back in, he was one of the best characters). At face value, the story is excellent, and as always, adds new items that play a crucial part of the story.  In this case, this includes the Barrier as one of the big ones, and the new spaceship drive that appears to be powered by the sun.  There’s a lot of dialogue in the book, but also a number of large space battles: the author certainly has a flair for creating them with a lot of ships, and a lot of destruction.

 

As good as the story is, it might be getting to be too much for some readers, I’ve never read a series with a scope as large as this one.  It would help to explain a few things a bit more: the author tends to insert new things from his imagination (and they are well-imagined), but they just appear without narrative paragraphs to really clear them up.  While things start to make sense as the story progresses, it would help to offer more details up front.  The Fate Lines are a prime example, I’m still not really sure how those work, and how the characters use them.  The Barrier is another example: it was not in the other two books, and some background would have helped, as it is such a big part of the story.  There is a lot of mental, psy-type material in the book, it’s tougher to grasp than tangible things.  Clearing these areas up would help propel the story to the next level.

 

Bottom line?  It’s still very good and worth the read for fans of the series, but could use a few tweaks at this point for clarification, so readers don’t get totally blown out of the water.  Recommended.

 

Reviewed by Murray Samuelson

 

Posted on March 12, 2024 by , Reply

Graphic Novel Review: Let Me Out by Emmett Nahil, illustrations by George Williams

cover art for Let Me Out by Emmett Nahil

 

Let Me Out by Emmett Nahil, illustrations by George Williams

Oni Press, 2023

ISBN: 9781637152362

Available: Paperback, KIndle edition

Buy: Bookshop.org | Amazon.com

 

It’s 1979. Mitch wakes up after a terrible assault near the local Y. His friends scold him for going there alone and take him home to recuperate. There’s also been a murder in the quiet suburb of Columbiana, New Jersey. The body of Pastor Holley’s wife, Kelly, has been found with demonic sigils carved into her body.

 

New Jersey Sheriff Mullen and FBI Agent Garrett partner up to investigate the case. At least, that’s how it appears to the locals. Behind the scenes, they are devising a Satanic Panic cover to conceal their own crimes. They set their sights on a group of queer punks; Mitch, Lupe, Terri, and Jackson.

 

Sheriff Mullen hears a rumor that Pastor Holley records extra sermons for himself, and confronts the priest about them. It takes a little convincing, but Father Holley turns over some of the tapes to be played on the local radio station. A federal agent issues a warning, announcing the lurid details of satanic rituals, and asks teenagers to keep an eye out for anyone different. After a violent altercation between Lupe and the manager on duty at the local grocery store, the authorities quickly pin Kelly’s murder on the teens. When the friends flee to a cabin in the woods, they find the building gone and a bloodstained pentacle embedded in the ground. Mitch knows they aren’t alone out there.

 

I love a good Satanic Panic plot. With a diverse cast of characters, each with a unique personality and story, Let Me Out has a unique angle on the “devil in the details”. There is good LGBTQ+ representation, as well as people of color. There are parents and adults who are not accepting of their children, which is difficult to stomach, but is a painful reality some LGBTQ+ teens face. As hard as it was to confront on the page, I am glad that Nahil didn’t shy away from that. The character designs were really good and well rendered, as were the backgrounds and sweeping landscapes.

 

Nahil and Williams opted to include trigger warnings at the beginning of the book. I know there have been conversations in the horror community about the idea of including these warnings in general. My view is that if it makes someone’s enjoyment of a book better to have a warning, I have no problem with that. For those of us who are library workers, we are probably familiar with Ranganathan’s Five Laws of Library Science. Content warnings align well with three of the five laws: every reader their book; every book its reader; and save the time of the reader. Highly recommended.

 

 

Reviewed by Lizzy Walker

 

Posted on March 11, 2024 by , Reply

Book Review: Siren Queen by Nghi Vo

cover art for Siren Queen by Nghi Vo

 

Siren Queen by Nghi Vo

Tor.com, 2022

ISBN-13 ‏ : ‎ 978-1250788832

Available: Hardcover, paperback, library binding, KIndle edition, audiobook

Buy:    Bookshop.org  | Amazon.com

 

 

This is not so much a horror novel as it is an homage to classic monster movies and a critique of golden-age Hollywood. Readers looking for blood and gore will not find it here. What they will find is a dark, beautifully written warning about the dangers of ambition. Told in first person by the protagonist, the story reads like a memoir.

 

CK is a Chinese-American girl obsessed with acting in the movies, at the beginnings of the talkies. She is working bit parts for children off the books for a director at Wolfe Studios, who wants to present her as his new discovery once she turns 18. CK is impatient and tracks down a retired actress who gives her information that will get her an audience, and a contract, with Oberlin Wolfe, using blackmail photos. Due to this leverage she is able to demand that she not be cast in stereotypical roles for Asian women (an issue faced by real-life Chinese-American actress Anna May Wong in this time period).. She takes the stage name Luli Wei, a name that happens to also be her sister’s.

 

Getting a studio contract is similar to making a bargain with faeries. In exchange for fame and fortune, the studio owner controls your life (this is a fairly accurate description of the Hollywood studio system at the time, even without faeries’ involvement). There’s even a version of Tam Lin that takes place within the story.

 

Directors don’t know how to cast CK since she can’t be cast in stereotypical roles, but finally she is cast as a monster, the Siren Queen, and the movie and its sequels are blockbuster hits. Despite her ability to cause scandal and her defiance, the studio can’t get rid of her. CK has a lesbian romance with rising star Emmaline Sauvignon which the studio ends because it interferes with their narrative of the kind of person Emmaline is supposed to be. Later, she gets involved with a scriptwriter hired to do edits on the script of the last Siren Queen movie.

 

Despite knowing her contract would eventually have negative consequences for her, I couldn’t help loving CK for her ambition and refusal to let studio officials and directors walk on her, and for her own love of playing the role of a vengeful monster and loving it. The classic monster movies are clearly an inspiration to the author, and the critique of racist stereotypes and queer erasure in casting at that time is something I am glad to see brought to the attention of modern readers. Highly recommended.

 

 

Reviewed by Kirsten Kowalewski

Posted on March 7, 2024 by , Reply
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