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Book Review: Close Your Eyes, Hold Hands by Chris Bohjalian


Close Your Eyes, Hold Hands by Chris Bohjalian

Doubleday, 2014

ISBN-13: 978-0385534833

Available: Hardcover, paperback, Kindle edtion, audio CD, Audible.com audio

 

After a nuclear reactor meltdown near her home in northeastern Vermont kills her family, troubled teen Emily Shepard is doing her best to disappear. The disjointed narrative of Close Your Eyes, Hold Hands is her story, told in bits and pieces, moving backward, forward, and sideways in time. Her memories of her parents, both good and bad; her time as a troubled teen; her journey from home to Burlington, Vermont; and her downward slide as a homeless teen fill up more than half the book. The rest is centered on her relationship with Cameron, a nine year old runaway, and her eventual trip back to where it all began.

Taking place in the aftermath of a nuclear explosion, I was surprised at how untouched the people around Emily seemed. Outside the “exclusion zone” near the event, there doesn’t seem to be the kind of panic or outrage you would expect nearby, or with refugees flooding in. They come, and then they’re gone. The environmental damage is localized, so once Emily reaches Burlington, there isn’t any imminent danger. It’s an apocalyptic story without much of the impact of the apocalypse visible to the reader, at least as we see through Emily’s eyes.

Emily herself is a perceptive writer with a love of Emily Dickinson, but as she tells her story, she’s oddly detached (not surprisingly, though, as it’s a reasonable strategy for dealing with grief when your priority is survival). While it’s understandable that she wouldn’t want to go into details of some of her experiences, it leaves strangely shaped gaps in our understanding of her. Emily lives through horrifying events and goes to some very dark places, both physically and emotionally, but while I couldn’t put this down, it’s more of a testament to Bohjalian’s skill in pulling me along than any sympathy I felt for her.

The ending is fairly predictable, with Emily returning home for closure and developing radiation sickness– it is the journey that kept me going. I wanted to know what happened next, to fill in the blanks of Emily’s story, and had to keep reading to find out if she would fill those in, and how. Bohjalian got a physical reaction out of me with his descriptions of Emily’s cutting and her encounters as a prostitute, and he certainly kept me going, but Emily herself, and the novel as a whole, were unconvincing to me. It just never seemed quite real.

I am a huge fan of Bohjalian’s The Night Strangers, so I know he’s capable of building atmosphere and doing detailed world-building, and Close Your Eyes, Hold Hands, while it kept me reading, does not measure up to it. The idea is great, but this isn’t his best work, and for creepiness and character building, it does not measure up to The Night Strangers. As he’s a fairly well-known mainstream author, and it’s overall a well written book, it’s worth it to have it in libraries, but horror readers may not want to put it at the top of their list. Recommended.

Contains: violence, sexual situations

Reviewed by Kirsten Kowalewski

Book Review: The Thickety: A Path Begins by J. A. White

The Thickety: A Path Begins by J.A. White, illustrated by Andrea Offermann

Katherine Tegen Books, an imprint of Harper Collins, 2014

ISBN-13: 978-0062257239

Available:  Hardcover, Paperback, Kindle edition

Welcome to De’Noran, a village reminiscent of a Salem-era town, where witch hunts are a village event.  Those familiar with M. Night Shyamalan’s The Village will find De’Noran to be its evil twin: a secluded village cut off from The World and full of condemnation and heavy-handed rules. In De’Noran, children are raised under the laws of their founder, Timoth Clen, who taught that magic is the ultimate evil, and that village inhabitants should never enter the Thickety– the dark and ever-encroaching forest separating De’Noran from The World.

A Path Begins immediately pulls readers into a dark and sinister story of good and evil, sadness, secrets and family bonds. The hero is quiet, self-reflective 12-year-old Kara Westfall who, as a five year old, witnesses the brutal murder of her mother at the hands of the villagers within the first few pages of the book. Kara is left to deal with the aftermath of being the child of a condemned witch: a father who is emotionally scarred, a sickly younger brother, a farm that is primarily hers to tend to, and the constant torments of the villagers.

A Path Begins is full of heavy, dark imagery and frightening events. It is not a light read. However, it is also full of a wonderful depth of both character and storyline. It is easy to feel the pain that Kara is left with at her mother’s death and the protective nature she feels toward both her father and her brother. The story maintains a steady pace and is full of intrigue, secrets and stunning revelations that make it difficult to put down. Through it all, characters are required to make difficult choices between compassion and personal gain.

The cover illustration is a perfect fit for the story, dark and enchanting with ominous tones. The dark simplicity of the chapter opener line art adds just enough visual effect to connect with the storyline.

The Thickety: A Path Begins is not for children who are easily frightened, but will be a very compelling read for those who are looking for an age-appropriate, scary tale. Recommended for ages 10 and older.

 

Contains: Violence, witchcraft

Reviewed by Heather Hurley

Magazine Review: Black Static Magazine, Issues 44 & 45

  

 Black Static Magazine: Issues 44 & 45.

TTA Press: January and February, 2015.

Available: Print, Kindle edition

Very few magazines are worth the price of subscription– ever.  Black Static is a rare exception. In my opinion, Black Static is the best international magazine of dark fiction out there.  TTA Press has consistently produced a fine, slick, quality, digest-sized product,with plenty of visual appeal, on a regular publication schedule.  Editor Andy Cox ensures that each issue of Black Static is packed with top-notch material. Black Static is a perfect choice for readers who prefer fine fiction, reviews, and columns.

Issue #44 is one of my favorite issues to date. From cover to cover, it is 96 pages of great darkness. Stephen Volk’s opening column, “How To Stay Insane, Pt. 2”, is excellent, and his insights about writing horror resonate long after reading. In her column, Lynda E. Rucker tackles the World Fantasy Award and how horror fits into the argument. Both Volk and Rucker have consistently penned strong columns, frequently about the writing and business of horror, both bringing their own unique slant to the genre. Peter Tennant and Tony Lee continue to cover books and movies in detailed fashion with keen eyes for novelty and innovation.  Tennant typically spotlights authors or publishers. This time he spotlights Tim Waggoner, with an insightful interview. Of course, there are also a plethora of reviews of DVDs and fiction. Strong novellas by Simon Avery and Tyler Keevil are followed by short stories by Priya Sharma, E. Catherine Tobler, and Jackson Kuhl.

#45 is just as impressive. Volk discusses the selling of souls and other commodities and Rucker covers the topic of the female body and horror. Tennant focuses on the talented Helen Marshall. Issue #45 also contains short stories by S.P. Miskowski, Laura Mauro, Stephen Hargadon, Emily Cataneo, Andrew Hook, Cate Gardner, Danny Rhodes, and the always mesmerizing Steve Rasnic Tem.  The countless reviews seem to expand with each issue, and while many skewer the films and shows, the honesty behind the opinions rings true.

Once again, the task is simple: pick up a subscription to this fine magazine or if you’re across the pond, get yourself to the store grab a copy.  Not many things are worth the money these days and few are guaranteed to entertain consistently, but this is one that fulfills without fault every time.

Highly recommended magazine for any fans of the genre.

Reviewed by Dave Simms (Note: Dave Simms also reviews for Cemetery Dance magazine.)