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Book Review: Monstress, Vol. 1: Awakening by Marjorie Liu, artwork by Sana Takeda

Monstress, Volume 1 written by Marjorie Liu, artwork by Sana Takeda

Image Comics, 2016

ISBN: 9951632157096

Available: Kindle ebook, print

Monstress, Volume 1 collects issues 1-6 of a fantastic comic written by Marjorie Liu and drawn by Sana Takeda. The story is set in an alternate vision of 1900’s Asia, and includes elements of steampunk, kaiju, and horror fiction. The world includes humans, monsters, and magical creatures, existing in a constant state of struggle and war. The animal-hybrid Arcanics and the Cumea witch-nuns are at the center of this war. The Cumea capture, auction, or buy Arcanics for reprehensible experiments, slavery, or worse. The story opens with Maika Halfwolf, a teenage girl who is discovering her mysterious past, up for auction. A high ranking member of the Cumea takes her, and a few other Arcanics, back to her mistress’s palace. The sorceress doesn’t know it, but the taking of Maika will turn out to be a deadly mistake for her captors. Upon her escape, Maika rescues the tiny, skittish, fox girl, Kippa. They are joined by the ever-present badass of a cat, Master Ren.

I love horror comics, and Monstress has quickly become my favorite comic series for this genre. Liu has created a rich, dark world, and characters are fascinating. Maika, throughout the story, remains stalwart and aloof, despite her class status in this world. This manages to be a strength as much as a weakness. She’s cold and calculating, even when such a demeanor is not warranted, and puts her at odds with her “betters.” Since Kippa is a child, she exudes innocence and cuteness. Maika does her best to be patient with her, which is to say she isn’t. No matter how badly Maika treats her, Kippa doesn’t give up on her. Master Ren is a talking cat, who seems to appear when he is needed the most. He’s protective and mysterious, and knows more than he communicates.

Takeda’s artwork is, in a word, exquisite. There is so much detail in the panels, and every page is in full color. The book took me three times as it normally takes me to get through a comic because I just wanted to drink in the artwork. It’s absolutely gorgeous.

I can’t get enough of this series. Highly recommended.

Contains: blood, violence

Reviewed by Lizzy Walker


Posted on October 26, 2016 by , 1 comment

Book Review: Between Worlds by Skip Brittenham

Between Worlds by Skip Brittenham
G.P. Putnam’s Sons, 2016
ISBN-13: 978-0399176890
Available: Hardcover, Kindle edition, Audible edition

 

Between Worlds is a YA mash-up of the science fiction, fantasy, and romance genres that markets itself as providing an immersive augmented reality experience. Augmented reality, if you haven’t experienced it, adds new aspects to your existing reality and allows you to manipulate them in a 3D environment. In the case of Between Worlds, you can download an app that uses the camera of a smartphone or tablet to create the illusion that the people and creatures in the book’s color illustrations are three-dimensional and can move around on the page in limited ways, depending on where you move your camera screen.  This is a pretty neat trick that you would expect to engage teens, and when I tried it out with my son, he got very excited about the concept. However, there were a limited number of color illustrations, and the app didn’t work with all of them, so he quickly got frustrated and abandoned the book.

It’s neat to see publishers trying new things and taking risks to create a more immersive and attractive reading experience, and the idea is an interesting one, but it still needs work. I don’t think it would necessarily work on a large scale, since most people don’t want to download an app for every book they read, and having to stop reading to activate the illustrations actually doesn’t create an immersive reading experience– it breaks it down. Based on my son’s reaction, the AR aspect of the book was enough to catch his attention, but not enough to convince him to read it. This might work better with nonfiction: a few years ago we reviewed a nonfiction book called Horrible Hauntings that used this technology very effectively to simulate ghosts moving around in the illustrations on the pages for each entry.

The story itself was okay, but it didn’t impress me. Although it had some interesting ideas, they weren’t fully explored, and the primary characters, Mayberry and Marshall, were flat and unsympathetic. Mayberry was the brainy new girl whose urban “coolness” and obnoxious attitude left her on the fringe in her rural high school. Marshall was the geeky prankster from a well-known and formerly wealthy family that had fallen on hard times, and who has a secret crush on her. The two bond over their outsider status and love of science. When Marshall learns that Mayberry’s mother, a biologist, is studying a local colony of quaking aspen trees, he suggests to Mayberry that they break in to the restricted forest to seek out the mythical Wishing Tree that is supposedly at the center of the grove. Mild teen rebellion, science fiction, fantasy, and a touch of wish-fulfillment romance ensue. Despite packing all that in (and an alternate reality with the potential to be very interesting), the characters and story just aren’t enough on their own, and with the AR breaking the flow of the reading experience instead of enhancing it, the book is only temporarily enticing.

I think it’s great to see a major publisher trying new things to enhance the reading experience, and I hope we’ll continue to see experimentation. However, the story on its own was not enough to carry this reader, and I don’t think this particular experiment was a success. I look forward to seeing what comes next!

Reviewed by Kirsten Kowalewski


Posted on October 26, 2016 by , Reply

Book Review: Death’s Sweet Echo by Len Maynard and Mick Sims

Death’s Sweet Echo by Len Maynard and Mick Sims

Tickety Boo Press Ltd., 2015

ASIN: B018YK61XM

Available: Kindle edition

Maynard and Sims present thirteen stories, reminiscent of some of the classics. The tone, atmosphere, and themes of these tales of the supernatural are unique to each story, spanning different time periods. A haunted house in an old New England town holds dark secrets; a widow is being followed by someone who claims to be her dead husband; a confused man runs through the rainy streets of London late for a life altering appointment, only to find he was too late anyway.

A few stories stand out. “Another Bite of the Cherry” opens with the frustrated thoughts of an Egyptian girl trapped and immobile in her sarcophagus. who, along with her parents, had been taken and mummified by someone who usurped the position of Pharaoh. The story fast forwards to post-war England. Lizzie Stirling, an out of work actress, has to settle with a job she was once too proud to take, in a nude revue on the small stage. She’s been offered another bite of the cherry, being able to work on the stage again. She makes a few friends, including the leading man of the club’s shows. This friendship turns into more, much more.

“I’m Here” is set after the Great Depression. Poor William Burton lost all of his investment. He reluctantly accepts an invitation to a Christmas party, with a gift he is less than proud of because he has very little disposable income. There are drinks, a lavish meal, and party games, which William dislikes. Then, there are the looks his former love bestows upon her husband, an opportunist who grabbed her up at William’s most difficult time. William, however, finds this all to be an illusion, in a most upsetting way.

In “Sweet Decay of Youth”, Daniel doesn’t want his small group of college friends to abandon him, and he does what he can to ensure his place amongst them. In “Silver”, Maria talks of the silver people in the lake at the Drysdale Clinic, a mental health facility. Her father doesn’t believe her at first, but after the groundskeeper is attacked and the assault is blamed on Maria, things start to fall into place. In the tale called “Guilt Casts Long Shadows”, Martin is wracked with guilt, and he finds out what happens when he doesn’t make proper amends.

Maynard and Sims are true masters of the short horror story. You would be missing out if you skipped over this collection, especially if you like classic horror. They don’t rely on blood and gore to drive their tales. Don’t get me wrong– I love a good, bloody short story myself– but sometimes I like to pick up something that leaves more to the imagination. There really is something appealing to leaving the brain to do some of the heavy lifting, and this book allows for that. Recommended.

Reviewed by Lizzy Walker


Posted on October 18, 2016 by , Reply
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