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Book Review: It, Watching by Elizabeth Massie


It, Watching by Elizabeth Massie

Createspace, 2017

ISBN-13: 978-1548161590

Available: Paperback, Kindle edition

 

In her first collection in several years, Elizabeth Massie returns with a thrilling collection of short stories. The Bram Stoker-winning author of Sin Eater has put together eighteen tales, several of which will be new to readers, and there is not a clunker in the bunch. For those not familiar with Massie’s work, her range of writing is vast, and effortless to read.

To detail the individual stories here would be to spoil any surprise within the pages. What you will encounter is a voice in Southern Gothic style that is like no other.  Her entries in the horror genre often begin in quiet tones, embracing the reader– right before the darkness strikes. It’s not easy to successfully write humor, but Massie nails the light-hearted with aplomb, usually in a south-of-the-Mason-Dixon manner, until the reader realizes something deeper and darker is afoot. This collection is on par with The Fear Report and Shadow Dreams, as one of Massie’s best collections, and it should be an integral part of any horror fan’s library, or those who simply love great story. One cannot go wrong with reading Massie.  Highly recommended

Reviewed by Dave Simms.

 

Posted on February 9, 2018 by , Reply

Women in Horror Month: Not Just Plot Devices

The cast of Wayward Sisters

 

Considering that Supernatural is a show that’s basically drenched in white toxic masculinity, it actually has some really awesome, kick-butt female characters, and because the fans demanded it, it looks like they’re getting their own spinoff show, Wayward Sisters . The recent backdoor pilot, though, apparently brought along its share of tired tropes centering men, especially the ever popular one of using a woman’s death, mutilation, or violation as a plot device and motivation for a male character to do his (usually violent and heroic) thing, according to The Mary Sue . This trope actually is common enough that it has a name: “Women in Refrigerators”. Before I even knew what it was called, I LOATHED this trope, which is the basis for pretty much everything that happens in The Crow. In this case, the women who were “fridged” also got to embody another trope: that of the black woman willing to carry on to support the talents of a white main character. On a show that’s supposed to celebrate women, and even had some diversity in its casting, a woman of color was killed off to advance the plot, for the Winchester brothers. In addition to representation in casting, I’m thinking some diversity in screenwriters is in order.

This trope is so tired and so vomit-inducing that someone has finally created an award to be given to a thriller that manages to get through its plot to the end without a women getting beaten, stalked, killed, raped, or sexually exploited, called the Staunch Prize. I can’t think of too many candidates that will qualify. Even my favorite tough-woman detective, V.I. Warshawski (yes, I’m old), gets beaten and stalked. You go after the bad guys, you fight injustice, and chances are there’s going to be some kind of violence or threat in your future. These days, all you have to do is tweet something someone doesn’t like to have death threats shower down on you. So I don’t know how many entrants the sponsor of the prize will actually find, but it says a lot that she is so damn tired of reading about violence against women used as a plot device that she would actually shell out hard, cold, cash to read a suspenseful book that doesn’t have it. We are not plot devices, and those of you writing horror who don’t already know this should know that leaning on women in refrigerators to drive your plot is lazy and disrespectful.

As you are thinking about and reading about women in horror this month (or writing about women in your own horror fiction) consider this: there are many, many, women writers and women writers of color who are writing horror fiction and poetry, from Linda Addison to Nnedi Okorafor, and including many who are unknown. I challenge you to seek them out this month and see what women, and especially women of color, are creating to scare the hell out of us.

 

Posted on February 1, 2018 by , Reply

Book Review: Whispered Echoes by Paul F. Olson

Whispered Echoes by Paul F. Olson

Crystal Lake Publishing, 2017

ISBN: 9781640074743

Available: Hardcover, paperback, Kindle edition

Whispered Echoes was originally published in 2016 as a limited edition hardcover by Cemetery Dance Publications. The stories in this collection were previously published in various magazines and edited anthologies with the exception of the novella “Bloodybones”, which appears for the first time in this book. The stories appear in this volume in chronological order as they were published. There are a few stories that stand out in this anthology.

Kent Barclay is “The Visitor” to the small town of Patterson Falls once a year. That’s when the accidents began. They started out small: a non-lethal bike accident here, someone injured by a glass door there. Then eight year old Sarah McKennon met with a deadly accident in the presence of Barclay. Matthew is appointed to talk sense to Barclay, to get him to leave town voluntarily, but to no avail. Now, Matthew waits for Barclay’s return, and the accidents that await Patterson Falls this year.

In “From a Dreamless Sleep Awakened”, police chief Carl Holt calls for Father Jurgens to help him with the strange situation of nine-year old Tommy Gallagher, a child who went missing after he unearthed bones in a small cave a month previously. When the missing child is found, he’s changed. This wasn’t a particularly unique story, as the Indian burial ground, an office calling on a priest for exorcism, and possession of the weak are familiar tropes. Even so, it was well done.

The world is different in “The More Things Change.” The natural world is no longer obeying the laws of nature: the sky changes colour, the river starts to reverse its flow…and bears are riding motorcycles. A cadre of the town retirees starts talking about the new guy in town, Jock Bartholomew, wondering if he is responsible for the sudden changes. The subject of witchcraft comes up conversation and the men laugh it off. Elvin, one of the party, interprets it as just a laugh, that there was no malice behind it. Despite this, Elvin can’t help but wonder. He warns Jock about the potential danger he is in after analyzing the situation further. They both learn first hands what happens when a community falls to herd mentality and the danger it poses when the men and other people from the town show up at Jock’s house, yelling for the witch to come out and face his consequences.

The novella of the anthology, “Bloodybones”, is both beautiful and terrifying.  Six months after Amy’s disappearance on her way home, her boyfriend, David, decides to investigate the old lighthouse she lived in. Amy’s sister arrives to find her own answers as well. As they search for what could have happened to a woman they both cared about, they find information about Bloodybones. Who was this entity, and what did it want? More importantly, what did it do with Amy?

The tales mentioned above are just the tip of the iceberg. There are so many great stories in this volume. Olson truly has a way with storytelling. The reader can see his writing progression from the first story to the last. Highly recommended.

Reviewed by Lizzy Walker

 

Posted on January 22, 2018 by , Reply
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