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Book Review: I Am the River by T.E. Grau

I Am the River by T.E. Grau

Lethe Press, 2018

ISBN: 978-1-59021-445-9

Available: Paperback, Kindle edition, audiobook

 

If there are such things as literary horror novels’ I Am the River would be the poster child.  This is the equivalent of a 70’s era acid trip washed down with a fistful of amphetamines.  It’s a dizzying trip through the reality (and unreality)  of one man’s mind and actions, as he struggles to deal with his shattered life, post-Vietnam.  Written with exceptional skill, I Am the River is a novel the reader won’t want to miss.

The story centers around Israel Broussard, an American GI who suffers with a severe case of PTSD, as he drifts though life in the slums of Bangkok, five years after the war’s ending.  The story runs two threads concurrently throughout the book, and the chapters are split along the threads.  One thread is written in the first person from Broussard’s point of view, and shows him trying to make sense of his reality in the seamy underbelly of Thailand.   He is clearly unbalanced and has severe mental problems, but he can’t remember what happened to him in the war that left him so unstable.  The author’s skill is on full display here, as he moves between using full sentences/paragraphs, to using short, jagged sentences when he describes the thoughts running through Broussard’s head.  It does an excellent job of making the reader feel the madness Broussard is suffering from, as it comes at you in quick snippets, much like the thoughts in his head. The other thread is written in the third person, and tells Broussard’s story during the war.  He was a disgraced GI who was hand-selected for an off-the-books mission, and he had no idea why he was picked, or what the mission was.  It then builds towards the objective itself, and how it is supposed to end the war.

Some of the highlights include the expositions by some of the characters concerning what winning a war actually entails, and how to “win” it without firing a shot.  I Am the River is very well thought out: it is written so well that you might find yourself questioning your own ideas about what a war is, and what winning actually means.  Other characters help to lend more to the overall discussion in this section.  The reader will get hooked quickly here, as you’ll want to know more about the mission and the nefarious idea behind it.

The author wisely does not give away the reasons behind either plot thread at the beginning.  It is like reading two stories at once: both build in excitement at roughly the same level, and each hits its climax within a chapter of the other at the end.  Both threads tie their plots together for the last chapter, and the reader gets a beautiful, open, ending that does not completely resolve the story, but does leave a note of hope for the future.  It also leaves a setting tailor-made for another book in the story of Israel Broussard, as most readers will be clamoring for more.

As good as everything concerning the plot is, it’s Grau’s skill as a writer that makes this book so impressive.  His prose is fluid and extremely polished, and shows a skill that many authors can only hope to achieve.  It’s hard to believe this is his first novel, as he writes like a seasoned veteran.  As an example: describing a helicopter landing, he writes, “the choppers shed altitude fast, handing it off to the slow rising sun as an even trade with the break of dawn over the eastern mountain range.” The whole book is written with this type of skill, and it’s impressive to behold.  The bottom line is, you want to read this one.  Highly recommended.

Contains: violence, mild gore.

 

Reviewed by Murray Samuelson

 

Editor’s note: I Am the River is a nominee on the final ballot for the 2018 Bram Stoker Awards in the category of Superior Achievement in a Graphic Novel.

 

Book Review: A New York State of Fright: Horror Stories From the Empire State edited by James Chambers, April Grey, and Robert Masterson

A New York State Of Fright: Horror Stories From the Empire State edited by James Chambers, April Grey, and Robert Masterson

Hippocampus Press, 2018

ISBN-13: 978-1-61498-237-1

Available: Paperback, Kindle edition

 

Horror writers, both established and new, live all over New York State, from the Big Apple to Upstate.  Each has their own take on the macabre.   In this anthology of frightening tales set in their home state, they put their talents and imaginations to good use: the writers, editors, and publisher pledged to donate the proceeds to Girls Write Now, a New York City nonprofit that matches at-risk teen girls with mentor writers, to help create and benefit a new generation of New York writers.

From the beginning, A New York State of Fright promised to give a great variety of tales, and it did.  There is something for everyone here. A woman addicted to fashion gets her shoe fix with an unknown designer.  The incredible heels demand to be worn, no matter the cost. A collection agent for a Latino mob runs the neighborhood handing out beatings to death at will… until the victims decide they’ve had enough.  People trapped in the subway while a hurricane bears down on the city discover that when rain floods the tunnels, the water washes more than rats up out of its darkness.  A visit to the old abandoned lighthouse in New York Sound is said to let you reach out to lost loved ones…  but maybe they will reach back.  A psychopath is recreating the past in murders: a crime reporter has a tip for the lead detective that will break the case wide open.  A man buys an estate and recounts to his realtor how he met his wife, an incredible story filled with werewolves… or is it?  During the dog days of summer three drinking buddies sit in their favorite bar and ogle the hottie outside.  The game is simple: is she alive or dead?

Some stories worked better than others for me.  My favorites were: “Eyes Left by Jack Ketchum and Edward Lee; “Everybody Wins” by Lisa Mannetti; “Blood Will Tell” by JG Faherty; “The Grim” by Allan Burd; and “Heels” by Alps Beck.  Each of these used enough realistic elements to give an authentic feel to their stories, and also had a unique twist.  The pacing and flow was good in them, the descriptions were descriptive without being overdone, and the characters were believable.  The stories drew me in, and wouldn’t let go.  The other tales were okay: some worked better than others for me.  However, this entire collection suffered to one degree or another with a variety of grammar issues.  Spelling, run-ons, telling vs. showing, garbled phrases, and punctuation issues all reared their ugly heads.  Due to this, I had trouble following some works.  The only work that I have read previously by an author with a story in this volume is Lucifer’s Lottery by Edward Lee.

Contains: Sexual situations, Sexism

 

Reviewed by Aaron Fletcher

Editor’s note: A New York State of Fright: Horror Stories From the Empire State is a nominee on the final ballot of the Bram Stoker Awards in the category of Superior Achievement in an Anthology. 

 

Book Review: Lost Highways: Dark Fictions From the Road edited by D. Alexander Ward

Lost Highways: Dark Fictions From The Road edited By D. Alexander Ward

Crystal Lake Publishing, 2018

ISBN-13: 978-1643704722

Available: Paperback, eBook(Kindle)

 

On the open road, opportunities abound.  Anything can happen: you can hitchhike your way across the country depending on the kindness of strangers; go on a pilgrimage to find a lost relative last known to be in a cult; dispose of a cheating ex; run for your life from a mysterious pursuer; clean up your act by traveling through time to hunt yourself; explore the history of a deadly stretch of road.  You can get revenge.  Try the local cuisine, or become it.  Rob a gas station or stop a heist.  Meet a ghost.  Tour the country.  Take a ride with Death.  All this, and more, awaits you on the road.

Lost Highways: Dark Fictions From The Road had a lot of fun stories– 20 to be exact– and a bonus of 5 works of art.  The title got my attention from the start, and I was curious what tales of the road I would find.  I was not disappointed.  The majority of the stories had plotlines that kept me interested and challenged me.  Many gave me twists that I did not expect.  The tone throughout these works was creepy, with the occasional feeling of vindication or awe.  The characters were believable for their situations.  There was enough background to set each story up.  Usually, I was thrown straight into the action and the details of the past popped up as needed.  Fun stuff.  The descriptions and pacing flowed well.  The only complaint I can make is that there were a few grammar issues, mostly typos.  My favorite stories were: Mr. Hugsy by Robert Ford; Jim’s Meats by Kelli Owen; Not From Detroit by Joe R. Lansdale; Room 4 At The Haymaker by Josh Malerman; and The Widow by Rio Youers.  I have not read any of these authors’ work previously, with the exception of I Can Taste the Blood by Josh Malerman. Recommended for adult readers.

 

Reviewed by Aaron Fletcher

 

Editor’s note: Lost Highways: Dark Fictions from the Road is a nominee on the final ballot for the 2018 Bram Stoker Awards in the category of Superior Achievement in an Anthology.