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Magazine Review: Horror Scholar Volume 1, edited by Cecelia Abate

Horror Scholar Journal Volume 1 edited by Cecilia Abate

Horror Scholar, 2019

Available: free and online at https://drive.google.com/file/d/1-dPP15cficp5M8LxuSHz5K5TKLSqxo8J/view

This is a review for the first issue of Horror Scholar’s (Cecilia Abate) experimental themed literary magazine, Horror Scholar Journal, Volume 1. She launched the journal “in response to the intimidating process of pitching to formal literary magazines and the niche community of horror scholars looking to further their work” (p. 4). The focus of the first issue is American Horror Story.

Spinster Eskie, in the article titled “Coven’s Forgettable Witch”, discusses the blank canvas trope in horror, focusing on Zoe and how her role was “a safe bet for the series (white, boring, etc.)”. Rather than taking a chance on giving attention to Queenie or Nana would have rejected tradition, something the author argues that witches typically break.

In Dodie Miller-Gould’s article, “Gothic Representations of Mothers and Daughters in AHS: Freakshow“, uses Gothic tropes to discuss Elsa Mars and her mothering, or lack thereof, regarding Dot and Bette Tattler, and Barbara (Imma Wiggles).

Abate herself argues, in “The Pop-Horror Temporality of Cult and Apocalypse“, that these two seasons in particular stand out as being closer to the viewer than the others, as they address what was occurring and worrying people at that point in time. This is especially true of Cult and its political commentary.

The last article, Paula Ashe’s “Class Anxiety in Murder House“, presents good information, but is admittedly a dense read. Ashe argues that American Horror Story: Murder House is “an ideologically potent response to the realities of risk society colliding with the values of neoliberalism” (p. 25),  and that “at its heart, American Horror Story is a conservative morality tale about a neoliberal family in material crisis”(p. 22), making valuable points in that regard. Be prepared for a lot of information in this one.

I think the only criticism I have for this volume is that it could go through another edit, as I noticed a few typos, but other than that, this was a very solid first issue for Horror Scholar Journal. It is worth a read if you are interested in horror analysis, but be warned that if you have not viewed the seasons of American Horror Story that are discussed, there are spoilers ahead. I’m looking forward to the next issue. Highly recommended.

Contains: spoilers

 

Reviewed by Lizzy Walker

Book Review: The PS Book of Fantastic Fictioneers: A History of the Incredible (volumes 1 and 2) edited by Pete Von Sholly

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The PS Book of Fantastic Fictioneers: A History of the Incredible (volumes 1 and 2) edited by Pete Von Sholly

PS Publishing, 2019

ISBN-13: 978-1786364258 (volume 1)

ISBN-13: 978-1786364265 (volume 2)

Available: Hardcover

 

Fantastic Fictioneers is a two-volume set from PS Publishing of short essays, arranged alphabetically, meant to celebrate 120 people who have contributed to what creator Pete von Sholly describes as the “imaginative arts”.  This term covers individuals who have contributed to a wide swath of media, from children’s authors to comic book artists and writers, movie directors, animators, actors, publishers, and writers of science fiction, mystery, and horror. Some have passed away, like H.P. Lovecraft and Forrest Ackerman, and others are still with us, like Stuart Gordon and Ramsey Campbell. Each entry starts with a large illustration filling three-quarters of a page including the likeness of the entry’s subject accompanied by an illustration by von Sholly of what made them a prominent “fantastic fictioneer” (for example, the entry on Charles Addams pictures the Addams Family conjuring up Addams’ ghost in a seance; the background of Hiernomyous Bosch’s portrait contains creatures from his paintings; Ray Harryhausen’s face floats among his many models) followed by the first few paragraphs of a short essay. Some essays are detailed biographical entries, others are more personal accounts, and many are a combination. The entry on H.R. Giger includes musings and analysis on his work; the entry on Octavia Butler goes into detail on her life but includes a personal account; and Maria Alexander’s entry on Clive Barker is mainly a personal account of her experiences with him and his work.  Each essay includes many photographs of artifacts and artwork related to the work of the essay’s subject, as well as photos of the individual. Von Sholly was able to get some prominent names to write many of the essays, including S.T. Joshi on Lovecraft, J.D. Lees on Ishiro Honda, and Harlan Ellison on Frank Herbert. If you have the time, you could spend quite a while turning the pages and learning a little about the varied “fantastic fictioneers” included.

The entries aren’t consistent enough in their format and content for the books to be used reliably as a reference source of biographical information, but the collection of individuals profiled crosses many areas of the “imaginative arts” and there is information on individuals that might not be typically covered (I had never heard of Seabury Quinn before). Although it could have benefited from a little more diversity (very few women and minority “fictioneers” are covered), Von Sholly explains that, outside of a few “obligatory” entries, the majority are subjective favorites. As long as the set already is, ultimately choices about what would be included had to be made, and there is no doubting that Fantastic Fictioneers is a labor of love. Unfortunately, while it is a gorgeous volume, it lacks an index, and many of the images are not credited, which could be a detriment to a library purchasing it. Fantastic Fictioneers will appeal most to collectors and fans, and large libraries interested in adding specialized biographical reference materials to their collections.

Due to the variety of individuals covered, and the expense of purchasing the set (about $130 for both volumes), I’m including images of the table of contents of both volumes below. It really is a wide-ranging collection of entries! For those fascinated by all aspects of speculative fiction, this is a unique collection!

Editor’s note: I received a PDF file from the publisher for this review.

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Book Review: The New Annotated Lovecraft: Beyond Arkham edited with notes by Leslie S. Klinger

The New Annotated H. P. Lovecraft: Beyond Arkham edited with notes by Leslie S. Klinger

Liveright Publishing, 2019

ISBN-13: 978-1631492631

Available: Hardcover, Kindle edition

 

The New Annotated H. P. Lovecraft: Beyond Arkham is a handsome volume of the master’s short stories. This volume collects 25 of the prolific author’s stories, including such famous titles as “The Music of Erich Zann”, “Pickman’s Models”, “The Tomb”, and “The Horror at Red Hook”. It is a heavy book, and I would definitely recommend making sure you have a clean, clear table to read it on.

When you consider an annotated book, the most important thing is of course the annotations, or notes. These notes are printed in an appropriate and easily readable shade of red. They are clear, and they explain fully each and every detail the reader might not have been previously aware of. Leslie Klinger has clearly done extensive research, hunting all manner of information down to provide us thorough, precise explanations of all sorts of short hand descriptions of things in Lovecraft’s stories.

This is a big, beautiful book. If you are a fan of Lovecraft, or you just like short stories that discuss strange, otherwordly monsters, this is highly recommended. This is definitely for ADULT readers.

 

Reviewed by Ben Franz