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Book Review: The Poe Estate (The Grimm Legacy, Book 3) by Polly Shulman

The Poe Estate (The Grimm Legacy, Book 3) by Polly Shulman

Nancy Paulsen Books, 2015

ISBN-13: 978-0399166143

Available: Hardcover, Kindle edition, audiobook, audio CD

 

This, sadly, is the last book in a trilogy where the real star is not any particular character, but the New-York Circulating Material Repository, a combination library/museum/pocket dimension of fictional objects. The first book, The Grimm Legacy, introduced high school students Elizabeth Rew and Andre Merritt, who were hired to work as pages in the Repository, as they discovered magical objects from fairytales and fantasy. The second book, The Wells Bequest, introduces science geek Leo Novikov and explores fictional objects found in science fiction tales. This third book, The Poe Estate, ventures into the world of Gothic and early horror fiction. It takes place years later, after Elizabeth has become a librarian. She and Andre travel New England looking for haunted objects and houses to store in the repository’s Poe Annex (a detail I loved was that in order to reach the Poe Annex, visitors must first travel through the Lovecraft Corpus, which is just as creepy and atmospherically terrifying as you would expect). However, unlike the first two books, we get a first-person narrator, sixth grader Sukie, whose protective older sister Kitty died from an inherited blood disease from her mother’s side of the family, the Thornes.  Kitty haunts Sukie, still compelled to protect her even after death. Sukie and her parents, suffering financially, move into Thorne Mansion, which is in a sad state of disrepair, with their mother’s very elderly cousin, Hepzibah Thorne, and Sukie soon discovers another ghost haunting the house.  After meeting Elizabeth and Andre at a flea market, Sukie discovers that the house, and members of her family from generations past, appeared in an unfinished Gothic novel. Sukie, Andre, and Elizabeth go on a treasure hunt, passing through the Lovecraft Corpus, visiting the Spectral Library (a fictional library with a ghostly librarian, containing fictional books that exists inside a story: examples of fictional books include the Necronomicon and The King in Yellow, both of which are better handled by a ghost than a human being), and traveling through the Poe Annex, which contains not just haunted houses, but haunted ships, haunted trains, and haunted islands. There are enough Easter eggs in this book to give any fan of Gothic and early horror fiction plenty to delight in, and the metanarrative is kind of fascinating, although it’s also somewhat confusing.

I personally am absolutely delighted to see the names of some of these lesser-known stories (such as “Afterward” by Edith Wharton and “The Wind in the Rose-Bush” by Mary E. Wilkins Freeman) and authors appear in a middle grade novel, and I love the Repository and its collections. However, Sukie’s story as a girl dealing with grief over the death of her sister, financial difficulties at home, and bullying at school, whose elderly cousin is being pursued by unscrupulous developers, gets shafted by the author’s need to incorporate the Repository into the narrative. Jonathan Rigby, the villain from previous books, doesn’t get much space in the story, and the conflicts and relationships don’t get the attention they deserve. Sukie’s story is definitely a middle-grade story, but its intersection with the Repository storyline mostly derails it in favor of dropping names that might not be familiar even to many adults. Shulman could get away with this in The Grimm Legacy, because most kids have a basic familiarity with fairytales, but I don’t think it works here.

If you are an adult who loves the idea of  fantastic libraries or getting to step into favorite stories (visiting the House of Usher, flying on a broom from Young Goodman Brown, tracking down Captain Kidd’s treasure) then this is a really fun book.  Unfortunately, I think a lot of it will go over the target audience’s head. Polly Shulman does provide a list of authors and titles mentioned in the text, and she got me interested enough in Hawthorne to look some of his stories up (The Scarlet Letter successfully turned me off to Hawthorne in high school), but I have trouble seeing kids in elementary or early middle school  actively seeking these stories out on their own. This isn’t great writing, but it’s a lovely tribute with an enjoyable concept,  one of those books that is best shared between an adult who loves the genre and the kids in their lives.

 

Posted on January 14, 2020 by , Reply

Book Review: The Good Demon by Jimmy Cajoleas

Life would have to be pretty awful and lonely for a person to agree to be possessed by a demon, but Clare has had a pretty traumatic life, and her demon not only takes her away but protects her from danger. Several years after she discovered her addict father dead from an overdose, her secret is revealed, and her stepfather, an abusive alcoholic, has the demon, who Clare calls her Only, exorcised by an evangelical preacher and his son, Roy.  Bereft, Clare is on a mission to retrieve and reintegrate with her Only, the one being who truly knows and loves her, but clues left by the demon instruct her to make friends with Roy, and despite their rocky beginnings, Clare and Roy become friends.

The One Wish Man has the power to grant Clare’s wish, but there is always a price.  In her eagerness to reunite with her Only, Clare chooses to overlook some obvious red flags: a cardinal crucified upside down at the entrance to the One Wish Man’s property, a nightmarish walk to his house, a stolen scroll of human skin, and others. As Clare’s investigations reveal a rottennness and lust for power at the center of town that is more than its terrible place in history (the Trail of Tears, the KKK, and tornadoes, among other disasters). Clare has to decide how far she can trust her Only, and whether her Only’s love is worth enough to sacrifice the new relationships she is building.

The Good Demon takes place in the deep South and has some great Southern Gothic trappings, and the trope of rottenness under the surface of a small town plays out well here. Clare is an unreliable narrator, and there’s a strange feeling of unreality enfolding her story. Oddly for a book set in the South, outside of Clare’s brief mentions of the town’s history with slavery, the KKK, and Native American genocide in the context of “terrible things happen here”, there aren’t actually any identifiable African-American characters and the book doesn’t really touch on race, which would pretty much flavor everything there. Of course, we are seeing all of this from Clare’s point of view, which is pretty narrow, since her life appears to be basically doing nothing at home, stealing from the secondhand store, or going to the library, and rarely encountering people other than her mother and stepfather, who spend much of their time drunk and arguing, so maybe she is really just that isolated from her community. The more time you spend with her, the more you can see why Clare wants her demon back so badly, and that any child would be in that position may be the saddest and most terrifying thing of all. Recommended for YA collections.

Contains: occultism, body horror, sex, gore, mild violence, attempted rape, references to suicide, drug and alcohol abuse.

 

 

 

 

Posted on January 11, 2020 by , Reply

Book Review: Nine Elms (Kate Marshall Book 1) by Robert Bryndza

Nine Elms by Robert Bryndza

Thomas & Mercer, 2019

ISBN: 978-1-542005-68-5

Availability: Hardcover,  paperback, Kindle edition, audiobook, audio CD

 

When it comes to reading choices, there are a LOT of crime thrillers featuring a female detective as the lead available, and many of them get turned into a series of books.  For a book to stand out from the competition, the story and writing has to be very good.  Robert Bryndza’s new book Nine Elms meets both of the criteria.  Excitement, good story development, solid characters, unexpected plot twists… all the elements are there.  It won’t be any surprise to see heroine Kate Marshall return for another go-around in a second book, and continue what looks to be a the start of yet another enjoyable series.

The book starts fifteen years prior, with a 26 page lead-in to the main story.  Kate is a detective, on the trail of a killer known as the Nine Elms Cannibal (although he doesn’t eat his victims, he simply takes a few bites out of each of them).  The author takes a nice swing at the media, when it’s revealed that despite the lack of actual cannibalism, the media hung the nickname on the killer in their never-ending quest for sensationalism.    Kate catches the killer and becomes a hero, but she quickly becomes the goat due to her relationship with the killer, and she resigns from the police force.

Jump ahead 15 years: Kate is a professor of criminology at a local college.  She receives a letter out of the blue from a family who found new evidence in the case of their daughter’s murder, which happened 20 years ago.  They want to hire her to look into it, since the police aren’t interested.  Kate and her academic assistant, Tristan, reluctantly agree.  Another string of grisly murders starts at the same time, and Kate sees similarities between the Nine Elms Cannibal killings, the new ones, and the cold case of the daughter.  Kate and Tristan are slowly but surely drawn into the fray.  It’s a race to track down the new killer, and find out how all three cases tie together.

Author Bryndza writes with a sure hand, like the seasoned literary veteran of detective writing he is.  No wasted words, no overdevelopment, and no slow parts: every chapter guns along at a fast clip and rolls right into the next chapter, guaranteed to keep you turning pages.  Of course, half the fun of these books is trying to guess the killer’s identity, and Bryndza does a good job keeping it hidden until close to the end.  It’s usually done one of two ways in crime thrillers: the killer was introduced as someone living behind a mask in the beginning, or he doesn’t make an actual appearance until partway through.  The author chooses the correct one here for maximum effect.  It helps that the story has three threads to work off of, as the original Nine Elms killer still does play a significant role throughout the book, and an important part in the climax.  For readers that always need the “why?” question answered as to the killer’s motives, Bryndza does provide enough explanation for both killers.  It’s not overly done, just enough to make sense and keep the story rolling.   His characters are also nicely done in shades of gray: they are not just one-dimensional, especially Kate.  She’s not perfect, and has her weaknesses like everyone else.

As Dabney Coleman famously said to Henry Fonda in On Golden Pond, “what’s the bottom line here…?” The bottom line for Nine Elms is, if you like crime thrillers, you don’t want to miss this one.  It isn’t quite up to the gold standard that Graham Masterton set for detective novels with his Katie Maguire series, but it’s a strong contender for the silver.  Recommended.

 

Contains: violence, profanity, mild gore

 

Reviewed by Murray Samuelson

Posted on January 7, 2020 by , Reply
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