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Book Review: Eight Minutes, Thirty-Two Seconds by Peter Adam Salomon

Eight Minutes, Thirty-Two Seconds by Peter Adam Salomon

PseudoPalms Press, 2019

ISBN-13: 978-1093780673

Available: Paperback,  Kindle edition, audiobook

 

 

Eight Minutes, Thirty-Two Seconds has a fascinating concept, and turns out to be more relevant to our times than I’m sure the author expected. Taking place in the near future, I’d say this is more a sci-fi thriller than horror. Our protagonists are L and M, the only two occupants of a gigantic bunker on an Earth where all life appears to have been destroyed. Neither L or M have any memory of their lives prior to waking up in the bunker, and the parameters of the AI in charge are set to make it almost impossible to discover what happened and who they are. Their only escape is a drug that flatlines them for eight minutes and thirty-two seconds. During that time they “jump” into the minds of one of six gifted teenagers secretly working together on a complex, mysterious, and fatal project.  L and M are only able to get short glimpses, though, and have difficulty remembering what they’ve seen once they’ve been “brought back”. It takes an extended flatlining on M’s part, and rapid repeats of inducing her death on L’s part, to piece together the six teenagers’ terrifying plan and the consequences of its results.

While the idea is interesting, and puzzling the pieces together was enough to keep me reading, the lack of character development in this book is a serious flaw. Because L and M don’t have memories, and don’t seem to have much interest in even exploring much of the bunker, it is hard to get a sense of who they are and what they’re like. It’s unclear why they have to die repeatedly to learn about the past or why flatlining would specifically take them to random parts of these specific teens’ lives. Outside of all being genius-level intelligent, it’s also not really clear why these teens would choose to work together. While their leader is clearly alienated from humanity, others seem to have positive relationships, and their willingness to participate was confusing to me.  Although I ultimately found it to be unsatisfying,  I appreciated Salomon’s creativity,  and there were enough unexpected moments to keep me reading it all the way through in an afternoon.

 

Editor’s note:  Eight Minutes, Thirty-Two Seconds  was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Young Adult Novel.

Graphic Novel Review: Nicnevin and the Bloody Queen by Helen Mullane, art by Dom Reardon, layout art and title page by Matthew Dow Smith

NIcnevin

Nicnevin and the Bloody Queen by Helen Mullane, art by Dom Reardon, layout art and title page illustration by Matthew Dow Smith

Humanoids, 2020

ISBN-13: 9781643377131

Available: Paperback, Kindle, comiXology

 

Nicnevin “Nissy” Oswald and her younger brother Gowan are sent to spend the summer with their mother in Northumberland, something about which Nissy is less than pleased. While they are there, Gowan comes across a dead body when he is out playing football with his friends. A modern-day druid is committing ghastly murders, thinking he could free the power of the ancient gods of Great Britain. When he targets Nissy, he makes a terrible mistake. She has a connection with the land and animals around her, one that she hasn’t accepted yet.

page4     Most of the story is great. Nissy discovering her family history, who she really is, and what she can do, offers an interesting coming-of-age tale. The folk horror content is solid.  Reardon’s artwork is perfect for a story full of folk horror, mythology, and ethereal creatures. The illustrations of the Wild Hunt were especially eerie and beautiful.

 

A few parts of the story were lacking. For instance, I’m not sure why Nissy, Gowan, and their mother are spending the summer in Northumberland. It is clear there is a strained relationship between her and her mother, but it doesn’t seem like a divorce situation, given how the parents give each other a parting kiss prior to their leaving. Readers can see the partial content of a letter regarding Nissy being expelled from school. We see Nissy’s frustration and anger toward her mother about having to be away from her friends for the summer. Nissy simply comes across as argumentative for the sake of being argumentative. We don’t get a glimpse of her previous life, and what has led her to become so angry with her mother.

 

Another aspect of the story I can’t come to terms with is Nissy’s crush on a 35-year-old man named Reggie. There is a series of panels where Nissy pleasures herself while thinking about him, and the animals outside engage in sex outside the cottage. While it helps illustrate her connection to nature, I can’t help but wonder if there was another way this could have been played out. A troubling panel depicts Reggie and Nissy nude together. Later, she attempts to engage him in a kiss, which he thankfully refuses. if you are squeamish about teens exhibiting sexuality, you might want to skip this. I don’t mind a healthy dose of sex and sexuality in my horror, but I’m not a fan of this particular type.

 

Contains: brief nudity, murder, sexual content, violence against women

Recommended, with reservations

Reviewed by Lizzy Walker

Interview: Cecilia Abate, aka Horror Scholar, Talks to Lizzy Walker

Cecelia Abate

We’re a little past Women in Horror Month, but why limit ourselves to one month a year? There are way too many awesome women who are a part of the horror community to do that. Monster Librarian primarily reviews fiction, but I actually like reading nonfiction, too, as it widens my knowledge of horror and I think makes me a better reviewer. Also, despite academic jargon, the ideas can be really compelling. Any researcher who doesn’t have the resources of a university or similar institution knows the challenge of actually getting your own stuff written, researched, and published. Enter Cecilia Abate, aka Horror Scholar, founder of Horror Scholar Journal, a new online journal that provides an avenue for independent researchers to get their work published. Reviewer Lizzy Walker had the opportunity to interview Cecilia recently, so read on to learn more about her!

 

Lizzy: Hi, Cecilia! Tell Monster Librarian readers about yourself.

Cecilia: Hi there! I’m an independent horror academic & researcher with a focus in data-heavy quantitative analysis. I run a research brand under the title Horror Scholar and am currently employed at Google during my daylight hours.

 

Lizzy: Describe your path to horror studies. How did this become an interest for you?

Cecilia: Actually, total accident. As I was getting through my BA, I remember *hating* pop culture studies and literary analysis. I was rereading Frankenstein for a sci-fi studies course and I bought an edition which had about 4 analytical essays included in the back. I remember flipping through them and just scoffing, being like, “Oh my god, who cares? The monster is a monster, leave it alone.”

Somehow, in the next few years, that opinion completely reversed. I did my last essay of my college career on colonialism in The Nightmare Before Christmas. And as I was laughing at myself writing it, I started to go “oh no… this is actually a lot of fun.”

 

Lizzy: What made you start Horror Scholar Journal?

Cecilia: Frustration and a drive to lead a project, honestly. At the time—I don’t fully remember the line of thought, but I remember being frustrated at the gap between being an independent academic (not backed by a university, therefore less credible) and needing my work published. And I sort of thought, “You know what? I’m gonna do it myself. I’m gonna make a change here.”

 

Lizzy: The inaugural Issue of Horror Scholar Journal which focuses on American Horror Story was great. Could you talk about your American Horror Story research you started prior to the journal?

Cecilia: Thank you! So in 2015, I started conceptualizing a thesis about the usage of sexual violence on AHS, but I didn’t have the numbers to back it up, which resulted in me starting a data project to record and process all the incidents of sexual violence on the show. I’ll be doing that until the show ends and I’m currently almost caught up – I’ve got to finish the numbers for the previous season.

 

Lizzy: So, Hannibal is the focus of Issue 2. What made you want to focus on this iconic horror figure?

Cecilia: One of the things that pushed me was the passion of his fans! The Hannibal fandom is SO ALIVE. While I know is most certainly due to the 2013 show, there are still tons and tons of classic Lecter fans out there. When I put the call for theme suggestions out on Twitter, the Hannibal fans answered strongest of all. It’s a rich canon, the books & movies are great, and it made for a bunch of very strong essays.

 

Lizzy: What can we expect for more themes of future issues of Horror Scholar Journal?

Cecilia: Phew. My girlfriend most recently suggested the Alien franchise, which is a pretty strong bid. Ideally, I’d like to take on things that aren’t the most obvious suggestions. Like, I’d never do “Dracula” or “Frankenstein” because the topics have been diced every which way already.

 

Lizzy: Why should librarians recommend Horror Scholar Journal as a resource?

Cecilia: I’ve always seen librarians as a particularly revolutionary and rebellious arm of academia, so I think my goals for Horror Scholar align with those sentiments – accessibility (both intellectually and financially), critical thought, creativity.

 

Lizzy: Do you have any upcoming projects you would like to mention?

Cecilia: I’m prepping a paper on vampire identity and social strata in What We Do In The Shadows and Being Human (UK). While I’m secretly not hyped for this paper, I AM hyped for attending the Popular Culture Association Conference for the first time to present it!

 

Lizzy: How can people get in touch with you for more information?

Cecilia: My email, horrorscholar@gmail.com is fine – OR we’re available on FB and Twitter! www.facebook.com/horrorscholar or www.twitter.com/scholarhorror.