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Book Review: Out of Water by Sarah Read

Out of Water by Sarah Read

Trepidatio Press, 2019

ISBN-13: 978-1950305056

Available: Paperback, Kindle edition

 

There are a handful of authors who have emerged in the past year or two that have made a splash in the world of horror. Thankfully, many of them have been recognized either by review sites such as this one or through awards. I was handed The Bone Weaver’s Orchard last year and was impressed with the writing. Sarah Read immediately established herself in the top tier of new writers that would soon make waves in publishing. That novel overflowed with style and character that lent a “classic” tone to the story that felt both natural and fresh.

When Out of Water arrived from the always quality Trepidatio Press, I waited until I had time to enjoy these stories. That old cliche rang true once again: good things do come to those who have to wait for ideal times for great stories in the middle of chaotic lives!

Instead of hitting on every story here, I’ll focus on a few that resonated with me long afterwards or jarred me with an emotion right away. There were plenty.

“Endoskeletal” is a perfect representation of the modern horror story. Archaeology in the genre is always a treat. What begins as something that seems typical goes sideways pretty quickly, with a character who sticks with the reader in a memorable, claustrophobic tale.

“Making Monsters” grips the reader by the throat. Read examines the inner workings of its disturbing lead character, while making the story enteraining just as much as it is bleak.

“In Tongues”- just read it. Weird religious tales written well have a tendency to burrow under the skin, and the author nails it here.

Finally, “Underwater Thing” feels a bit Lovecraftian, yet wholly original as well. The father-daughter dynamic is painful but full of suspense. It’s probably the highlight of the collection.

Other stories hit on different cylinders, with topics that are wide-ranging but have a common thread. There’s a sense that mood will determine which story could be a favorite for that particular day which, for me, is a strong sign of a stellar collection. The writing is  detailed, but not flowery. Read imbues each story with just enough imagery for the reader to conjure the visions to bring each to life.

It’s easy to see why this book was shortlisted for the Bram Stoker Awards. Recommended.

 

Reviewed by David Simms

 

Editor’s note: Out of Water was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Fiction Collection.

 

Posted on April 18, 2020 by , Reply

Book Review: Five Midnights by Ann Davila Cardinal

Five Midnights by Ann Cardinal Davila

Tor Teen, 2019

ISBN-13: 978-1250296078

Available: Hardcover, paperback, Kindle edition, and audiobook

“When the U.S. gets a cold, Puerto Rico gets pneumonia.” In the United States, the mainland tends to forget that Puerto Rico is part of the country, and many Puerto Ricans have learned that federal government agencies don’t really want to get involved when disaster hits due to this (witness the travesty of the aftermath of Hurricane Maria). Five Midnights takes place before the hurricane hit, but it is easy to see that mainlanders, mostly white and wealthy, are viewed with suspicion due to their contribution to gentrification, which is driving locals out of even middle class neighborhoods to areas where gangs, drugs and crime are profitable and attractive tp teenagers trying to make it in a struggling economy. It’s no surprise when Vico, a successful teenage drug dealer, dies violently while on his way to a deal, but what only the reader knows is that the death is due to a shadowy, clawed, supernatural creature.

Enter Lupe, a half-Puerto Rican, half-white teenager who has traveled from Vermont to Puerto Rico to spend the summer with her aunt and uncle (who is also the chief of police). Lupe is independent and contrary, and fascinated by crime, an interest her uncle has previously encouraged. The case of the drug dealer touches on a family member, her cousin Izzy, who has disappeared, and her uncle does not want her involved, but that only makes Lupe more determined. Lupe is feminist in a very teenage girl “I can do it myself, don’t you dare help me” kind of way,  an attitude that made an otherwise independent young woman seem like she needed to be rescued (for instance, walking into traffic because it was suggested she wait, and having to be pulled out of the street after nearly getting hit by a car). Her character does grow a lot as she meets a variety of people and experiences parts of Puerto Rico she wouldn’t have seen as a tourist and begins to understand the impact the mainland, and especially mainland investors, are having on the country. Cardinal does a great job in describing pre-Hurricane Maria Puerto Rico. I almost felt like I was there. I want to give her props, too, for her portrayal of adults in the story. YA fiction frequently depicts adults as clueless and closed-minded, but when these teens really needed them, the majority of adults listened, and stepped up, without taking over.

Because Lupe resembles her white mother instead of her Puerto Rican father, she  also gets a lesson in colorism. Although she sees herself as Puerto Rican, the other teens she encounters call her “gringa”, white girl. It’s confusing to her at first, because she identifies as half-Puerto Rican, and can’t understand why no one else understands that. However, she comes to recognize that she does have white privilege and as a mainland American takes some things for granted that many Puerto Ricans cannot. At the same time, the friends she makes come to recognize that there are parts of her that are very Puerto Rican after all, even if they’re not immediately visible.

Our other major character is Javier, who grew up with Vico and Izzy, but kicked his drug habit and is working hard to stay clean and make up for the damage he did while he was involved with drugs. Despite a rocky beginning, Lupe and Javier decide to team up to find Izzy and solve Vico’s murder. They become more and more convinced that El Cuco, a shadowy supernatural creature bent on retribution is after Javier and his friends. It is refreshing to see a monster  grounded in local folklore, appearing in a contemporary story, instead of the same tired tropes.

I loved seeing Puerto Rico take center stage when so often it’s ignored, and enjoyed watching Lupe and Javier puzzle out the mystery and each other. The climax is an outstanding, terrifying, mystical, and visually evocative piece of writing. This was Cardinal’s debut novel, and I look forward to her next one, Category Five, set in post-Hurricane Maria Puerto Rico.  This is a truly Stoker-worthy book. Highly recommended.

 

Contains: violence, murder, mild gore, drug abuse

Editor’s note: Five Midnights was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Young Adult Novel.

Posted on April 15, 2020 by , Reply

Book Review: Mary Shelley Makes a Monster by Octavia Cade

Mary Shelley Makes a Monster: Conversation Pieces Vol. 70 by Octavia Cade

Aqueduct Press, 2019

eISBN: 978-1-61976-174-2

Available: Paperback

 

 

Instead of reading dry academic pieces on women writers who have made significant contributions to literature and thought, enjoy Octavia Cade’s uniquely creative approach to literary criticism in Mary Shelley Makes a Monster: Conversation Pieces Vol. 70. A group of provocative short poems is devoted to each of Cade’s selected authors including Mary Shelley, Katherine Mansfield, Virginia Woolf, Janet Frame, Sylvia Plath, Grace Mera Molisa, Octavia Butler, Angela Carter, and Murasaki Shikibu.

 

In the poems, each woman represents a part of Mary Shelley’s literary legacy and is viewed as a possible “mother” for her monster. Effects on the monster become a means of describing the effects each writer has had on literature. Cade captures the essence of each woman by using references to the authors’ work, their own life and environment, the ideas that inspired the content of their writing, and their role in overcoming the obstacles facing a woman who writes.

 

The feminist perspective in this book is clear and shines a light on the complexities of the writing life. In the first poem of the section devoted to Grace Mera Molisa, Cade writes of the monster: “It has begun to understand that it has been made / more of parts that women were never meant to emulate. / Anti-custom, with too much of speech patterned over it.” This is the type of observation found throughout the poems. Readers who know the authors will find excellent insights on their writing, and those who don’t will be so intrigued that they will want to read the work of these trailblazers.  Highly recommended.

 

Reviewed by Nova Hadley

 

Editor’s note: Mary Shelley Makes a Monster was nominated to the final ballot of the 2019 Bram Stoker Award in the category of Superior Achievement in a Poetry Collection.

 

Posted on April 15, 2020 by , Reply
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