The Year’s Best Dark Fantasy and Horror, Vol. 3, edited by Paula Guran

Pyr, 2022

ISBN: 978-1645060345 

Available: Paperback, Kindle edition  (pre-order) ( Bookshop.org |  Amazon.com )

Now that British editor Stephen Jones has discontinued his long-running annual series Best New Horror, the burden of choosing and collecting the previous year’s supposedly best short stories in the genre remains exclusively in the capable hands of two American ladies, Ellen Datlow and Paula Guran.

Guran’s  latest anthology includes twenty-three stories published in books and magazines during 2021. I haven’t seen Datlow’s forthcoming anthology yet, but, according to the provisional table of contents, this time there are no repeated titles featured in both volumes.

Among the authors collected in Guran’s book are some of today’s most celebrated and popular horror writers, but if these stories represent the best of their recent production, I must admit that 2021 was not a great year for horror, at least according to the editor’s choices.

But never fear, amidst various run-of-the-mill tales, there are some pieces standing out and providing engrossing reading and actual shivers.

“The God Bag”, by Christopher Golden, is an insightful, gentle story featuring a woman trying to get her wishes fulfilled by means of an unusual system. In  “Refinery Road”,  penned by Stephen Graham Jones, past family tragedies return to haunt the present.

Alison Littlewood contributes the subtly horrific “Jenny Greenteeth”, where an evil creature hunts its victims by a pool, and  Alix E. Harrow provides “Mr. Death”, a perceptive piece about a recalcitrant professional reaper trying to save a little boy from his lethal destiny.

My favorite pieces are the outstanding, atmospheric “For Sale by Owner” by Elizabeth Hand, taking place in a mysterious, abandoned house where three women decide to spend the night, and the superior post-apocalyptic novella “Across the Dark Water” by Richard Kadrey, where a guide and a thief take a long and perilous journey to get to a target which is actually not what they expect.

Reviewed by Mario Guslandi