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AAAAAAAHHHH! Horror is Dead!

At least, that’s what The Guardian says. Apparently the cool literary types haven’t reached out to touch the horror genre in a way that matters, which, according to this author, apparently means it needs to be drenched in literary theory and contemporary economic and political issues:

I’m convinced horror can raise its game. Our postmodern, capitalism-in-crisis, media-saturated world is ripe to describe it anew. Our very language seems to demand it. A mortgage, literally, is a death grip. Negative equity means being haunted by your own house. Corporations have legal personhood: they can be held responsible for criminal actions and claim “human” rights, but ironically they have no body. PR and political spin are referred to as “dark arts”.

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To this, I can only say “Huh?” Look, if you really want to get down to the basics, great horror fiction crawls into your mind and moves in, or produces a physical, visceral response. It can be literary, but if it doesn’t do either of those things, it’s not horror. And you can call it whatever you want, but if a book does those things, you are reading a horror novel. Fear may nest in the great issues of our time, but horror is something experienced as intensely personal.

Marketing has more to do with what people are calling that book than what it actually is. I wrote about this a while back— “literary” books are seldom marketed as horror. Osama by Lavie Tidhar won the World Fantasy Award, but it gave me nightmares, and rightfully so. Chris Bohjalian doesn’t call it a horror novel, but The Night Strangers(reviewed here)still makes me uneasy. And Kelly Link, mentioned in the Guardian’s article as a refreshing literary voice in fantasy fiction, slips between genres, identifying with horror as well as sf and fantasy(read our interview of her here). And books published as horror, such as The Reapers are the Angels, by Alden Bell, can certainly be literary.

So, nope, horror isn’t dead. Can it be pulpy and commercial? Sure thing. Can it be predictable and badly written? Absolutely. Can it be original, unsettling, and downright terrifying? It better be.

Horror doesn’t die, folks. Pitch in Rise of the Guardians(which you should really see) makes that point effectively. You can banish the nightmares, but the bogeyman always rises again.

(Thanks to Rose Fox at Genreville for the link, and her spirited response).

Tell-Tale Art– Spooky Illustrations with the Power to Change Lives

How cool is this? I learned about it from a tweet from Jon Scieszka, the mind behind Guys Read. All kinds of well known children’s book illustrators are participating in an art auction that you’ll want to be sure to check out, called Tell Tale Art. It’s all original spooky art from these illustrators, and if you’ve ever picked up a children’s picture book some of these names ought to sound familiar. Maybe you’ve heard of Lane Smith, David Shannon, Brett Helquist, Mo Willems, Paul O. Zelinsky, Dav Pilkey, Adam Rex, or Tony DiTerlizzi? All of them have donated their own scary illustrations to this auction, which is a fundraiser for an organization called 826NYC.

826nyc.org is a nonprofit organization dedicated to supporting students ages 6-18 with their creative and expository writing skills, and to helping teachers inspire their students to write, structured around the belief that great leaps in learning can happen with one-on-one attention and that strong writing skills are fundamental to future success. With this in mind we provide free drop-in tutoring, field trips, after-school workshops, in-schools tutoring, help for English language learners, and assistance with student publications, intended to ultimately strengthen each student’s power to express ideas effectively, creatively, confidently, and in his or her individual voice (Most of that is straight from their mission statement)

Even if you can’t afford to participate, go look! It’s a great opportunity to see what children’s authors and illustrators can do with a spooky theme.

Librarians – I Desperately Need Your Input!

I have been asked to write a chapter for a book on the intersection of children’s literature with horror fiction. The book’s editor wants a librarian’s perspective.  I am looking to get additional input from children’s librarians and elementary school media specialists. So far  the research I can find regarding the value of scary stories and horror fiction in engaging readers and in the library is incomplete, at best (so if you know of any academic research I can use, please let me know). I am hoping to collect some input from you here.

The topic is: Where are the scary books? The place of scary stories in reading and at the library.

If you are a school librarian in a K-8 school or a children’s librarian in a public library, or feel like you have something that you’d like to add to help shape what I write I would really appreciate it. I would be interested to read responses here.  A request for this information from the children’s librarians at my local public library was met with disinterest, and that’s part of what I am writing about, but I know that’s not representative of all children’s and school librarians! So please help, and spread the word to others if you know them.  Here are the questions I am looking to have answered:

1.) What do you think constitutes “scary books” in the elementary or children’s library collection?

2.)Do you purchase scary books and horror fiction for your elementary, middle school, or children’s collections? Why or why not?

3.) What criteria do you use when making purchasing decisions?

4.) How do you answer the question “Where are the scary books”?

5.)Where are your “scary books” physically located?

6.) What titles, subjects, or genres would you consider looking in to find “scary books”?

Anyone who would like to contact me personally about this topic, please email me at monsterlibrarian@monsterlibrarian.com and title your subject line: Scary Books for Kids.

Thank you!