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Banned Books Week: You Oughta Know

The materials that have been publicly challenged since last year’s Banned Books Week haven’t all involved passing laws or pulling books from the shelves (although there have been some pretty dramatic incidents) Many of the challenges have involved unfairness (or perceived unfairness). A recent incident involved students at Duke University who publicly refused to read Alison Bechdel’s Fun Home, an optional title on their summer reading list, stating that it was for moral reasons— it went against their religious beliefs. There are a lot of students who skip out of optional (and even required) reading, for a variety of reasons, but most of them aren’t writing about its immorality for the Washington Post. In the science fiction community, there was a lot of drama over the activities of the Sad Puppies, a group of writers who felt that traditional science fiction was being overwhelmed by diversity in both writers and writing, and challenged that by attempting to significantly influence the likelihood of winning a Hugo Award in favor of their own chosen candidates, with outrage on both sides (they failed). Another challenge involved a student at Crafton Hills College, who demonstrated outside the school along with her parents and friends when required to read Persepolis, Fun Home, Sandman Vol. 2, and Y: The Last Man Vol. 1 for an English class on graphic novels she had chosen out of fourteen options that would satisfy her graduation requirement. These three incidents all boil down to “I don’t want to read something new and different”.  But even if it’s not your own perspective, a willingness to be open to other perspectives, to listen to voices that aren’t your own, is important, because most people won’t always live in a world where everyone is just like them (except maybe the Stepford Wives). As Jessica Woodbury at BookRiot aptly puts it, “life is uncomfortable”.

I don’t often share it, but I follow censorship news outside the United States, too. And there are countries where the government really, truly, is a threat to freedom of expression. Internet access is extremely limited, there is no free press. People are fined, fired, expelled from the country, imprisoned, kidnapped, and even killed for their writing. In this interview with the exiled Uzbek writer Hamid Ismailov, he talks about how the editorial board of a magazine that published chapters from his book was punished. And writing doesn’t have to be deliberately political to attract the government’s negative attention. It is a luxury to be able to say “this makes me uncomfortable, I don’t want to read it”, and as Banned Books Week comes to an end, let’s celebrate that it is something that, in this country, we can recognize publicly at all. So to those who object to reading anything that’s not exactly in line with life as they know it, I ask that you try something new. You have the option to stretch your mind and see what’s beyond your own nose… and you ought to know.

 

 

Book Review: The Shadow Cartel by Layton Green

The Shadow Cartel by Layton Green

Thomas & Mercer, 2015

ISBN-13:  9781477827819

Available: Paperback, Kindle edition, audiobook.

 

Dominic Grey makes things happen. He works for a professor who conducts investigations of religious events for both private individuals and police agencies around the world. Dominic is the man on the ground. and it has been too long since he’s had an investigation. He has been spending his downtime teaching jiu jitsu to teenagers, just to keep himself from going stir-crazy. He finally gets a call. It is Nya; it has been over a year since he has spoken to her—collateral damage caused by a Zimbabwean religious investigation Grey had headed up. Things had gotten messy; he had not expected to hear from her again. Now, Nya needs his help. Her father’s goddaughter, Sekai, recently died from a hit of ecstasy at a party in a South Beach nightclub. When Grey looks into it, he finds that drug dealers in Miami are being ritualistically murdered.  He soon stumbles into a nest of witchcraft involving a knife-wielding blue Indian woman. The mystery deepens from there.

 

The Shadow Cartel is a great read that delves into the world of ritualistic murder and the religions that use it. I really enjoyed this book. It was fast-paced and grabbed me from the first chapter. I especially liked how the author wove in the horrific history of The Peoples Temple in Guyana, which was headed by Reverend Jim Jones. This gave the book an air of realism and authenticity that invested me in the story. The tone of mystery was very good as each religion’s involvement was uncovered. As a result, the suspense builds well and kept me going. The characters have distinct voices and it was fun to discover bits of their past as they were revealed. The plot is full of twists and turns that keep the reader guessing. The descriptions were full without going overboard. There is nothing in the story that was particularly disturbing or offensive; and the writing flows well. I have not read any of this author’s other work, but, The Shadow Cartel is a fun read. Recommended for adult readers.

 

 

Reviewed by Aaron Fletcher

Book Review: Little Boy Blu by Cara Brookins

Little Boy Blu by Cara Brookins

The Wild Rose Press, Inc., 2014

ISBN: 978-1628306903

Available: Paperback, Kindle

 

Novels set in Appalachia will always hold a certain mystique: there’s a certain air about the location found only in a few places in America. In Little Boy Blu, readers will find themselves immersed in a dense atmosphere comprised of heavy forests, mountains, moonshine stills, and a culture that entices, amazes, and often frightens those outside of this geographic microcosm. This is what makes Cara Brookins’ tale so tantalizing.

Brookins is the author of the very successful Timeshifters series, and has now penned what just might become a staple in the genre. Based on true stories of the “blue” people of Kentucky, Little Boy Blu centers around a family living far away from the mainstream, deep within the woods, where time and civilization often fail to penetrate. Blu Tracey was born with an anomaly—he’s the only one in his family who does not sport the blue-tinged skin. This characteristic gives them a disturbing bond and also places a target on their souls.

Blu’s mother sold out her family for a reality show, but her pseudo-fame didn’t quite pan out the way she had planned. Her own story is chronicled alongside Blu’s during a journey where he discovers that someone is trying to kill him. But is the killer from the world outside their own, or from someplace much closer?

 Many threads weave together into a story as profound as the mountain song that echoes through the hills and flows down the rivers and streams which bisect Blu’s world. Little Boy Blu is Southern Gothic crossbred with a tight thriller. It sings with Brookins’ stylish writing, smoother than the ‘shine found in those hills, but just as potent. Her characters are the backbone of the story,   and will entice just before punching the reader in the heart with twists and turns that work on so many levels. Tough to categorize but very easy to love, I recommend giving this fine novel a shot. Recommended for age 15 and up.

Contains: N/A

Reviewed by David Simms