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Book Review: The Verdant Cage by Jess Lourey

Cover art for The Verdant Cage by Jess Lourey

The Verdant Cage, by Jess Lourey
Mayhem Books, April 2026
ISBN: 9781682816455
Available: Hardcover, ebook edition
Buy:  Bookshop.org 

 

The Verdant Cage is a decent YA dystopian novel that in terms of basic setup, strongly resembles the old M. Night Shyamalan movie The Village: small utopian, self-sustaining community cut off from the rest of the world behind a wall in an idyllic village, no electricity,  they all live in peace and harmony.  It’s a good read, although a bit slow and predictable through the first two-thirds. However, the payoff and increased pace in the last third of the book are worth the wait.  As far as where it falls in quality in the YA dystopian genre, it is certainly a good deal better than the Divergent series, if not quite at the level of The Hunger Games.

 

The first third of the story is basically stage-setting, getting the characters and location characteristics into place, and there’s a fair amount to cover.  It’s a reasonably large cast of characters, each of them working in different Houses, where they apply their trades, such as Apothecary, Cobbler, Insect Farmer… there are at least 15 houses.  Thankfully, the author had the foresight to include an appendix at the end, a very helpful idea that more authors today should consider.  While the setup is well done  and detailed (cricket flour was a nice touch, in terms of creativity for a  modern self-sustaining community) the plot here is guessable.  Teenage protagonist Rose Allgood is stuck with a pre-arranged marriage to someone she doesn’t like, but used to; murder happens in a community that has never seen such a thing; no one knows how or why they wound up in Noah’s Valley…predictable, but still interesting. The setting and character interactions are intriguing enough to keep the reader engaged at that point.  The author did enough research to make the community feel believable, in terms of how trades such as a medic would function in pre-modern times. It’s a good job of world building, very in-depth, and it feels realistic.

 

Rose’s brother is the person labeled responsible for the murder of her mother, at which point he is sent up and over the Wall, to his likely death.  Naturally, Rose isn’t buying it, and about half the book is her trying to find out who is responsible, which of course slowly leads to her uncovering certain hidden truths about Noah’s Valley.  Once she puts all the pieces together in the last part of the book, the story takes off and improves dramatically.  Faster pacing, and the shifting loyalties and double-crossing by many characters make the plot much more engaging, and less predictable.  The big reveal in terms of the Valley and the history of its inhabitants is outstanding: very high marks for creativity to the author!  It adds an unexpected change to the plot, and a much wider lens for the story.  The book continues in high gear right up to the end, with an open-ended finale.  I expect a lot of readers might wind up screaming for a sequel due to the ending, as there is potentially a LOT of story to tell, and the ending’s nature makes it a perfect fit.  However, I would actually vote against another one.  I liked the ambiguous ending and feel it should be left where it is. Let the reader imagine what happens next.

 

For readers that can exercise a bit of patience to wait for the story to get rolling, this one is worth the time invested.  The big payoff certainly is enough to justify reading this.

 

 

Reviewed by Murray Samuelson

Graphic Novel Review: Woodstake: Three Days of Peace, Music, and Blood Volume 1, by Darin S. Cape, art by Felipe Kroll, lettering by Stephen Kok

 

Woodstake bookcover

Woodstake: Three Days of Peace, Music and Blood by Darin S. Cape, art by Felipe Kroll; lettering by Stephen Kok
SHP Comics, 2025
ISBN-13: 979-8992749915
Available: paperback
Buy: Bookshop.org

 

Woodstake begins in March 1927, in upstate New York, in a lone cabin where Dracula awakens, feeding on the wildlife in the forest to regain his strength. Nearby, Jack Heyward and Lucy Westin are in love, but the latter is hunted and turned by Dracula.

 

Sheriff Obadiah Wood is investigating a strange murder, and Marius Van Helsing believes he has killed the creature that used to be Lucy. As time passes, Van Helsing’s son Alexandru takes on the mantle of the family legacy of hunting vampires, and Obadiah’s son Jim becomes the acting sheriff of Sullivan County.

 

The setting then changes to San Francsico in July 1969. Jonathan distributes his free music publication to interested readers, struggling to keep it going while his father gives him an ultimatum. Jon needs to turn a profit so he can make a living, or be cut off financially and return home to work for Boeing, something he is vehemently against, as he is opposed to the Vietnam War. He reaches out to his friend Artie, and they, along with Artie’s friend Nina, head to Woodstock with the hopes of getting a front-page interview with Jimi Hendrix. They receive a rude welcome at the diner from a couple of locals, one of whom has returned from Vietnam and the other who can’t wait to go fight. The situation escalates into a confrontation in the woods, where the sheriff does something that goes against his regular duties. When the trio get to the music festival, nobody expects that a vampire horde is about to descend on the crowd of festival-goers.

 

The publisher’s summary includes that this is a “darkly funny, genre-bending thrill ride.” Unfortunately, the humor doesn’t land for me, and for anyone who is a fan of 1960s and 1970s vampire horror flicks, this story is not genre-bending, as there are several films that combine hippies and vampires. Perhaps with the addition of music history, sure, but not when it comes to the merging of horror and counterculture movements. However, although there is so much going on in Woodstake that it is hard to track some of the plot, it is still a good read. The subplot of anti-war protests and two very different groups clashing reflects the period well. For music fans, look for musical references included in various scenes. Maybe dig those albums out, or access them via streaming, and give them a listen while reading. It does add atmosphere, so kudos to Cape for including them in the book.

 

While Kroll’s art style is unique and vivid for the most part, there are some shadows that do not seem to play well on the page, and sometimes expressions do not match the emotion in some panels. However, when he uses vibrant colors, his artwork really comes alive, where his shadow work is excellent. His chapter break pieces are phenomenal.

 

Another aspect of comics and graphic novels I have been tracking lately is lettering. Stephen Kok’s lettering in this book is clear, and it is obvious who is communicating, and how.

 

This book is recommended for those who like horror and music history, as well as for readers who are looking for a good vampire story. Libraries looking to grow their comics and graphic novels offerings should consider this for their collection. Recommended.

 

 

Reviewed by Lizzy Walker

Book Review: The Court of Pe’kar (Lost Carcosa #4) by Joseph Sale

Cover art for The Court of Pe'Kar by Joseph Sale

The Court of Pe’kar, by Joseph Sale

Blood Bound Books, 2024

ISBN: 9781940250687

Available: Paperback, ebook edition

 

 

The Court of Pe’kar is the penultimate story in Joseph Sale’s riveting Carcosa series, and it does an outstanding job setting the stage for the final volume, while being an excellent addition to the series based on its own merits.  

 

This fourth volume has more of the feel of the first two in the series: quick pacing, tangible enemies, and good head-crushing, stomach-tearing battles.  The third volume, while good, took the series in a more cerebral, introspective direction, where the adversaries were contained within the characters themselves.  With The Court Of Pe’kar, it’s back to the prior approach, as Alan Chambers, Queen Cassilda, and their companions, complete the journey to the City of Demons to face off with Pe’kar the Demon King, and Cassilda’s traitorous sister Cali. 

 

While most of the chapters focus on the protagonists, some of the earlier chapters feature Cali.  The author makes the most out of these chapters, using them to sow doubt about Cali’s final intentions toward Pe’kar, when it appeared that she was previously in league with him.  The story takes a somewhat similar turn with Pe’kar, as his intentions towards Alan and his party, as conveyed by his minions, are not at all what the group expects.  That’s what the narrative does best in this volume.  The actions of some of the characters cause some of the others to view their own intentions with a level of dubiousness, making for an exciting, yet unpredictable story.  It’s best exemplified by a meeting between Cassilda and Cali towards the end, which may be the best part of the book.  Alan’s group may have been united in their quest to eliminate Cali, but as she and others become unpredictable and show other facets of themselves previously hidden, the heroes have to question if the desired result would benefit the land of Carcosa, or themselves.  In all fairness, although Alan Chambers was the driving force behind the series in the beginning, it’s a bit more about Cassilda and Cali, and their relationship as sisters and mortal enemies, which is now the focus.  Of course, that may very well change in the final volume, as the author has proven adept at surprising readers.  

 

Worth noting also, the final battle in this book is a thrilling collage of bloodshed: it’s almost as good as the epic battle that closed out volume two.  

 

While it’s kind of sad when you can see the journey start to end as the series nears its conclusion, it’s been a hell of a ride getting there, and still is.  We probably won’t see another fantasy series this good anytime soon. Most definitely recommended!

 

 

Reviewed by Murray Samuelson