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Musings: Earthseed: The Complete Series (Parable of the Sower and Parable of the Talents) by Octavia E. Butler

Earthseed: The Complete Series (Parable of the Sower and Parable of the Talents) by Octavia E. Butler

Open Road Media Sci-Fi and Fantasy, 2017

ASIN: B072NZBPFG

Available: Kindle edition

 

Editor’s note: Parable of the Sower and Parable of the Talents are also available individually in paperback and Kindle edition

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Horror is a very personal thing. What is terrifying and disturbing to one person may not be to another. Our reactions can also depend on the time in our lives in which we read it. For instance, Disappearance at Devil’s Rock left me thoroughly terrified because at the time I read it, my son, who was near the same age as the boy who disappears, was also obsessed with Minecraft. It hit far too close to home.

Having recently finished Octavia Butler’s Earthseed duology, Parable of the Sower and Parable of the Talents, I can tell you it also hits far too close to home. Parable of the Talents begins in a California town in 2024, with climate change and a lack of water causing weather to run out of control, particularly with earthquakes and fires, a federal government dedicated to eliminating regulations that would protect workers and the environment in order to benefit corporations, and an indifferent, corrupt local government that requires ordinary citizens to take survival into their own hands to protect themselves by arming themselves and building walls to keep out lawless murderers, drug addicts, thieves, and arsonists.

It’s behind one of these walls that fifteen-year-old Lauren Olamina, who possesses hyperempathy (a delusion in which she feels other people’s pain when she sees it) begins to develop a religious philosophy that differs dramatically from that of her father’s (he’s a Baptist minister) and a belief that the end of their little community will come sooner than the other members believe. She’s right. The dangers of the world outside the walls escalates, her father has disappeared, and finally her neighborhood is burned and almost everyone in it is murdered. Lauren and two other survivors decide they will stay together and walk north, to find a safer place. The three of them must constantly be on the lookout, because no one can be trusted– almost anyone might rob or kill them for supplies or money, and there is always the possibility that they could be captured and sold to slavers or raped. Despite their caution, though, they end up inviting other travelers to join them on their walk north. Lauren uses the time of their perilous travel to work out and share her new religion, Earthseed. She believes that change is the only thing that is eternal, and that people can either shape change or be shaped by it.

By the end of the first book, many of the characters have developed solid relationships with each other, and under Lauren’s leadership, they choose to stay together to found a community based on her beliefs. It’s an optimistic ending to a book that contains some pretty terrible events– Butler does not pull her punches, and she is matter-of-fact about appalling things like cold-blooded killing, rape, and corpse-robbing– and the future she describes has aspects that seem all too possible. I read this book for a book group, and the violence and destructiveness were so overwhelming and close to home that no one else was able to finish it and actually reach that ending.

Still, if Butler had ended her story there, it would have ended with the possibility of hope. Parable of the Talents manages to pretty definitively stomp out the likelihood of any happy ending. In this book, a new president decides it’s time to “make America great again” (yes, in those exact words) by restoring a white, Christian nation with any means necessary, including sending those who don’t fit that definition to “re-education camps”. I can’t tell you much more about it without giving away the plot, but suffice it to say that it is not for the faint of heart, or stomach. Lauren’s community and chosen family are broken apart, and a great deal of time is spent on the search for their children. There is a frame story where Lauren’s daughter offers her perspective on Lauren’s writings, which make up most of the book, and it is terribly sad on all sides. This book was so difficult for Butler to write that, despite originally planning to make it a longer series, she ended it here.

I’ve never read any of Butler’s other work. She is a powerful writer with a prescient sense of the future here, but I wish it weren’t so bleak. While these aren’t her final books, she wrote them nearer the end of her career than many of the others that she is known for (Parable of the Sower was published in 1993, Parable of the Talents was published in 1998, and she died in 2006). One feeling I came away from this with is that as an African-American who had already lived through decades of oppression and violence, maybe she saw this as a logical progression of where things were headed, even then, as many white people (including myself) couldn’t have imagined the world she created as close to reality until the past few years.

Compelling, occasionally baffling, brutal, and hopeful for a better world, the Earthseed duology is well worth reading, but it’s not light reading. Expect it to stay with you long after you have finished it, if you can finish it at all.

Book Review: Are You In The House Alone? by Richard Peck

Are You In The House Alone? by Richard Peck

Puffin, 2000

ISBN: 0141306939

Available: New and Used

 

Editor’s note: Are You In The House Alone? was first published in 1977. I first read it in 1985, and our review of it is one of the earliest we published. While it is dated, given current events, it seems eerily relevant, and even more terrifying.

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    This is probably the first young adult novel to deal frankly with rape and its aftermath. Gail, a high school junior living in a charming New England town, is getting obscene notes and phone calls. She doesn’t want to think about it, her best friend pretends nothing is happening, and when she finally tells a guidance counselor she isn’t taken seriously. Isolated and terrified, she opens the door one night to let her boyfriend in and is surprised by her stalker, who happens to be her best friend’s boyfriend and the son of the wealthiest family in her small town.

    The chief of police tells Gail he will not arrest the boy, and a sympathetic lawyer explains that pressing charges would mean an attack on her personal life. Gail decides not to press charges, and returns to school. Another girl with an identical raincoat is then attacked on her way home and is left in critical condition.

     This story shows that the rapist is not the only monster. Every person who turns a blind eye to Gail’s situation, from her best friend to the chief of police, shows an ugly side that should horrify anyone who has ever needed to tell a terrible secret.  Richard Peck, a brilliant young adult author, is effective at creating Gail’s world and is able to express the horror of her situation without getting graphic.

Contains: sexual situations, violence

 

Reviewed by Kirsten Kowalewski

Book Review: A Breath After Drowning by Alice Blanchard

A Breath After Drowning by Alice Blanchard

Titan Books, 2018

ISBN-13: 978-1785656408

Available: Paperback, Kindle edition, audiobook, audio CD

 

Alice Blanchard drags the readers into the darkness with A Breath After Drowning. This psychological thriller dives down into the characters’ psychology, their trauma, and the deep pits that therapy and grief can dig, in a story that is as close to perfect as it can be in the thriller genre.

Our protagonist is child psychologist Katie Wolfe, whose sister was brutally murdered. Henry Blackwood sits on death row for the murder, yet his family remains in town. The opening chapters, which involve the suicide of a tortured teen, will rip a wound in the reader’s mind that is never given a chance to heal. Almost immediately afterwards, Katie is given another case, a teen whose troubles might lead Katie into waters too deep and black for her to survive. Every character seems to be tied somehow to Katie’s past: either the murder, or her turbulent upbringing. How she teams up with the retired detective who still lives with the case is worth the price of the book itself.

To reveal more would give away one of the many serpentine plot twists that deepen as the story unfolds. Blanchard chisels characters that darken with each layer.

Reminiscent of Gillian Flynn, Paula Hawkins, with the rawness of Stephen King’s suspense novels, this one’s highly recommended for anyone craving a thriller that will leave a scar. Blanchard is definitely an author to follow.

 

Reviewed by Dave Simms