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Book Review: The Rust Maidens by Gwendolyn Kiste

The Rust Maidens by Gwendolyn Kiste

Journalstone. 2018

ISBN-13: 978-1947654440

Available: Paperback, Kindle edition

 

If there’s someone out there who is unfamiliar with Gwendolyn Kiste’s gorgeous prose of the macabre, The Rust Maidens would be a great place to start. After last year’s stellar collection, And Her Smile Will Untether The Universe, Kiste steps out with her debut novel, which rattles the soul in a disturbing, yet beautiful read.

Set in Cleveland in 1980,  this tale unwinds in a muted, depressive state that feels utterly claustrophobic, brought to life by Kiste’s exquisite, yet unobtrusive, prose. A group of girls in the neighborhood has contracted an illness that defies logic and science. What begins as something relatively innocuous, dripping water from their bodies, becomes much more dangerous and frightening: skin breaking open, revealing glass-like shards and rusted metal where bones should be. The horror is quiet here, like the best of Shirley Jackson and Charles Grant, as Kiste dissects the rotting body of the area which mirrors the internal strife of the people who live within the crumbling town.

The dual narrative of our protagonist, Phoebe, past and present, is a haunting one, as she returns home to revisit the bones of what she escaped long ago. The mystery of what happened to her best friend and cousin Jacqueline looms large over both timelines. The true antagonists of this novel are vague, and should be: the women who strive to hold power of the lives on Denton Street, the government agents who appear to investigate, the Rust Maidens themselves, the self-destruction of the town.

To give away more would strip away the power of this beautifully written novel by one of the best new writers out there today, a tale both unsettling and gut-wrenching. Kiste wraps her story in a veneer that feels like a mix of rust with the dust that has settled over the dying town, and the emotional heft between the covers weighs down on the reader like the crush of a rust-riddled steel beam, suffocating in mood but resulting in a story that begs to be read and savored. Kiste is a star, and The Rust Maidens is a slam dunk as a finalist for this year’s Stoker Award.

Highly recommended for lovers of any any genre.

 

Reviewed by David Simms

 

Posted on February 17, 2019 by , Reply

Musings: Valentw’een Dinner Dates

Maybe you are cynical about Valentine’s Day, or just not into cutesy pink hearts and Valentine’s tchotckes that basically have no purpose except to commemorate an arbirtrarily chosen date but that you can’t get rid of. Like my son got me this giant plush white bear holding an embroidered plush heart…

There are options. Maybe you celebrate Galentine’s Day, and go out with your girlfriends. Or, alternatively, if you love a good scare, you could take some inspiration from artist Brandy Stark, and celebrate Valentwe’en. Brandy celebrates by holding an art show and a ghost tour. On the Valentwe’en Facebook page, she writes:

While the normal person celebrates Valentine’s Day with roses, romance, and chocolates, we who embrace Valentwe’en enjoy a time of dark romance, the Grim Cupid, and cuddling with fellow creatures of the night. For those who have longed for a second Halloween, your entreaties have been answered! Valentwe’en offers the fun of bonding for couples merged with the thrill of supernatural intrusions. It is a true collision of these two candy-filled holidays, a spiraling combination of love and death, sweetness and suspense. Valentwe’en falls on the first full moon of February or it may be held February 13th. It consists of offering black flowers to one’s love (especially black calla lilies), Halloween-themed candy, and becoming entranced by movies from genres of horror, dark romance, or dark romantic comedy. This holiday is still evolving, so the rest of the celebration is up to you!

Not being a person who does a great job tracking the phases of the moon or even dates on a calendar, my plan is to celebrate today. I’m a laid-back sort of person (meaning that I forgot to make plans) but it’s just me and two tweens on a school night, so Oreo fudge and a mildly scary family movie are about all I’ll be up to. If you want to put a little more energy into it, here are some literary ideas you can explore with the one you love (or at least love to eat candy with).

One thing that’s pretty awesome is that there are many Gothic and horror-themed books that have been made into movies and that also involve a memorable meal.  One of the most interesting of these is Silence of the Lambs by Thomas Harris, which was made into a movie that was originally released on Valentine’s Day, and has a well-known line from Hannibal Lecter:

Well, okay, maybe that is not the dinner you want to recreate. You could come up with a nice Italian red, though. You all might need that more than dinner while watching this movie, anyway.

If you want to prepare something more elegant, you will find a carefully researched, surprisingly elaborate meal fit for a vampire when Diana Bishop first invites Matthew Clairmont to dinner, in chapter 12 of A Discovery of Witches, the first book in the All Souls Trilogy by Deborah Harkness: smoked salmon with dill, capers, and gherkins; Riesling; thinly sliced raw vension; beets with shaved Parmesan; red wine; seared rabbit spiced with rosemary, celery, pepper; a biscuit made from ground chestnuts; berries, cheese, and roasted chestnuts. Diana may not know true love, but the meal truly is a labor of love. Matthew manages to consume everything except the beets. Although I do know people who would be delighted to eat their meat raw, if your company doesn’t belong to that group, they might still go for the smoked salmon, berries, cheese, and nuts, with plenty of wine. “Wine tastes wonderful,” Matthew says, and so long as you have plenty of that, you can stream A Discovery of Witches, now on Shudder and Sundance Now, with the one you love.

 

Maybe you’d rather have a night out? It would take some planning, because you’d have to get there, and reservations are suggested, but you could have a night out at The Beetle House, a Halloween/Tim Burton-themed restaurant with locations in New York and Los Angeles. I’m not sure how unique the dishes actually are, but their names are catchy, and it sounds like the waitstaff dresses in character. Chef Zach Neil said,

“The idea was simple. Create a space where people who love Halloween, horror films, and Gothic dark music can gather for a meal and drinks. A safe space where it really feels like Halloween all year round and people can come and enjoy good food, good drinks, listen to good music, and feel completely comfortable to be as freaky as they want to be. This would be my home for the freaks, weirdos, and grown up Goth kids of the city.”

Zach also has a cookbook now,  The Nightmare Before Dinner,  so if you can’t get out to the coasts, you can at least recreate the food (and with planning, the atmosphere). Treat yourselves with a macabre meal and follow it up with the Tim Burton movie of your choice. Or any scary movie.

Whatever you choose, we hope you go into it with your whole heart, like Horatio, here. Happy Valentwe’en from all of us at Monster Librarian.
Happy Valentwe'en!

Posted on February 14, 2019 by , Reply

Book Review: Sleeping with the Lights On: The Unsettling Story of Horror by Darryl Jones

Sleeping with the Lights On: The Unsettling Story of Horror by Darryl Jones

Oxford University Press, 2018

ISBN-13: 978-0198826484

Available: Hardcover, Kindle edition

 

In Sleeping with the Lights On, Darryl Jones addresses the origins and evolution of horror, and provides a brief but wide-ranging, descriptive overview of the relationship of violence, taboo, and fear to culture, society, and storytelling that will provide newcomers with a readable and easy-to-understand guide to the horror genre’s major terms, critiques, subgenres, and tropes addressed in both lay and academic literature. Those more familiar with the horror genre, may be acquainted with many of the ideas and criticisms, but Jones organizes the information effectively. In his introduction, he starts by tracking the origins of horror through early literature, religion, and myth, following through to the present day and making predictions about the future of horror. He provides clear explanations of terror, horror, the Gothic, the uncanny, and the weird, citing major, primary sources for their origins and definitions, and argues that changing cultural anxieties inform the development of the horror genre. Further chapters discuss major branches of the horror genre: monsters, the occult and supernatural, horror and the body (this includes transformation and cannibalism as well as body horror), horror and the mind (focused on madness, doppelgangers, serial killers, and slashers), and mad science.

In each of these chapters, Jones explores the breadth of the topic by first addressing the general concept (monstrosity, in the chapter on monsters) and then getting more specific and discussing critiques and analyses of how their representations and meanings  have changed with the times, through a more specific examination (in this case, of the representation of cannibals, vampires, and zombies in society, culture, history, and literature). Although he is able to address these only briefly, it is clear that his knowledge is deep as well as wide.

An afterword discusses post-millenial horror and Jones’ predictions for the future of horror. Noting that one of horror’s defining characteristics is its existence on the margins and manipulation of boundaries, he observes that its recently gained respectability in academic circles and the way it is now marketed to mainstream popular culture may be compromising its transgressiveness. Jones coins the term “unhorror” to describe movies that use horror tropes, sometimes exaggeratedly, and using computer-generated effects, without actually being horrific (he seems to be focused on recent kaiju movies, which do definitely differ in tone depending on who is making them. I don’t think anyone can say that Shin Godzilla is “unhorror” despite its CGI, though) and introduces “Happy Gothic”,  which uses a Gothic mode but in a romantic, whimsical way.

Jones also notes that recent storytelling in the genre is rooted in cultural anxieties about economic, ecological, racial, technological, and political horrors, all of which are very real parts of people’s lives right now, as well as a return to “old-school horror”, but that Asian and Hispanic horror are also having a major impact on the genre, as well as television, podcasts, and Internet memes such as Slender Man. Jones concludes that horror is expanding past the page and movie screen directly in front of our faces, to include new voices and new fears in ways that, at this time, we can’t even imagine.

As this is a short book, it really isn’t possible to cover everything, and I feel like Jones maybe stretched himself a little too far in trying to include as much as he did, especially in his afterword. He devotes just a few sentences to YA horror and paranormal romance(entire books have been written about this), and a few to the “Happy Gothic”, without really elaborating or providing examples (I have never heard of this and now I am curious). His attempt to describe “unhorror” was fragmented as well. He just didn’t have the space for everything I think he would have liked to have said, so the end felt a little unfinished.  I was also a little frustrated with the index. While it lists authors and titles of books and movies cited, movies were not always identified by the date (there are a number of movies titled Godzilla, for example) and terms defined in the text were not always included (abjection, taboo, and sublime, for instance). This is less of a big deal if you have a paper copy that you can just flip through, but doing that on the Kindle is more difficult. The “further reading” section was also difficult for me to read, and I would have liked a little space between citations. These are minor quibbles, though.

This is a great book for anyone looking for background on the genre or arguments for its validity, or who is just interested in the topic, and especially for newcomers seeking a good overview of the horror genre in literature and cinema. Highly recommended.

 

Posted on February 9, 2019 by , Reply
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