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Book Links: Stoker Awards 2018 Final Ballot for Superior Achievement in a Novel

I don’t think I ever formally announced it, but Monster Librarian is making a valiant attempt to review as many of the candidates on the final ballot for the 2018 Bram Stoker Award as we can, before the winners are announced. I am pleased to be able to tell you that we have now posted reviews for all five of the books on the final ballot in the category of Superior Achievment in a Novel. Since they have not been published all at once, I’m going to give you the links here so that you can read the reviews and decide for yourself if you want to go further. I just want to note that there are many excellent authors and books who did NOT make the list, so don’t feel like you have to limit yourself.

Candidates in this category are:

The Hunger by Alma Katsu

Glimpse by Jonathan Maberry

Unbury Carol by Josh Malerman

Dracul by Dacre Stoker and J,D, Barker

The Cabin at the End of the World by Paul Tremblay

 

Enjoy, and stay tuned!

Book Review: Unbury Carol by Josh Malerman

Unbury Carol by Josh Malerman

Del Rey Books, 2018

ISBN-13: 978-0399180163

Available: Hardcover, paperback, Kindle edition, audiobook

 

Josh Malerman is arguably the best new writer horror has witnessed in the past decade. His debut novel, Bird Box, was truly original and was recently made into an outstanding movie by Netflix. Black Mad Wheel added a musical touch to the weird and supernatural, Goblin tied six mind-bending tales together into a town that Ray Bradbury and Charles Grant would love, and the recently released Inspection is an intriguing dystopian look at gender roles, education, and parenting.

Unbury Carol takes a sharp left turn into a world familiar to Joe Lansdale and John Wayne. The plot of this Gothic-tinged historical horror novel with a hint of romance whisks readers back to the Old West in the 1800’s, complete with cowboys, stagecoaches, and saloons filled with whiskey, cards, and women.

Carol Evers has a unique medical condition. She can’t stop dying. Literally. She periodically falls into a coma so deep that doctors believe she’s dead. Only a few people are aware of the illness: her awful husband, Dwight; her two friends; and her long-lost love, the outlaw James Moxie.

When the coma hits, Carol freefalls into a dark world she’s named Howltown, a place where she’s not alone, but as in life, cannot move. Dwight decides to go after her fortune and declare her dead. A telegram makes its way to Moxie, twenty years gone from Carol’s life but still pining for her. Moxie hits the infamous Trail, where unspeakable, legendary horrors occur daily, blazing his own path, to save Carol before she is covered by six feet of fresh dirt. He is unaware that a deadly hired gun is hot on his tail, a sadistic man who leaves a path of burned destruction behind him. Meanwhile, Carol fights her own battle within Howltown, struggling to awaken, to move, to let the world know of her husband’s diabolical plans. On the periphery, Rot, an intriguing supernatural character, taunts both Moxie and Carol in their efforts to remain in the land of the living.

This novel begins as a slow burn like the best Western films of the sixties, and slowly catches fire, grasping hold of readers with a strong narrative that feels like what you’d get in a Clint Eastwood movie, if he traded drinks with Stephen King. This book will likely draw some comparisons to some of the greats, but deserves its own category and acclaim.

Unbury Carol is easily one of the best and most original novels readers will love in 2018.

Editor’s note: Unbury Carol is a candidate on the final ballot for the 2018 Bram Stoker Award in the category of Superior Achievement in a Novel. 

 

Book Review: Our Children, Our Teachers by Michael Bailey

 

Our Children, Our Teachers by Michael Bailey

Written Backwards, 2018

Page Numbers Source ISBN: 0996149317

Available: Kindle edition

 

I was not familiar with Michael Bailey’s work before reading this. Afterwards, I learned that Michael Bailey has been nominated for and has won the Stoker Award in the past. I have to assume that Our Children, Our Teachers is a momentary aberration, because it is a terrible piece of writing. There are unneccessary and misplaced dashes throughout the text, disrupting the flow of the story. It’s poorly structured, with a confusing beginning that doesn’t seem to bear a relationship to the main story, a premise that makes no sense, and an ending so abrupt that I’m still not sure if it’s done or if there are actually pages missing.

The original idea is an interesting one. Eighteen students with seemingly no connection except that all of their parents own guns conspire in planning and carrying out a school shooting. With the school on lockdown, a student in each classroom drives the teacher out into the hallway, which is then followed by the sound of guns firing. This seems to be setting up a somewhat over-the-top commentary on easy availability of guns for kids, but that’s not really where the story goes. Instead (spoiler), the conspirators livestream their demands while holding the school hostage, which are for society to show respect for teachers by compensating them appropriately. Until a long list of demands for higher pay and benefits for teachers are met, one of the conspirators will kill themselves on camera every hour with their entire school watching.

This is just not believable. Even if it were likely that a large group of kids who barely know each other would be willing to work together to plan this, and could keep this a secret, teacher pay is hardly something they would be willing to kill themselves over, and certainly their teachers would be horrified by the idea. Further, kids willing to threaten an entire school and fire live ammunition in the vicinity of their friends and teachers have zero credibility when it comes to demanding respect for their teachers. There’s also no way that this story makes sense logistically. A high school with a thousand students has more than 18 teachers, including multiple counselors, administrators, and support staff, and lockdowns are taken very seriously.

There are glimmers that this could be expanded into something interesting. While I have a hard time believing that these kids were all able to keep it quiet (in my kids’ school anything even remotely questionable ends up reported to resource officers and the front office through an app kids use to submit anonymous tips, and this certainly would have been caught), I’m curious as to how they all connected and committed to this loose plan. Bailey snagged me originally with the students texting back and forth, exerting pressure on each other to participate, as it was clear some of them were hesitant or wanted to back out. That was creepy enough for me to want to keep going a little further. That peer pressure via text message was enough to get kids who rarely met in person and had little in common to do something so horrific was an intriguing thread that I wish he’d followed through on a little more.

The multiple viewpoints have promise, as you start seeing the different students’ perspectives and the difficulty some of the conspirators are having with actually following through, but with so many people involved there isn’t enough time or space to introduce them or explain why they’re participating in this. There’s no inciting incident that seems to be at the center of this, and I honestly have difficulty believing kids are willing to face a prison sentence, kill someone else (yes, that can happen even if you fire at the ceiling or the wall) or kill themselves in front of their teachers and classmates livestreamed on social media, over the issue of teacher compensation. The fact that the reason certain kids were involved because they able to get their guns easily from their parents was also interesting and deserved follow-through. There’s potential here, but at its current length, it fails.

Given his past successes, I’m assuming that in the future Bailey will be producing quality work worth reading, but readers can give this one a pass. Not recommended.

 

Contains: murder, some gore.

Editor’s note: Our Children, Our Teachers is on the final ballot for the 2018 Stoker Award in the category of Superior Achievement in Long Fiction.