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Book Review: Not Even Bones (Market of Monsters #1) by Rebecca Schaeffer

Not Even Bones  by Rebecca Schaeffer

HMH Books for Young Readers, 2018

ISBN-13: 978-1328863546

Available: Hardcover, paperback, and Kindle edition

 

If you are planning to start this book, make sure you have plenty of time to finish it, because if you put it down, unless you have a very strong stomach, you may find it difficult to pick it up again. I have addressed content issues within this review, but please see the content warning underneath, as it includes items suggested by the author. 

Not Even Bones is a YA novel set in Peru that takes place in a world teeming with “unnatural creatures.” Some of these, like vampires, are dangerous. Others simply have unusual abilities. While there is an organization, INHUP, tasked with protecting harmless unnaturals, it isn’t effective at policing the black market in unnaturals’ body parts. Nita’s mother hunts and kills unnaturals, and brings them to Nita for dissection and packaging. Nita loves dissection, so she tries not to think about who the dead bodies might have been when they were alive, but one day her mother brings home a living unnatural whose parts will sell better if they’re fresh, and Nita can’t deal with cutting pieces of a living person, so she sets him free. Shortly after, Nita, who has an unnatural ability to heal herself, is kidnapped for sale on the black market herself  and imprisoned in an isolated market on the Amazon in the midst of the jungle. Believing her mother has sold her, Nita decides she must rely on her own resourcefulness to escape, something she becomes even more certain of when she realizes her kidnapper employs a zannie, an unnatural who feeds off the pain of others and is willing to torture them to get his meal. Even a zannie has his limits, though, and Nita and the zannie, Kovit, team up to escape from the market.

Schaeffer does not pull her punches in this book. There is no question that the main (and most of the secondary) characters have done terrible things, unapologetically, and Schaeffer has Kovit explicitly make this point:

“I like it better when people remember who I am. The only thing I hate more than being demonized is when people actively ignore what I do or try to make excuses for it… When they try to make me sympathetic, moralize all the decisions that aren’t moral.”

Nita and Kovit are desperate people, and in the course of the story Nita crosses moral lines she didn’t even know she had, to the point that Kovit warns her that the only thing keeping them from becoming true monsters is setting limits, however arbitary, and sticking to them no matter what.  The gore, gruesomeness, torture, and especially cannibalism was difficult for me to handle (although much is only implied, what we do see is more than enough, and cannibalism of any kind is usually a deal-breaker for me). I can’t recommend it generally to teens, unless they have a very strong stomach and a sophisticated understanding of morality, because in spite of their monstrous actions, their often selfish motivations, and this explicit reminder that they are not sympathetic characters, Schaeffer still managed to have me rooting for Nita and Kovit. They are victimizers, but they’re also victims of both biology and circumstance.

Schaeffer’s imagination is incredible, her world-building is fantastic, and the characters she takes time to develop fully are many-faceted and complex. I can’t think of too many horror novels set in South America, but it was a great choice for this book. Another unusual choice, especially because the book is set in South America, is that Kovit is Thai, and while it isn’t actually necessary to go into this detail to move the story along, this background does come up in an explanation of his origin as an unnatural specific to Thailand, how colonialism has affected the perception of “zannies”, his family, and how he ended up in this particular situation. I haven’t seen many Thai characters in YA fiction, so this was kind of neat to see.

This is both a physically and emotionally gut-wrenching book, both hard to put down and hard to pick back up, but the cliffhanger ending and memorable characters ensure that, despite the difficulty I had with the body horror (especially the dissections and the cannibalism) in this book, I will be looking out for the sequel, Only Ashes Remain, out soon.

 

Contains: Gore, violence, sadism, death, mutilation, dissections, body horror, cannibalism, torture, dismemberment, mention of suicide, mention of animal abuse.

 

Book Review: Harvest Moon (The Chosen of Bella Luna, #1) by Lyra Zonder

Harvest Moon (The Chosen of Bella Luna, #1), by Lyra Zonder

Newman Springs Publishing, 2019

ISBN: 978-1-64096-784-7

Availability: paperback, Kindle

 

If you like exciting stories, this isn’t for you.

If you like werewolf stories, this isn’t for you either.

If you like horror stories, this REALLY isn’t for you.

BUT…if you loved the Twilight series and can handle pages of graphic sex, this is right up your alley.

Harvest Moon tells the predictable story of Bella and Edward (sorry, Abigail and Killian) with Abby being a half-breed werewolf and Killian being a full-blooded one.  Abby is married to an abusive human husband in Seattle, and Killian is the alpha male of a pack of werewolves in Idaho.  Killian’s sister receives a vision that Abby is meant to be Killian’s lifelong “mate,”so he races off to Seattle to find her, then brings her home. From there, it goes like this, and it’s a minor spoiler: Kidnapping.  Car chase.  Brief fight.  Sex.  Celebration.  A few family revelations.  The End.  That sums up almost 400 pages.

Problems abound in this one.  The main one is that the characters, with one notable exception, are flatter than a flower in a hydraulic press.  Killian is the predictable Adonis, a muscle-bound, wolfosterone-loaded hothead. He’s willing to die, or kill, anyone who interferes with his “soulmate”; while Abby is a timid wallflower.  As expected, they rub off on each other: Abby develops a bit of backbone, and Killian learns to occasionally use more than two brain cells to reason out a situation.  The rest of the characters simply aren’t interesting, with the exception of Nicky ‘The Mouth.” He’s the one character loaded with personality who is actually entertaining. The rest are easily forgettable.  It’s a shame the other characters weren’t developed as well as him: it might have saved the story.

Other problems include the focus of the story and the lack of “wolf time”.  Half the book was just Killian and Abby, professing their love and constantly talking about how they can’t live without each other, they were meant for each other, they would die for each other, etc.  The point was made quickly enough; the author didn’t need to take up the majority of the book with it.  Also, if it’s a story about werewolves, shouldn’t it have, um…WEREWOLVES?  The characters were only in wolf form for about five pages of the entire book– not a recipe for a compelling story.  In addition, parts of the book strain credibility.  For example, the characters are able to disable the security camera system on a hospital, which would typically have its master panel inside, from the OUTSIDE!  Fiction doesn’t have to be perfect, but it helps to have at least a little bit of realism.  Did I mention that these wolves can run over 80MPH?  Wolves aren’t sprinters: were these wolves cross-bred with cheetahs?

In short, this is an imitation of Twilight with enough titillating sex to satisfy readers who like that sort of thing.  Anyone else would do well to avoid this one.

 

Recommended: for readers of paranormal romance.

Not recommended: everyone else.

 

Contains: mild violence, mild profanity, graphic sex.

 

Reviewed by Murray Samuelson

Book Review: Rose by Rami Ungar

Rose by Rami Ungar

Castrum Press, 2019

ISBN-13: 978-1912327430

Available: Paperback, Kindle Edition

 

Rose wakes alone from a deep sleep, disoriented, unable to remember most of the past two years, and, in a horrific discovery, discovers she is part plant. She is soon joined by Paris, who tells her he is her fiance, and saved her from a stalker who had fatally harmed her by taking her to his greenhouse and casting a Japanese spell on her that saved her life but appears to have gone somewhat awry. Since it’s winter, and freezing outside, as a plant she is trapped in his greenhouse and connecting apartment with no choice but to trust that he is telling her the truth, although observations of his behavior show that he can be disturbingly erratic and possessive.  Despite her memory loss, Rose’s character hasn’t changed, and she finds it difficult to believe that she would have willingly agreed to marry Paris. A search of his apartment one day when he is out leads to the discovery of a secret diary (in Dutch, a language Rose happens to know) as well as his Japanese spellbook. The diary details Paris’s relationship with Rose, but something about it doesn’t seem right. When Paris’ father breaks into the apartment and discovers Rose, he is shocked, because it has been in the news that Rose was kidnapped and her fiance was killed by a stranger who violently attacked them. The two of are caught and dragged away on a cross-country journey where neither of them knows what might happen next, except that it won’t be good.

Paris reveals that his actions toward the women who reject him and their lovers stem from a traumatic incident that occurred when his father sent him to a camp that promised to “make him into a man”.  He has learned to command spells from the Japanese spellbook that give him the ability to take what he wants, control other people, and torture and kill people, and intends to use these on Rose and his father.  However, a cruel, mischief-making Japanese demon controls the spellbook, and after enough mayhem ensues, gives Rose an opportunity to end Paris’ cruelty and madness and save herself… at a price.

The first half of this book is creepy because the reader is getting only Rose’s perspective, and with her trauma and amnesia she is not a reliable narrator. In addition, only the least observant of readers will miss the way Paris gaslights and terrorizes Rose, while at the same time expressing his adoration for her. The setup screams “abusive, violent scenario” and watching Rose come around to this understanding is kind of like watching a trainwreck in slow motion. There’s also some pretty strong and heavy-handed foreshadowing about societal expectations of boys and men and the unintended consequences of toxic masculinity and bullying, which Paris claims is the origin of his behavior.  The second part is where Ungar’s fantastical imagination of ways to torment people comes into its own (although I’m curious about his idea to use of acupuncture needles to cause pain, since they’re supposed to awaken self-healing and cause soreness at the most). He does not shy away from describing the impact of Paris’ spells and insanity. I don’t think I will ever get the vivid descriptions of tormented trees out of my head. One thing I found particularly disturbing was that Paris used a spell on the young teenage sisters of the women he tortured to make them fall in love with him, assist in torturing their siblings, and become his willing sexual slaves (this isn’t graphically depicted, but what you do see is bad enough).

Rose is supposed to be a tale of the supernatural, but with the exception of the protagonist, the supernatural aspect takes a backseat to the human antagonist and his agenda for almost all of the book. And for most of the book, the supernatural terrors are more of an enhancement of the methods and agenda of the villain, rather than the main force driving the story. The ending is pretty close to being a deus ex machina, and left me feeling unsatisfied. However, I did like the character of Rose and her resilience in spite of baffling and frightening circumstances, and I feel like the book successfully spotlighted the damage gaslighting and toxic masculinity can have on individuals trapped by circumstance and those they touch. Ungar successfully evinced feelings of dread in this reader, and while readers of extreme horror probably won’t be fazed, it was more than gruesome and stomach-turning enough for me.

It isn’t often that a novel with a sentient plant as narrator comes along, so Rose is worth checking out just to see what Ungar did with the concept. And although I found the ending somewhat unsatisfying, the journey there with Rose was worth taking.