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Book Review: The Third Corona Book of Horror Stories edited by Lewis Williams

The Third Corona Book of Horror Stories edited by Lewis Williams

Corona Books, 2019

ISBN: 978-1-9996579-4-9

Available: Paperback, Kindle edition

 

It seems that every horror collection published always has an introduction detailing how the publisher worked very hard to put only the greatest stories into print.  Sometimes it’s true, and sometimes it’s just lip service.  Corona Books boasts that they selected only the “best of the best” from over 800 submissions.   Thankfully, in this case it’s not an idle boast.  The stories tend towards the short side, but the quality is extremely high.  All the stories are good: there isn’t a bad, or even just fair, story in the lot.  If this collection isn’t nominated for a Stoker award in the “Anthologies” category this year, then the whole nominating process should be called into question.

 

Many of these stories clock in at only fifteen pages, and some at ten or less.  However, there’s a lot of good, concise writing packed in to that short space.  There are a few with some blood and gore, but it’s minimal.  The publishers realized that mental torture and anguish is just as effective, if not more so, then the standard hack and splatter model that is in vogue right now.  Physical pain is only temporary, but mental agony can go on for a long, long time.  In some of these stories, it lasts forever.  Seeing the fate that some of the characters in these stories are condemned to makes for a truly unsettling read.  Sue Bentley’s “Old Gods”  is a prime example.  Treasure hunter/thief Edward Cranby gets way more then he bargained for when hunting for riches in the jungles, and the true torture is that his punishment will NEVER be lightened, or end… ever.  John Haas’s “The Debt” has a less prolonged fate, and a bit more physical punishment, but it’s just as effective.  Drawing on Shylock’s  “a pound of flesh”  in Shakespeare’s “The Merchant of Venice”, the interactions between a mad doctor and the man who caused his family untold misery are truly horrifying: this  may be the best story in the book.

 

The two above stories are the best in the anthology, but the others are also extremely effective. There is no one unifying thread in this collection, other than the high quality.  The lack of a common theme makes the book that much stronger, as the ideas are quite diverse.  Molly Thynes’s  “Worse Things” takes aim at a favorite target—politicians– and shows the wretched lengths that some will go to in order to remain in power. It’s a lot more frightening than anything a real politician has been responsible for.  “The Barber”, by A.P. Sessler, is the only story written in the rarely used second person point of view.  It’s difficult to write in the second person, but Sessler uses it well in this cross between Sweeney Todd and Face/Off.  Viktoria Faust’s “Roxy” and Richard A. Shury’s “Gamer” both take a look at the warped future that may await humankind when it comes to organ donations and virtual reality, respectively. Jeremy Megargee’s “Scythe” details the fear of being old and waiting to die…when you can literally see the end coming for you.  The story ideas come from everywhere, and every one is extremely well written and effective.  This review only covers a few of the stories: there are plenty more in the book for the reader to devour.

 

This is the finest short story collection to come out in a long time, and it’s worth the price ten times over.  If short horror stories that make you squirm and keep you awake at night are your thing, you need this book on your shelf.  Highly recommended.

 

Contains: mild violence.

 

Reviewed by Murray Samuelson

Book Review: The Old One and The Sea by Lex H. Jones, illustrated by Liam ‘Pais’ Hill

The Old One and The Sea by Lex H. Jones, illustrated by Liam ‘Pais’ Hill

Sinister Horror Company, 2019

ISBN-13: 978-1912578160

Available: Hardcover, paperback, Kindle edition

The Old One and The Sea introduces children to a now-famous author and one of his most famous creations, reimagining the childhood of Howard “Howie”  Phillips Lovecraft and his first encounter with the extraordinary. Taking place just after World War I, in the coastal town of Innsmouth, Howie’s father is missing in action, and he and his mother have a close relationship, although he is curious about the world around him and prone to take risks. With no other children and few other adults around he has preserved a fearless sense of wonder in the world that most older children and adults grow out of,. His only companion, Mr. Derleth, is a brusque former soldier who has seen terrible battles, and studies the sea and the stars, and the mysteries he sees in them. One night, when Mr. Derleth has noted that the stars are in an unusual alignment, a black stone pillar rises out of the sea, and Howie decides to explore it. Once he’s reached the top, he accidentally summons a great creature from the sea: surprised, he falls off the pillar and into the water. The creature saves him, and when Howie really looks at the creature, instead of seeing a monster, he sees the tendrils that saved him flowing from the round head of the creature, and black, endless eyes that reflect the stars. Howie names the creature Oolu, and a strange friendship begins between the lonely boy and the equally lonely creature that has risen from the sea. Both are grieving: Howie for his father, and Oolu for his friends in the city of Rlyeh, lost to the bottom of the sea. Jones’ depiction of grief here, especially the grief of a child, rings very true. It’s there, but without making the story entirely about grief.

Then sailors discover that Oolu has risen, and recognize him as Cthulhu, the Great Old One, a monster who destroyed their ship, and decided to attack him. Howie runs to Oolu, chased by his mother and Mr. Derleth, to face the sailors. Mr. Derleth, who still has his military skills, runs the sailors off, terrified. Mr. Derleth notes to Howie, “Fear can be a powerful motivator”. Howie makes a plan to use his imagination to write stories about Oolu, using the name Mr. Derleth used, Cthhulu, but to make the stories scary to keep people like the sailors from ever attacking his friend again.

This is not a frightenting book. It is a tale of friendship, loyalty, grief, love, and family that honors wonder and imagination.Lex H. Jones has given us a gift in this idyllic fictional portrait of Lovecraft, reminding us that he, too, was once a child with curiosity and imagination. There couldn’t be a gentler introduction to the Cthulhu mythos than this book. In fact, it is entirely possible for a child who has no knowledge of Lovecraft of Cthulhu or even any interest in horror to enjoy this delightful, fantastical story.  The illustrations by Liam ‘Pais’ Hill, in pastel colors with simple, cartoony line drawings, add to this impression. In all honesty, The Old One and The Sea is the most refreshing children’s book (and I read a lot of children’s books) I’ve read this year.

Jim McLeod of Ginger Nuts of Horror wrote a nice introduction to this book on when horror lovers can best introduce the genre to their children, and how, and on how much availabilty of children’s horror fiction (and fiction that uses horror concepts and tropes) has changed, It has changed quite a bit over the last 15-20 years, and that’s been exciting to see. Lex Jones has added a lovely title to that genre that I hope both librarians and parents will share with the children they encounter. Recommended.

 

 

Book Review: All Hallow’s Eve by Jennifer Hughes, illustrated by Agus Prajogo

All Hallow’s Eve by Jennifer Hughes, illustrated by Agus Prajogo

Mascot Books, 2019

ISBN-13: 978-1684011643

Available: Hardcover, Kindle edition

 

October is THE month for storytelling and reading aloud, especially with kids, who see it as THEIR holiday. A majority of picture books for this time of year, however, are either series tie-ins (quality may vary) or standards that have survived the test of time (I will never not read The Hallo-Wiener or The Tailypo if I can get someone to listen)  All Hallow’s Eve is new this year: it’s a tale of trick-or-treating gone creepy. Hughes originally wrote the story in 2000 as a poem for her nieces, who demanded it be read to them over and over again, but set it aside until recently. The sing-songy rhythm and the words hanging on the structure of the familiar poem “A Visit From St. Nicholas” make it a fun and easy read-aloud. The cartoony, colorful illustrations of four little witches off to trick-or-treat are adorable, and the last house on the street is spooky. Readers expecting a predictable ending might find themselves at least a little surprised– and kids will probably giggle– at how the story wraps up. Not terribly scary but very Halloween-y, All Hallow’s Eve is a nice find for the upcoming holiday.