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Musings: The Trouble with Young Adult Fiction

And now for something completely different.

 

Elisabeth Wheatley is an indie author of  fantasy romance who also makes videos, and most recently she addressed a question from the  parent of girls aged 12 and 14: why does every YA book seem like it has smut? Part of her video had to do with the way other readers piled on that person (as in, don’t be a jerk),  but her answer is interesting, and so are the comments that followed the video. And what I found interesting about the comments was that there are many people who have a different idea of what YA books are and who their target audience is than those of us who are librarians, writers, and publishers. These are people who read extensively in their genre, and I assumed we were all working off a common definition.

 

Granted, the boundaries are a little muddled: A Court of Thorns and Roses was originally marketed as a YA title and is often shelved with YA books, but is definitely not YA (this is likely how it frequently ends up challenged) but to me the surprising thing to me is the number of readers who think young adult books are for readers in their 20s– who would actually be described as young adults- instead of for teenagers. YA fiction has a lot more adult readers than it used to, but this is the first time I’ve actually come across a significant group of readers who believe YA is not for teenagers.

Have you come across this belief that young adult books are actually for readers who are in their 20s? I”ve been reading YA books since the 1980s and I never would have predicted there would be confusion over this. What do you think about the way books are being marketed over this “blurred line”? Do you think it matters, not just in terms of “smut” but in terms of violence?  I’d love to know.

Musings: Discovering A Brave New World

bookcover for Brave New World

 

The Monster Kid just took an unofficial poll of his peers (mostly college freshmen) and asked if any of them had read a book in the last year. With one exception, they said they had not read a book in years. How they graduated high school without reading a book is unclear to me. Certainly my kids have had novels assigned, and I know they’ve read them. Maybe they aren’t counting fanfiction, webnovels, or graphic novels?

 

This was part of a discussion I was having with him over the book he had just discovered– a revelation! After years of reading and rereading 1984, he has just discovered Brave New World and is comparing them to each other and current events. To discover a book that is a source of wonder is a rare thing once you have passed the gates of childhood, where everything you encounter is for the first time.

 

Looking back to books we loved in the past often reveals the flaws we missed when the story first swept us away (how did I miss the antisemitism in Oliver Twist?} especially once we have encountered a wider context, both in the world around us and through other books we’ve read (I’ve suggested Julia, The Handmaid”s Tale, Fahrenheit 451, The Parable of the Sower, and others to him), but once he pulls his nose out of his schoolwork and stack of screenwriting books, I guess he will have to discover those on his own as well. It’s pretty exciting to see a face light up like that, regardless,

 

I would love to see everyone read widely, to discover that book that suddenly clicks and carries you away, and then be able to come to terms with its flaws, if you can. It saddens me that so few of the Monster Kid’s peers have given themselves that opportunity. I hope that every one of you do, as well.

Book Review: Sacrilege by Barbara Avon

Sacrilege by Barbara Avon

Self published, 2020

ISBN: 9798690309411

Available: Paperback, Kindle edition

Buy:    Bookshop.orgAmazon.com

Sacrilege is a depressing psychological drama that takes you down, down, and further down.  There are no monsters or boogeymen in this one, just the mental demons that inhabit the characters.  It’s a pretty good read for those who prefer human interest/interaction stories.

 

Almost the entire story focuses on the two leads: wayward priest Cris Corelli, and Jules, the lady who owns the boarding house he stumbles into.  The author sets the tone right out of the gate: mentally, these two are trainwrecks, for various reasons.  As the story progresses, the death of someone close to both of them pushes Cris and Jules further down into depression.  They start drinking and drugging to numb the pain, only finding minimal comfort in each other.  However, it’s the best either of them can hope for, unless they somehow are able to use each other to pull out of their respective tailspins.

 

The stark manner in which the dialogue between Corelli and Jules is written is an unusual choice.  Often, books like this rely on fairly long and in-depth conversations, as a way to explain how the characters became, and where they are heading.  The author goes against the grain here, as most talks are fairly quick and clipped, not really revealing a lot about the characters.  Then again, maybe they don’t need to, the characters’ actions may speak louder than any lengthy dialogue in this case.  It’s an interesting choice for this type of book, and works reasonably well for the narrative, giving it a unique flavor.

 

I felt the “big reveal” at the end of the story was anticlimactic. You could tell it was supposed to be fairly important, due to Corelli’s actions after he discovered it, but it just didn’t seem like anything that should alter the story’s trajectory, or what the characters do for the rest of the book.

 

The bottom line is…this will appeal to a certain segment of readers.  If you enjoy depressing psychological dramas, this might work for you.  If your idea of horror is fast-paced, with monsters and supernatural craziness, then this probably isn’t your cup of black ichor.

 

 

Reviewed by Murray Samuelson