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Book Review: Violet by Scott Thomas

Violet by Scott Thomas

Inkshares Press, 2019

ISBN: 978-1-947848-36-8

Available: Paperback, Kindle, audiobook

 

Scott Thomas’s sophomore novel, Violet, came with a mound of high expectations attached to it.  His debut novel, Kill Creek, was one of the best horror novels of 2017.   Critics everywhere praised it, and even had some proclaiming Thomas as the possible heir to the Throne of King.  Needless to say, his second novel had a lot to live up to.  Unfortunately, the material does not meet the expectations, and judgment on whether he is the heir apparent will have to wait another book or two.  Violet showcases the author’s excellent descriptive writing, but the book is dragged down by its slow pace and lack of an exciting finish.

 

Kris Barlow and her eight year old daughter, Sadie, are retreating to the lake house that Kris inherited from her parents.  The goal is recovery, as her husband Jonah just died in a car accident.  Worth noting: Kris didn’t like him that much anyhow.  The setting seems perfect for a ride of suspense: the town is small, and the lake was mysteriously formed years ago when construction workers dug into a hidden chasm, releasing enough water to make a lake suddenly appear and flood half the town.  The house is in disrepair, as everyone that rented it left after a few days out of fear, and even the realtor won’t go near the place.  While there, odd happenings such as handprints all over the inside windows start to occur.  While settling into small town life, Kris learns of the mysterious disappearances of young girls in the area.  Some of the bodies were recovered, some not.  The ghostly occurrences increase, people drop mysterious warnings, and Kris soon learns that her daughter may be a target of the town’s evil forces.

 

As noted, Thomas is an excellent writer, with a real flair for descriptive narration.  He paints pictures with words so well you can see the whole book running on the movie screen in your mind.  The dialogue is also quite good, but it’s the narration where Thomas really shines.  He skates right up close to the edge of excess with his description, but he never crosses the line.  As a result, the story leaps right off the page at you.  The problem is, the story itself simply isn’t that compelling.  This book is an EXTREMELY slow burn, and it takes until around 300 pages before the story starts to move a little bit.  Even when it does, it doesn’t move much.  A thrilling climax might have been enough to justify the previous 400 pages, but even that gets denied.  In all likelihood, the end will leave the reader with more questions than answers.  It’s really a shame, because the setting and backstory seemed perfect for Thomas to apply his considerable skill at suspense writing.  All the elements are there: ghostly figures, mysterious neighbors, townies who seem to be hiding something, strange occurrences with animals, the list goes on.  Despite all of the available parts, for some reason, Thomas simply can’t get this one off the ground.  The best that can be said is, the talent is there, and let’s hope for better next time.

Contains: mild violence, mild profanity.

 

Reviewed by Murray Samuelson

 

 

 

 

Posted on December 22, 2019 by , Reply

Musings: 2020 Is Nearly Here! The Classics Are Coming!

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It’s been a big year for looking back, with the establishment of the Paperbacks from Hell imprint, Looking forward to 2020, it appears that it will be a big year for looking even further back.  The publication of several books of ghost and Gothic tales in 2019 looks like it was the beginnings of a return to the classics of the genre. 2020 will bring the first volume of HWA’s Haunted Library series that will be published in conjunction with Poisoned Pen Press, The Phantom of the Opera by Gaston Leroux. In addition, Crystal Lake has just announced that they’ll be publishing Crystal Classics, dark tales from the late 19th and early 20th century,  with occasional titles that “challenge” a classic title, and the covers look lovely. Their December newsletter says the first three of these are out in paperback and will also be available as ebooks: they are The Great God Pan by Arthur Machen, with an introduction by William Meikle;  Dagon Rising, a “challenge” to Lovecraft by William Meikle; and The Willows by Algernon Blackwood, with an introduction by Jasper Bark. I’ve been watching over the past several years now as some of the older or lesser-known writers are starting to be introduced to readers who may never have encountered them before, and I think we’ll continue to see this appreciation of writers from earlier times. Given the publication of books like Monster, She Wrote this year, which set a focus on lesser-known women writers (or women writers whose supernatural work was lesser-known) I think we can be sure that there will be more to uncover and appreciate! Of course, time, and literature, and our fears, move on forward, and I think we’ll see more diversity among contemporary writers in 2020 as well, if what I’m already seeing is any indication. It’s an exciting time to be a writer, publisher, librarian, researcher, and reader, and I can’t wait to see what directions the genre goes in next.

 

Posted on December 22, 2019 by , Reply

Book Review: Cryptozoology for Beginners (Codex Arcanum, Book 2) by Euphemia Whitmore with Matt Harry, illustrated by Juliane Crumb

Cryptozoology for Beginners by Euphemia Whitmore with Matt Harry, illustrated by Juliane Crumb

Inkshares, 2019

ISBN-13: 978-1947848825

Available: Paperback, Kindle edition

 

The first thing you should know is that I have a cryptid-loving kid whose interest goes way back to when he was very little, so I am always on the lookout for books about cryptids. Usually those end up being some kind of nonfiction guide (such as Tales of the Cryptids by Kelly Milner Halls), maybe paired with a little background or local legend, or an adventure novel with kids either hunting for (or being hunted by) a particular creature (such as Roland Smith’s Chupacabra). In Cryptozoology for Beginners, we get a little of both, with the added element of a dash of magic.

That’s right, magic. Cryptozoology for Beginners is the second book in the Codex Arcanum series. The first book, Sorcery for Beginners,  which I have not had the opportunity to read, follows  Owen Macready and his friends Perry and Trish through adventures in magic that begin with bookseller and sorceress Euphemia Whitmore giving Owen the book Sorcery for Beginners when he ducks into her shop to escape from a bully, Brian Ferreti whose millionaire father turns out to be the book’s evil nemesis. This book is told in third person from Owen’s point of view and includes illustrated pages from his new grimoire, so that the reader is going through the learning process with Owen.

Cryptozoology for Beginners picks up in time for the teens’ summer vacation.  Owen and Perry have become a couple, and the book is told in third person from Trish’s point of view. An organization called the Euclideans, who seek to destroy magic, which is in direct conflict with the sorcerers, has started kidnapping cryptids for scientific experimentation. Euphemia Whitmore returns to ask for their help in collecting (or capturing) the remaining cryptids for a “zoo” that will be a safe haven for them, away from the Euclideans. They are in a race to preserve these rare, frequently legendary creatures before the Euclideans can capture them for their own nefarious purposes.

Perry, Owen, and Trish are joined by Brian, the bully from the previous book, who wants to redeem himself, under the supervision of slightly older Jacinda Greyeyes (who is very clear that she is a member of the Flying Dust First Nation), for an adventure in an RV that leads them all over the country tracking down and capturing such creatures as jackalopes, the altamaha-ha, and the chupacabra, with the help of an illustrated, informative guide to cryptids provided by Euphemia Whitmore, Cryptozoology for Beginners. As in the first book, fully illustrated pages from the guide are included at strategic points in the book, so the reader learns about the appearance and habits of the jackalope as the group is chasing after one. As the Euclideans gain ground on the sorcerers, Trish, Perry, Owen, Brian, and Jacinda find themselves also traveling across the Atlantic to help save the Loch Ness Monster, the sphinx, and many others. They finally find themselves in the heart of the Euclideans’ headquarters, where they see some of the results of the experimentation firsthand, and it’s heartbreaking. The plot moves fairly quickly, and we see a fair amount of character development in the prickly Trish and the obnoxious Brian.

Trish, feeling somewhat like a third wheel at the beginning of the book, starts falling for Jacinda and discovers her feelings are returned. She gains confidence and becomes more of a leader. Brian, who’s pretty rough around the edges, strained my ability to believe he could be redeemed, as he made a number of racist and dismissive comments about Jacinda’s indigenous identity, but he did commit some selfless acts, and become slightly more bearable. There was definitely growth to his character, but I hope there’s a third book that gives him opportunities to continue to change. Owen and Perry don’t have a lot of character development going on, although Owen makes a discovery about his mother that requires him to make some uncomfortable decisions.

But what I love most about this book is the cryptids and the seriousness they’re taken with in the story, even though it’s fiction. The pages devoted to the various creatures are well designed and illustrated, and readers who haven’t encountered cryptids before will be pulled into the story as the learn something about them at the same time as the kids.

While the romance might not appeal to all middle-grade readers, many will enjoy the adventure. For cryptid-loving kids, it can stand alone, but it’s better if read after Sorcery for Beginners.  Recommended for middle-grade readers who enjoy creature guides and adventure with some fantasy in the mix.

Posted on December 22, 2019 by , Reply
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