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Book Review: The Willows by Algernon Blackwood

cover art for The Willows by Algernon Blackwood

Bookshop.org  |  Project GutenbergAmazon.com )

The Willows by Algernon Blackwood

ISBN-13 : 978-1081920890

Available: Hardcover, paperback, Kindle edition, audiobook, Project Gutenberg

 

Having just finished T. Kingfisher’s book The Hollow Places, I discovered in the afterword that she had been inspired by a novella by Algernon Blackwood titled The Willows, which was much admired by H.P. Lovecraft as an example of horror and weird fiction. The story follows the narrator and his traveling companion (referred to throughout as “the Swede”) as they journey down the Danube River, which is almost a character in the story. Having left the town of Pressburg during a rising tide, with the threat of a storm on the way, they are washed out of the main channel of the river and into a wilderness of islands, sandbanks, and swamp covered with willow bushes, a “separate little kingdom of wonder and magic… with everywhere unwritten warnings to trespassers.”

With the waters still rising and the winds blowing the two find an island large enough to camp on that they are sure they will not be washed away. The rising water, the shouting wind, the crumbling islands, and the masses of willows all together create a sense of unease and terror in the narrator, which he tries to dismiss by focusing on practical matters. He and his companion avoid speaking about their current situation, even when all they have to occupy themselves with is conversation. Alone, collecting driftwood for the fire, the narrator describes the willows as “utterly alien,” a vast army of “innumberable silver spears”. Although he suspects his companion shares his feelings of disquiet, the two men don’t speak about their unease. After their first night on the island, the narrator sees that the islands, covered in willows, have moved closer to their own, which is washing away. His companion has discovered that they cannot leave right away, though, because one of their steering paddles is missing, the second has been filed so it will break on usage, and there is now a hole in the bottom of their canoe, and believes the damage was done to make them victims of a sacrifice. The narrator, not wanting corroboration for his feelings of unease and fear, attempts to come up with logical explanations, but neither of the two can really believe them. Both men are terrified of their upcoming fate, but his companion advises him that it’s best to neither talk nor think of the willows who may be searching them out and hope that, in their insignificance, the creatures of the “beyond region” they have strayed into, will fail to find them.

A camping trip with a friend doesn’t sound like it would be ominous and terrifying, but Blackwood’s vivid descriptions of the natural world and the narrator’s disintegrating state of mind turns what seems at first like a river inlet filled with willow bushes that might be a good place to stay overnight, into an unnatural, dread-inducing enviroment. It’s creepy in the “I can’t believe these characters slept at all on the island” kind of way. You will never look at willows without seeing them as sinister again.

Blackwood’s descriptions of the willows as an “unearthly region” where the beings “have nothing to do with mankind” marks this story as an early work of weird fiction, and you can clearly see the influence on Lovecraft’s work. It’s easy to see why Blackwood is considered a master of the genre. Highly recommended.

Note: I read the Project Gutenberg edition of this novella, not the one pictured above.

Book Review: The Girl Who Builds Monsters by Brian James Freeman, illustrated by Vincent Chong

cover art for The Girl Who Builds Monsters by Brian James Freeman, illustrated by VIncent Chong

Bookshop.org  |  Amazon.com )

The Girl Who Builds Monsters by Brian James Freeman, illustrated by Vincent Chong

Cemetery Dance, 2020

ISBN-13 : 978-1587677656

Available: Hardcover

 

Emma is lonely. The kids in town think she is a monster because of the birthmark on her face. She lives with her  grandfather, who owns a doll factory where he designs and manufactures beautiful dolls, with perfect faces and bodies, for sale. One day, Emma finds a room of rejected and damaged machinery and doll parts, and starts to create dolls herself. They are imperfect, even monstrous, but Emma loves them, and takes them home, where she already has beautiful dolls her grandfather has made for her. At night, when Emma is asleep, all the dolls come alive. Unlike the kids in town, the perfect dolls welcome the monster dolls, and they all play together happily. The monster dolls are more adventurous and confident than the perfect dolls, though, and when robbers break into the house one night, the monster dolls come up with a plan to trap the thieves and protect Emma and her grandfather. Knowing they are supposed to keep their nighttime activites secret, the monster dolls charge the thieves, terrifying them into falling through a trapdoor in the hallway floor and saving the day. Looking monstrous on the outside doesn’t stop them from either being loved or acting out of love. On its own, it’s a sweet little story.

However, Vincent Chong’s illustrations really up the creepiness factor. It’s one thing to write about dolls, and another to draw them. I saw some aspects in the illustration, design, and use of font in the book that reminded me a bit of some of Dave McKean’s illustrations in The Wolves in the Walls. The people in the book are not realistically depicted, but the dolls seem much more real.  In sharing this book with my daughter, the absolutely creepiest moment for her was the two-page spread of the brightly drawn automated doll assembly line (although the monster dolls’ nighttime attack on the thieves was a close second), so it’s likely that the dolls’ uncanny nature may cause unease in some children, Emma herself is an adorable, if mostly sad, little girl. Chong shades her birthmark in while not letting it define her face or personality, and it is really wonderful to see her imagination at work as she takes ownership of turning damaged pieces into imperfect dolls that she can relate to. In Chong’s illustration of the dolls seen through Emma’s eyes, the monster dolls don’t seem monstrous.

For me, one of the things that makes this an absolutely outstanding book and a choice I would recommend for anyone working with elementary aged children is that it is one of the few picture books out there that depict disability in a positive and respectful way. Too often picture books about disabled people are educational texts describing a child’s disability for abled peers, and in the few fictional picture books, disabled people are rarely depicted as multifaceted individuals with positive characteristics. In fiction in general, disabled people are usually presented stereotypically, as either someone to feel sorry for (like Beth in Little Women), someone inspirational (think Auggie from Wonder), someone with “magical” abilities (Charles Xavier of the X-Men), or a villain. In horror in particular, villainy is frequently signified by disfigurement or masking (some of the classics in horror fiction include the Phantom of the Opera, the Invisible Man, and Dorian Gray ).  Brian James Freeman has done a great job at subverting the trope of disability and disfigurement as villainous and monstrous, and celebrating imperfection, and it’s really exciting to see this. Highly recommended for grades K+.

Book Review: Night of the Mannequins by Stephen Graham Jones

cover art for Night of the Mannequins by Stephen Graham Jones

Night of the Mannequins by Stephen Graham Jones (  Bookshop.org  |  Amazon.com )

Tor.com, 2020

ISBN-13 : 978-1250752079

Available: Paperback, Kindle edition

 

Night of the Mannequins is a short book, a rocket-fuel ride from beginning to end. It is narrated by teenage Sawyer, one of an offbeat, close-knit group of friends who have known each other forever and are about to graduate high school and go their separate ways. Stephen Graham Jones does a genius job with Sawyer’s narrative voice: it really feels like he is talking right to you. After they’re thrown out of a movie theater where their friend Shanna works, the friends come up with the idea of sneaking a discarded mannequin in to prank Shanna and the manager. Instead, the prank fizzles, the mannequin disappears, and Sawyer is certain he saw it walk out of the theater. After one of the Shanna is killed, along with her family, when a truck plows into her house, Sawyer is convinced the mannequin is the culprit and that he and his friends and their families are all in danger of death by mannequin. He is certain he has seen the mannequin and that the mannequin is stealing and eating Miracle-Gro to turn into a gigantic monster. Sawyer decides he has to act before the monster mannequin can. Jones takes us far down the rabbit hole in this surreal and disturbing tale as Sawyer’s perceptions become more and more skewed,  especially once he starts covering his face with a mannequin mask.

We don’t get to know the other friends well, but Sawyer’s feelings for them seem genuine, so you feel for them and their families when gory tragedy strikes. And wow, does it strike. Sawyer describes it in detail, and Jones does not pull his punches.

This is not intended to be a YA book but it very easily could appeal to YA horror readers looking for a bite-sized read. It’s short, fast-paced, and, unusual in YA horror these days, has a teenage boy as protagonist. With Night of the Mannequins you could hook someone who loves slasher movies but hasn’t shown much interest in reading.  Recommended for ages 15+