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Book Review: Stranger Danger (Stranger, #3) by Michaelbrent Collings

cover art for Stranger Danger by Michaelbrent Collings

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Stranger Danger by Michaelbrent Collings

Written Insomnia Press, 2020

ISBN: 979-8575116776

Availability: paperback, Kindle

 

Then Jesus asked him, “What is your name?”

“My name is Legion,” he replied, “for we are many.”

 

Stranger Danger is the third volume in the series featuring Legion, a teacher of justice and pain.  Like the unfortunate of the Biblical parable, Legion may have demons inside him and be quite crazy, in a figurative and literal sense.  But that doesn’t stop him from teaching people the error of their ways, in a bone-cracking, skin-pulping fashion.  If you’ve read the other two volumes (Stranger and Stranger Still) then you can’t miss this one, it’s the best one yet.  If you haven’t, this is still a great read.  Minus a couple small issues, it can still be read and understood as a stand-alone.  It’s every bit as good as Stranger Still (reviewed here ) but with the few minor tweaks made, this one is a notch above its predecessor.

 

As in the prior volumes, Stranger Danger runs two concurrent threads that start off separate, but eventually twine together.  Legion, a man with the ghosts of his brothers (Fire and Water) always with him and talking to him, stars in the first one.  He simply goes (or is led) to a place with a lot of wrongdoing, investigates the source of problems, and rectifies the wrongs inflicted on innocents, in an agonizing fashion.  This time, the site of mayhem is Tree City, a standard city with a ghetto overrun by four separate street gangs.  Legion’s story thread soon intersects with that of Candela Garcia, a cop who has been on the run from a psychopath for years, and has finally settled in Tree City, determined to make a better life for her son Chase, and the people of the city.  Her son makes the mistake of falling in with Wolf, the leader of one of the gangs.  Candela has to deal with the double trouble of helping her son and stopping the gangs from decimating the city.  Fortunately for her, Legion believes in stopping evil also, and the two of them use their opposing methods and beliefs to bring justice to the city.

 

Stranger Danger has the usual hallmarks of Collings’s writing in this series: extremely fast pace, excitement, and a mild touch of gore.  It’s the small touches that push this book above the previous one.  Fire and Water, the ghostly spirits in Legion’s head, are much better developed. Their advice does play a critical role in assisting Legion, but their constant verbal squabbling with each other also provides some occasional light-hearted moments.  The contrast between the two main characters also helps.  Candela is a straight-arrow, by-the-book cop who despises corruption and can’t be bought.  Legion understands right and wrong, but has no concept of laws when it comes to applying punishment.  Where Candela would make an arrest, Legion would break bones and crush pelvises.  It adds a nice dynamic to the story.

 

The character of Legion has also evolved.  Before, he was emotionless.  Now, at times, he actually experiences fear and (gasp!) happiness of a sort.  He isn’t flawless in his retribution either: one could make the case that a couple of the people Legion injures didn’t deserve it– they were just flunkies doing their legal jobs.  It’s different then the usual “good” or “evil” dynamic usually found in the series.  At the same time, Legion starts to question whether he should only punish the sinners, or maybe try helping out good people who don’t need correcting.   It all adds up to a more complex and interesting character.

 

Stranger Still is the best entry yet in a series that appears to have a ways to go.  Now, it’s just a matter of counting the days until the next one is released.  Recommended.

 

 

Contains:  violence, profanity, gore

 

Reviewed by Murray Samuelson

Women in Horror Month: Book Review: The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick by Mallory O’Meara

cover art for The Lady from the Black Lagoon by Mallory o"Meara

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The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick by Mallory O’Meara

Hanover Square Press, 2019

ISBN-13: 9781335937803

Available: Hardcover, paperback. Kindle, Audible audiobook

 

When Mallory O’Meara discovered that one of her favorite movies, The Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick, she knew she had to find out more. Sadly, there was little information available about this elusive figure. Through her research, O’Meara learned much about Patrick’s contribution to The Creature from the Black Lagoon and her eventual disappearance from film history. O’Meara, herself working in the horror movie industry, “set out to right the wrong and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time.”

O’Meara’s book is well-researched, using primary archival resources and interviews as a basis for her work. She describes pushback she received from different parties in her introduction. Similar to asking the question, “why is there a Women in Horror Month?”, she was asked why she was searching so much for a woman who was denied her craft for decades. O’Meara spends the bulk of the book answering this question.

The book isn’t strictly a biography of Milicent, but also of those closest to her. O’Meara includes biographical information on Milicent’s parents, William Randolph Hearst, Bud Westmore, and other people who had been influential in Patrick’s life. Interspersed in the chapters are the author’s discussion of her discoveries and “aha moments”, such as finding Hearst Castle as a clue to unveiling more of Milicent’s life, her time at Glendale Junior College, her eventual dropping out to attend Chouinard Art Institute, and Walt Disney hiring her on in the animation department of his humble studio. Milicent worked as an uncredited model, developing her own sense of style, something her father disapproved of. The author does not hide that some of Milicent’s life choices led to heartache and agony, her own as well as others. O’Meara discusses Milicent crossing paths with the infamous Bud Westmore and her time designing the Gillman, Universal’s monster in Creature from the Black Lagoon. The author also provides some great information on the history of special effects, and the ongoing gender inequality in the film industry.

A major criticism I have about the content is O’Meara’s exaggerated lack of understanding of the research process. She discusses her struggles with the process and, thankfully, credits those who helped her by providing her with clues or pointing her in the right direction. She seemed to be unaware of databases, or how to conduct oneself in an archival room. While such things are undoubtedly unknown to some people, including her own ignorance and gasping, and telling the reader she probably annoyed others in the research room of the archives, would probably be best left out. However, O’Meara’s conversational style of writing is appealing, to a point, and makes the pace of the book go quickly. Recommended.

 

 

Reviewed by Lizzy Walker

Women in Horror Month: Book Review: The Burning Girls: A Novel by C.J. Tudor

cover art for The Burning Girls by C.J. Tudor

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The Burning Girls: A Novel by C.J. Tudor

Ballantine Books, 2021

ISBN-13 : 978-1984825025

Available: Hardcover, paperback, Kindle edition, audiobook

 

Some of the best books straddle genres and wind up splintering the boundaries in the process. Some of the best authors writing today have nailed this, refusing to be pigeonholed.

C.J. Tudor broke through with the phenomenal novel The Chalk Man and now takes her blend of horror, mystery, and thriller, churning it into one of the first hits of the new year.

Set in modern-day England, Reverend Jack Brooks appears to be running from her past when she is reassigned to a church in Chapel Croft, a town where the previous vicar committed suicide. Jack and her daughter Flo reluctantly leave Nottingham after a case that may have involved an exorcism left a young girl dead. Immediately, Jack discovers the small town is full of mysteries, conspiracies, and hidden shadows that make her past resemble heaven.

The legend of the burning girls harkens back to the reign of the Catholic Queen Mary in the sixteenth century, whose purge of Protestants resulted in the deaths of eight victims, including two young girls, through, of course, burning. Thirty years ago, another pair of girls disappeared from the town, apparently meeting with foul play. Toss in another missing vicar, and the stage is set for a creepy tale that might bring to mind the best of Shirley Jackson if channeled through Lauren Beukes.

The legend says that whoever sees the burning girls is destined for a horrific fate. On her first morning, Jack discovers effigies on her doorstep, while Flo catches a fiery specter on film when exploring a disturbing, abandoned house with a boy whose past carries its own hefty shadows.

As Jack discovers the terrors that Chapel Croft has spent centuries burying, she struggles to find who to trust, and who might be seeking to add her to the body count the church seems to invite.

Tudor brings a strong dose of horror that evokes folktale. mythology, and evil in human form, by way of small town mentality. What sets The Burning Girls apart from other novels is the writing. Tudor’s strong voice is both alluring and conversational, deceptively simple in its complex characterization, especially of the role of a female priest in a setting stuck on living in dangerous nostalgia. Humor is utilzed as a foil to the terror Tudor wraps around the twisting plot, succeeding in keeping the reader off guard until the final note is played. Both this novel and the author’s previous offerings are highly recommended.

 

Reviewed by David Simms