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Knight of Gaelgara: War of Souls Apocrypha Book 1 by Gary J. Martin

Cover art for Knight of Gaelgara by Gary Martin

Knight of Gaelgara: War of Souls Apocrypha Book 1, by Gary J. Martin

Temple Dark Publishing, 2024

ISBN: ‎ 9781738467617

Available: Paperback, audiobook, audio CD

Buy: Amazon.com | Bookshop.org

 

 

Knight of Gaelgara is yet another stunning debut to a series published by Temple Dark Publishing. It’s firmly set in the realm of medieval fantasy and contains some of the elements that made the Game of Thrones series so enjoyable. With a layered narrative, numerous characters, and a feeling true to life of the medieval period, this is one the Thrones fans will not want to miss.

 

A simple synopsis of a complex plot is that Sir Rosalind Radsvinn, newly anointed knight, returns to her home, the portside city of Akkson. The city is ruled by her father, Baron Feylan Radsvinn, on the continent of Gaelgara. In a torrid 48 hours, the city is torn apart by the combined assault of invaders from the outside, and the internal strife and rebellion of the people of Akkson.

 

There is a LOT going on in the book, but I don’t want to give it away. The story is written in third person, but told from the perspective of multiple narrators, each with their own agenda for the city of Akkson. That’s where the plot complexity comes in: few of the characters are united in how they view things, and that keeps the narrative engrossing. There are loyalists, flat-out traitors, and those on the fence, and the author makes sure to provide reasons for each. The main turncoat out to destroy the Baron’s family may be a bad guy, but he certainly has some justification for what he does, even if you don’t agree with it. Many of the characters are written in shades of gray, and it’s what keeps the story so interesting. The Baron’s family alone is a study in dysfunction. Rosalind remains loyal to her father, Baron Radsvinn, although he hasn’t done a good job of running the city, while her brother, Ulrik, is an opportunist who may swing to either side, depending on how it benefits him. From the top-level characters to the basic foot soldiers, all the characters are complex and feel true to life. Thankfully, there is a character appendix at the beginning of the book for readers who start to feel overwhelmed by the scope of it all.

 

As far as the writing, this is seriously immersive stuff that will make you think the author must have lived through the period. It feels real, from the trebuchets and ballistae being used to destroy the city walls, to the hard, messy, and ugly battles. These are not glamorous battles like in movies: people get stabbed through the armpits or under the chin through the skull, the kind of places a warrior would actually target, since they are unprotected. It’s the same with the characters that use war-hammers: they go for the joints, and crush them. It’s a good reminder that medieval warfare was hardly honorable. It was unpleasant and a bloody mess. Interesting note: poison gas is actually used as a siege weapon in the book, a very creative touch. There are also some well-written naval battles in the book, something medieval fantasy writers rarely include. Truth be told, these might have been my favorite battle scenes of the book.

 

What also sets this one apart from the others are the original touches in terms of humanoids. The character Thorn is a cougari, a cat-man humanoid, and the Whale Riders are water-breathing humanoids who live in the ocean and ride into battle on whales decked out in armor. Those races add an interesting new element to the medieval style. Let’s hope the Whale Riders keep playing a role, as they were one of the best parts of the book

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Bottom line: for the readers that felt a void in their lives when it became apparent that the Game of Thrones series will probably never be finished, fear not. Gary J. Martin is here, and continues the genre in his own spectacular, original, fashion. This one makes my list of “can’t miss” titles for the year, alongside Ishmael Soledad’s Diathesis, Christopher Micklos’s Tick Town, and J.R. Konkol’s The Guardian’s Gambit. Now, let’s hope we don’t have to wait ten years for the next installment in this series! Beyond highly recommended.

 

 

Reviewed by Murray Samuelson

 

 

Book Review: Samhain Screams edited by Greg Chapman and Cameron Trost

cover art for Samhain Screams edited by Greg Chapman and Cameron Trost

Samhain Screams edited by Greg Chapman and Cameron Trost

Black Beacon Books, 2025

ISBN: 978-0-9756118-2-1

Available: Kindle edition (pre-order release October 17, 2025)

Buy: Amazon.com

 

Samhain Screams is an anthology of Halloween and Samhain-inspired stories, focusing on the creepy and terrifying rather than the superficial aspects of this spooky time of year. Editor Greg Chapman, an Australian, brings a perspective distinct from the typical American experience of the season. It’s a strong collection, with plenty of hits and very few misses. Many of the authors have created atmosphere and suspense that will hook the reader and keep them on the line.

 

Favorite stories include Mia Dalia’s “The Last Pumpkin”, in which a horror writer encounters his biggest fan; DJ Tyrer’s “The Knock”, in which a mystery knocking in the narrator’s apartment building leads to disappearances; Matthew R. Davis’ “Hauntology”, which reveals the secrets of a shopping mall; Hannah Baxter’s outstanding ” The October Shadows”, in which a film studies student is taken over by an obsession with a 1922 horror movie that caused a disturbing riot at its only showing; Kevin M. Folliard’s “Vengeance of Halloween”, an entertaining nightmare about monsters going corporate and planning to take over the world in an ‘eternal October’;  Brian Moreland’s “Sweet Tooth”, in which Helen’s obsession with candy saves her from a serial killer; and C.E. O’ Conaing’s “The Hollows”, where three kids trick-or-treating in a newly-built development have a terrifying experience. The point of view character in this story was in a wheelchair, and her character development was great. The last story in the collection, S.B. Watson’s “The Day You Die’, won me over. I was glad I hadn’t skipped through to the end– it was a perfect “last bite”. Recommended.

 

 

Reviewed by Kirsten Kowalewski

Book Review: A Liar’s Twisted Tongue (The Fated Blood Trilogy #1) by Caroline Cusanelli

Cover art for A Liar's Twisted Tongue (The Fated Blood Trilogy #1)

 

A Liar’s Twisted Tongue (The Fated Blood Trilogy #1) by Caroline Cusanelli

Caroline Cusanelli, 2025

ISBN-13 ‏ : ‎ 979-8990027831

Available: Hardcover, paperback, audiobook, Kindle edition

Buy: Bookshop.orgAmazon.com

 

Desdemona’s community is barely surviving under the noses of the brutal Nepenthes. One day, Desdemona’s mother hands her a protection necklace and pushes her through a portal as the monstrous Arcanes descend on their home. The portal opens onto the grounds of Visnatus Academy, a school for the elites of Ilyria, Folkara, Eunaris, Draevia, and Nepthara, all of whom have different magical powers. Desdemona has a letter identifying her as the secret child of a famous Folk general that gains her probationary admission to the academy, but she just wants to go home to her mom.

 

Despite the letter, I wasn’t convinced that Desdemona, thrown headfirst into a disorienting situation she could not possibly understand, could have survived the brutal Visnatus Academy for even a few minutes without being caught out, or that she would immediately find allies despite her behavior and attitude. She’d need My Fair Lady levels of training, and she barely has a believable cover story.

 

Meanwhile, Lucian, crown prince of Ilyria, has had an unpleasant surprise: his marriage has been arranged with Princess Calista of Folkara, while his sister Lilac will be marrying Prince Kai, Calista’s brother. Lucian is resigned to doing whatever his abusive mother, Queen Isa, tells him to, as she has the magical ability to drain his life force, but misery over their impending marriages inspires him to throw a party in the woods. There,  he is drawn into Desdemona’s attempt to open a portal back to her mom. While she is traveling in the portal, Lucian has a vision of them in the Void, an empty dimension where the powerful, monstrous Arcanes are trapped. Desdemona is able to communicate with her mother through the vision, and Lucian decides he needs her power to take his revenge on the Arcanes, who murdered his real parents, leaving him at Isa’s mercy. Desdemona’s power is over fire, and she doesn’t know how to control it (leading to some terrifying situations). Lucian, whose power allows him to manipulate and influence other people, offers to teach her if she will help him.

 

Romantasy leans heavily on tropes, but in any credible love story the reader should be able to figure out why the romantic leads like each other. That just isn’t present here. Desdemona is consistently hostile, rude, manipulative, and ungrateful. Lucian is arrogant, reckless, manipulative, and sometimes cruel. Both are dealing with trauma and repressed memories, acting in survivor mode, but not with empathy toward each other. While they occasionally have a tender moment, the memorable scenes are the ones that cross between violence and  their magnetic attraction to each other. This was offered to me as a “dark academia romantasy” It certainly has the atmosphere expected of an ominous boarding school for elite students found in dark academia, but leans harder into the outside fantasy world than into academic obsession, and is more focused on the dynamics of the leads with each other.

 

Romantasy fans who like morally gray characters  with heightened emotions will enjoy the intricate world-building, the high stakes, and the developing relationship between the two main characters. The end held some intriguing surprises, and readers who like this can look forward to a sequel.

 

Reviewed by Kirsten Kowalewski