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Book Review: Witchcraft for Wayward Girls by Grady Hendrix

Witchcraft for Wayward Girls by Grady Hendrix

Berkley, 2025

ISBN-13: 978-0593548981

Available: Hardcover, paperback, Kindle edition, audiobook

Buy:   Bookshop.org | Amazon.com

 

It’s 1970. Neva is 15, pregnant, and lost. Her father leaves her at the Wellwood Home in St. Augusta, Florida, a maternity facility for pregnant teens. Miss Wellwood, the proprietor, runs her home with strict rules and reprimands the girls about their loose morals and poor decisions. the adults in charge include Diane, a social worker who guides the girls through their time in the Home;  Dr. Vincent, a cold elderly man with traditional views on women’s healthcare, who prescribes restrictions and other cures for the girls, with a focus on the babies; Nurse Kent, who minds the girls at night and when needed; Hagar, a Black woman who runs the kitchen; and Hagar’s sister Miriam, who instructs the girls on their domestic roles, such as proper cleaning of the Home.

 

The adults are not the focus of the story, of course. It is the girls, renamed by Miss Wellwood as flowers, as though she is tending a special garden. Neva is renamed Fern. Rose, a radical hippie who wants to keep her baby Blossom, is a force to be reckoned with in the Home. Always on strike, she fears nothing and no one… until she does. Holly has been through terrible trauma in her short life, at the hands of a powerful member of the community. She’s wild, refusing to allow people to get close to her, and remaining mute until she finds her voice. Zinnia is a musician who loves the father of her baby, swears they will marry upon her return home, and tries to ignore what she was put through at the hands of her mother when her parents found out she was pregnant. There are other girls, and as one leaves, she is replaced by another flower.

 

One hot summer day, the local library’s bookmobile arrives with librarian Miss Parcae at the wheel. She presents Fern with a book called How to Be a Groovy Witch, a powerful tome that opens a new world for Fern, Holly, Rose, and Zinnia. There is something special about this book, and it reveals more to them the deeper they go as they form their own small coven and cast their first spell. The unassuming librarian is more than she seems. As Fern and the girls become more involved with witchcraft and the librarian, they find their newfound power comes at a painful price.

 

Witchcraft for Wayward Girls is powerful. I read the ARC, hardcover, and audiobook versions. Author Grady Hendrix opens the ARC with a letter to the reader, while the published version includes a statement in the acknowledgments, where he provides a brief history of these homes, and shares the experiences of his own family members. There are visceral depictions of body horror in terms of giving birth, which I had a difficult time getting through. Medical horror, especially regarding women’s health and trauma, is difficult for me to read.

 

Hendrix’s ability to write about and from the perspective of girls and women is incredibly effective and well-executed. Readers who enjoy this book may also enjoy his other books, especially The Southern Book Club’s Guide to Slaying Vampires, My Best Friend’s Exorcism, and We Sold Our Souls.  Highly recommended.

 

 

Reviewed by Lizzy Walker

Book Review: Her First Mistake by Kendra Elliott

Cover art for Her First Mistake by Kendra Elliot

Her First Mistake by Kendra Elliot

Montlake, 2025

ISBN-13 ‏ : ‎ 978-1662525773

Available: Hardcover, paperback, Kindle edition, audiobook

Buy:  Bookshop.org  |  Amazon.com

 

 

Thirteen years after the unsolved murder of a member of the California state legislature, the case is reopened byf the FBI, and Detective Noelle Marshall finds herself in the middle of it. However, this job is going to be challenging for Noelle, because she is the wife of the victim and was attacked and left for dead during the crime.

 

This thriller shifts back and forth between the past, the recent past, and the present right from the start. There is a large cast of characters, including those who worked on the original case, family members, and friends of Noelle’s and her husband’s. The characters are developed enough to make them distinctive, but they are not complex enough to excite much speculation about their possible role in the murder.

 

Because Noelle was at the scene on the fateful day and cannot remember what happened, there had been speculation as to whether she might have faked her own attack and killed her husband. However, because so much of the emphasis is put on Noelle’s perspective as part of law enforcement, that intriguing idea seems to go out the window quite quickly.

 

Kendra Elliot carefully builds the plot and effectively creates a world that suggests these are real people living real lives after a terrible event. Ironically, for that reason, there is less urgency, drama, and excitement than this reader looks for in a thriller. It is disappointing that even the more intriguing parts of the book, like those focusing on Noelle’s relationship with her husband before their marriage, disappear, as the plot loses momentum midway through.

 

Elliot plans to develop a series based on this book and has found successful readership to this point in earlier books. It will be interesting to see how she grows the story after this  first installment.

 

 

Reviewed by Nova Hadley

Book Review: GabaGhoul: A Mafia Horror Anthology edited by Mark C. Scioneaux and M. Wesley Corie II

cover art for GabaGhoul: A Mafia Horror Anthology

GabaGhoul: A Mafia Horror Anthology, edited by Mark C. Scioneaux and M. Wesley Corie II

October Nights Press, 2025

ISBN: 9798315277019

Available: Paperback, Kindle edition

Buy: Amazon.com

 

GabaGhoul is an enjoyable Mafia-themed horror anthology of short stories, and includes contributions from authors such as Brian Keene, Jeff Strand, Joseph Sale, Jessica McHugh, and JG Faherty, among others. It’s a good collection, but it is best read only a couple stories at a time, as the limited scope of the anthology does get a bit confining at times.

 

All the stories are written well, and the best part is these are not just “shoot em’ up-bang em’ up” stories of mobsters and repetitive gunfights, although there is plenty of shooting. Instead, most of the gunfire is reserved for the creature-feature style monsters that slash and stomp through the pages. Animated corpses put in an appearance, as well as vampires, and best of all, a DRAGON!

 

There is more to the book then just various Vinnies, Tonys, and Angelos getting shredded, though For example, the story “Daddy’s Girl” involves a monster, but its theme centers around a fun question: how do Mafia bosses react when their only daughter starts dating? “The Corpse Box” is a doozy that revolves around a foolproof way of dead body disposal, and “Now That’s a Spicy Meatball!” does a nice job putting a culinary twist on the standard revenge tale. There are other odd tales spaced throughout the book, a nice counterpart to the mob vs. monsters ones. For comic relief, and possibly the most fun, “Donnie’s First Whack” is a side-splitting laugher where everything that can go wrong during a standard murder, does go wrong. Overall, the book provides an entertaining grab-bag of organized crime chaos.

 

That being said, the book could have been improved by broadening out the nature of the crime families in it. All of them focus on the Italian style mob, whether this was by design of the editors or coincidental. While they make good characters, they start to seem like carbon copies after a while. How about some Russian crime groups? (they only put in an appearance as secondary characters in one story) Or some of the Mexican ones? A bit more variety to their activities might have been a good addition also. Most of the mobsters in this seem like they came out of either the movies The Godfather or Goodfellas, and they are usually doing the same thing: racketeering, truck hijackings, etc. A lot of what today’s mob does involves stunts like phone scams, cybercrime, and online gambling: a few stories that put a more modern twist on the traditional gangster stereotype would have been welcome.

 

GabaGhoul is a good anthology, but just a few minor tweaks could have pushed this book up to the next level.  Recommended.

 

 

Reviewed by Murray Samuelson.