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Book Review: Eight Cylinders by Jason Parent

cover art for Eight Cylinders by Jason Parent

Eight Cylinders by Jason Parent

Crystal Lake Publishing, 2020

ISBN: 9781646693061

Available: Paperback, Kindle edition ( Bookshop.org  |  Amazon.com )

 

A motor with eight cylinders represents power, a strong machine that can outrun the competition with minimal difficulty.  That being said, Eight Cylinders is closer to a six, maybe seven cylinder story.  It’s a solid piece of machinery that will give readers a smooth ride to the destination, but it could have used a few more ponies under the hood to turn the story into a real road-burner.

 

This is one of those stories with little explanation for what happens: it’s a classic ‘here’s a crazy situation, how do we get out of it?’ story.  Seb McCallister is a lifetime crook who winds up on the wrong end of a shootout in a dope deal gone bad in Las Vegas.  Badly wounded, he powers out of Vegas behind the wheel of his V8 Dodge Charger SRT Hellcat, driving off into the desert.  He passes out from loss of blood, and wakes to find himself in a dilapidated camp in the middle of the desert, surrounded by mountains on all sides.   The camp itself is inhabited by a small group of vagabonds, some of whom have been there a long time.  When he tries to escape, Seb quickly learns that the mountains are riddled with caves occupied by a huge, tentacled monster that somewhat resembles a crazed land squid, and the squid makes mincemeat of anyone who tries to leave.  Within a day, Seb helps to convince the camp residents to make a run for it.  What follows is the inevitable Mad Max-style race across the desert, complete with tricked-out vehicles packing plenty of blasting power, both under the hood and in the form of armaments.  Seb and his new friends must outwit and outfight the monster if they want to escape the desert.

 

Everything in the story is a quick setup for the final chase, and thankfully, it’s worth it.  Jason Parent knows how to write an exciting, end of the book blast.   Complete with awesome vehicles, firepower, nitrous, and some nice creative touches with parachutes, the last forty pages are a full roar towards the finish, with all the excitement anyone could want.  This part of the story isn’t running on eight cylinders, it’s running on twelve.   It’s the part leading up to the end where the story could have used a little chrome and paint, in the form of more detail.  Little explanation is given for the backstories of the other characters, or the camp itself, or even where (or when) the camp and characters exist.  Another twenty pages or so to flesh out the beginning and middle sections of the story could have turned this one into a real monster.  Eight Cylinders is a perfectly good, exciting story, but it almost feels like a test run for what could be a much bigger version in the future.   The parts are all there in terms of character, mystery, and storyline, and the way the story ends, it could easily keep going.  The question is, will it?

 

This is certainly worth the read, and will likely leave readers clamoring for a novel-length sequel (this is only 100 pages)  There are a lot of unanswered questions in the story, and it would be nice to see where it goes next.  Recommended.

 

Contains: violence, mild gore, profanity

 

Reviewed by Murray Samuelson

Posted on March 23, 2021 by , Reply

Book Review: Goblin by Josh Malerman

cover art for Goblin by Josh Malerman

Goblin by Josh Malerman
Del Rey (May 2021)
ISBN-13 : 978-0593237809
Available: Hardcover, Kindle edition, audiobook  ( Bookshop.org | Amazon.com )

 

After several blockbuster novels, and with Malorie, the sequel to Bird Box still fresh in readers’ minds, Josh Malerman finally gets to introduce the town of Goblin to fans everywhere.

 

Goblin is Derry. It’s Oxrun Station. It’s Cedar Hill. It’s Green Town. It’s all of us in our hometowns and yet, it’s something brand new, where the greats would likely fear to live. Think of Goblin as Derry’s disturbed little brother.

 

This book, comprised of a sextet of short novellas, takes the small town motif and shreds it, molding it into something which fills the reader with uneasy pleasure from cover to cover. Malerman seems to display more skill, more darkness, with each story.

 

“A Man In Slices” shows how friendship can be a tricky concept. One boy does whatever he can to help his lonely friend, at any cost.

 

“Kamp” is a lighter tale about a man petrified of a seeing a ghost. Everyone in his family has, and he knows his time is coming. How Walter copes with the expectation will make many readers feel a bit better about their own issues with things that go bump in the night.

 

“Happy Birthday, Hunter” displays the heart and obsession of a man who cannot give up the hunt. Nash’s addiction comes to a boiling point during his 60th birthday party when he decides to kill Goblin’s most prized game in the north woods, a place from which no one ever returns.

 

“Presto” is a love affair with magic, the oldest and darkest kind where a young boy seeks to learn the secrets behind his favorite performer in a story which channels classic Bradbury.

 

“A Mix-Up at the Zoo” details the inner struggle of Dirk, a man who switches jobs to become a tour guide in a zoo, a far cry from his other employment in the slaughterhouse. He finds a talent for understanding the mighty beasts within the cages, but feels a certain darkness brewing when he drifts off in thought.

 

“The Hedges” is the final story in the collection. Mazes built in corn and the famed topiary in the film version of The Shining emerge here. Young Margot claims to have solved the unsolvable creation by Wayne Sherman. What she finds at the end causes her to alert the Goblin police, a decision that might be worse than keeping the secret to herself.

 

The mythology of Goblin’s history is richly drawn within these stories, and connects them with a style that keeps the reader turning pages. Malerman has created a town which may even be darker than King’s, Grant’s, and Bradbury’s nightmares. Goblin is all Malerman and should be listed on every horror reader’s itinerary of places to visit, with the lights turned low and the night breeze creeping into the room. Highly recommended.

 

Reviewed by David Simms

Posted on March 22, 2021 by , Reply

Book Review: The Deep by Alma Katsu

cover art for The Deep by Alma Katsu

The Deep by Alma Katsu

G.P. Putnam, 2020

ISBN-13: 978-0525537908

Available: Hardcover, paperback, Kindle edition, audiobook ( Bookshop.org | Amazon.com )

 

Those who enjoy historical horror devoured Alma Katsu’s The Hunger, which should have taken home the major awards last year, will take the plunge into The Deep, a cross-genre tale that is beautifully disturbing and might even top her previous novel. Perfect timing, as it’s up for top honors at the Stokers this year.

Whereas her last novel mined the ill-fated travels of the pioneers who traversed the Donner Pass, this one dives into the mystique of the Titanic, with a twist. The ship had a sister – the Britannic. This ship was retrofitted to be a hospital to be used during the war.

The story is told by Annie Hebley, a young woman who takes a job as a maid on the Titanic, alternating chapters between the time prior to the sinking and after the disaster. Annie meets the enigmatic Mark Fletcher, a father of a infant and husband to an even stranger character, Caroline, and finds her fate forever intertwined with theirs. As the chapters alternate between her time on both ships. Annie left her  home to see a strange one on the high seas, but is quickly drawn to Mark, who holds a dark secret.

When Annie takes a job on the Britannic after recovering from the sinking of the sister ship, her life turns from serving as a maid to serving as a nurse, where she learns the horrors of war firsthand. Her mind has yet to heal, though, a fact that rears its ugly head when she encounters a man in one of the beds of the wounded. She is convinced it is Mark. Yet, why won’t he admit it to her? Her sanity begins to further unravel as readers are treated to the unreliable narrator motif… or are they?

In the part of the story told prior to the sinking of the Titanic, horror soon creeps in as other passengers, the rich Madeline Astor and her husband, are convinced something sinister has boarded the ship with them – or was built into the hull of the Titanic. After a tragic death, the passengers sense this presence growing, something that Annie seeks to explain while attempting to help Mark and his daughter, who may be facing a much more heinous foe. By the time the ship hits the iceberg, Annie realizes the scope of the disaster matches her own cracking psyche.

The Britannic is supposedly built to be safer and sturdier than the predecessor. Lightning can’t strike twice, can it? Annie’s relentless quest to convince Mark of what truly happened spirals into the dark currents of the Atlantic as it seems the forces that plagued the first ship may have followed her there as well.

What sets this novel apart from other disaster stories is the research Katsu has imbued between the pages. She nails every detail of the period, the ship itself, and the events that occurred on both ships, in a manner that could be exhausting in lesser hands. Instead, The Deep envelops the reader in its setting and drags them down until the final page. Her characters breathe and bleed through the chapters in both stories here, with minor players carving out roles which further both the mystery and the horror.

Highly recommended as both a horror novel and a suspense tale that should widen Alma Katsu’s audience even further.

 

 

Reviewed by David Simms

Editor’s Note: The Deep is a nominee on the final ballot for this year’s Bram Stoker Award in the category of Superior Achievement in a Novel. 

 

Posted on March 21, 2021 by , Reply
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