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Book Review: The PS Book of Fantastic Fictioneers: A History of the Incredible (volumes 1 and 2) edited by Pete Von Sholly

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The PS Book of Fantastic Fictioneers: A History of the Incredible (volumes 1 and 2) edited by Pete Von Sholly

PS Publishing, 2019

ISBN-13: 978-1786364258 (volume 1)

ISBN-13: 978-1786364265 (volume 2)

Available: Hardcover

 

Fantastic Fictioneers is a two-volume set from PS Publishing of short essays, arranged alphabetically, meant to celebrate 120 people who have contributed to what creator Pete von Sholly describes as the “imaginative arts”.  This term covers individuals who have contributed to a wide swath of media, from children’s authors to comic book artists and writers, movie directors, animators, actors, publishers, and writers of science fiction, mystery, and horror. Some have passed away, like H.P. Lovecraft and Forrest Ackerman, and others are still with us, like Stuart Gordon and Ramsey Campbell. Each entry starts with a large illustration filling three-quarters of a page including the likeness of the entry’s subject accompanied by an illustration by von Sholly of what made them a prominent “fantastic fictioneer” (for example, the entry on Charles Addams pictures the Addams Family conjuring up Addams’ ghost in a seance; the background of Hiernomyous Bosch’s portrait contains creatures from his paintings; Ray Harryhausen’s face floats among his many models) followed by the first few paragraphs of a short essay. Some essays are detailed biographical entries, others are more personal accounts, and many are a combination. The entry on H.R. Giger includes musings and analysis on his work; the entry on Octavia Butler goes into detail on her life but includes a personal account; and Maria Alexander’s entry on Clive Barker is mainly a personal account of her experiences with him and his work.  Each essay includes many photographs of artifacts and artwork related to the work of the essay’s subject, as well as photos of the individual. Von Sholly was able to get some prominent names to write many of the essays, including S.T. Joshi on Lovecraft, J.D. Lees on Ishiro Honda, and Harlan Ellison on Frank Herbert. If you have the time, you could spend quite a while turning the pages and learning a little about the varied “fantastic fictioneers” included.

The entries aren’t consistent enough in their format and content for the books to be used reliably as a reference source of biographical information, but the collection of individuals profiled crosses many areas of the “imaginative arts” and there is information on individuals that might not be typically covered (I had never heard of Seabury Quinn before). Although it could have benefited from a little more diversity (very few women and minority “fictioneers” are covered), Von Sholly explains that, outside of a few “obligatory” entries, the majority are subjective favorites. As long as the set already is, ultimately choices about what would be included had to be made, and there is no doubting that Fantastic Fictioneers is a labor of love. Unfortunately, while it is a gorgeous volume, it lacks an index, and many of the images are not credited, which could be a detriment to a library purchasing it. Fantastic Fictioneers will appeal most to collectors and fans, and large libraries interested in adding specialized biographical reference materials to their collections.

Due to the variety of individuals covered, and the expense of purchasing the set (about $130 for both volumes), I’m including images of the table of contents of both volumes below. It really is a wide-ranging collection of entries! For those fascinated by all aspects of speculative fiction, this is a unique collection!

Editor’s note: I received a PDF file from the publisher for this review.

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Book Review: The New Annotated Lovecraft: Beyond Arkham edited with notes by Leslie S. Klinger

The New Annotated H. P. Lovecraft: Beyond Arkham edited with notes by Leslie S. Klinger

Liveright Publishing, 2019

ISBN-13: 978-1631492631

Available: Hardcover, Kindle edition

 

The New Annotated H. P. Lovecraft: Beyond Arkham is a handsome volume of the master’s short stories. This volume collects 25 of the prolific author’s stories, including such famous titles as “The Music of Erich Zann”, “Pickman’s Models”, “The Tomb”, and “The Horror at Red Hook”. It is a heavy book, and I would definitely recommend making sure you have a clean, clear table to read it on.

When you consider an annotated book, the most important thing is of course the annotations, or notes. These notes are printed in an appropriate and easily readable shade of red. They are clear, and they explain fully each and every detail the reader might not have been previously aware of. Leslie Klinger has clearly done extensive research, hunting all manner of information down to provide us thorough, precise explanations of all sorts of short hand descriptions of things in Lovecraft’s stories.

This is a big, beautiful book. If you are a fan of Lovecraft, or you just like short stories that discuss strange, otherwordly monsters, this is highly recommended. This is definitely for ADULT readers.

 

Reviewed by Ben Franz

 

Book Review: The Institute by Stephen King

The Institute, by Stephen King

Scribner, 2019

ISBN: 978-1-9821-1056-7

Available: Hardcover, Kindle edition, audiobook

 

The Institute is entry number fiftysomething in the catalogue of He Who Cannot Stop Writing, better known as Stephen King.  As he has been wont to do since 2010’s Full Dark, No Stars, King continues to mine the vein of psychological horror, finding true evil in the inhuman actions that normal, rational human beings foist on each other.  King doesn’t need vampires, hotels with a mind of their own or undead children with scalpels to do so: he finds plenty of ugliness with the insanity of everyday people.  The Institute isn’t on the level of his unholy trinity of The Shining, The Stand,  and ‘Salem’s Lot, but it’s still a very good read, and one that would be considered outstanding for any other author.  It’s clear that over 40 years into his career, King still has an iron grip on his claim to being America’s best writer, and he isn’t likely to relinquish the throne anytime soon.

The first 40 pages consist of following Tim Jamieson, an ex-cop drifting through life, who  winds up in the tiny hick town of Dupray, South Carolina and takes a King-created job as a night knocker, someone who walks the town from dusk till dawn, checking business doors and keeping an eye out for trouble.  The story stays here just long enough to get the scenario set and characters developed, then  jumps to Minnesota, with a completely different thread and set of characters.  It’s a testament to King’s skill that he’s able to do this.  He creates interest in an ordinary situation and location, gets it all developed, and then shifts gears to something completely unrelated, but no less interesting.  Phase 2 focuses on Luke Ellis, a child genius. who at the age of 12 is taking the entrance exams to MIT, the country’s most famous genius farm.  Luke is kidnapped and his parents killed one night, and he wakes up in a lockdown hospital/research unit in northern Maine known as The Institute.  Luke and the other children are subjected to various tests, beatings and tortures, as their captors seek to exploit extra-sensory abilities that most of the kids didn’t even know they had.  Of course, their handlers have their own nefarious reasons for their actions.  Eventually, the Maine and South Carolina threads tie together, and the story barrels through a thrilling conclusion.

As often happens with King, this one is yet ANOTHER page turner that is hard to put down.  A great deal of King’s skill lies in making any character at all seem interesting and worth the reader getting emotionally attached to.  Even the minor characters, like security guards and homeless people are completely developed, and you want to know what happens to them, no matter how small their role in the story.  The dialogue is perfect, whether the characters are southerners or New Englanders.  King clearly does his research, and gets all the little nuances and mannerisms perfect when the characters are conversing or taking actions.  The other area where he shines, as always, is in creating settings that make perfect sense, down to the last detail.  Everything fits, whether it’s detailing an escape plan or describing the methods used to physically and mentally abuse children.  He never leaves room for unbelievability, it all seems completely plausible.  King’s unequaled skill at all of the above is the main reason he’s been on top of the mountain for so long.  Of course, none of this matters unless the story is exciting, and it is.  It’s a fast burn of a story, and maintains a quick clip through its 500 plus pages.  There are no sections that drag, it all flies fast and keeps you turning pages.

The Institute is yet another winner from the author with the most consistent track record of excellence in American literary history.  If you’re a King fan, you’ll like it, and non-fans would also be likely to enjoy this one.

Recommended.

 

Reviewed by Murray Samuelson