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Book Review: C.H.U.D. Lives! A Tribute Anthology edited by Joe Mynhardt, compiled by Eric S. Brown

C.H.U.D. Lives!: A Tribute Anthology edited by Joe Mynhardt, compiled by Eric S. Brown

Crystal Lake Publishing, 2018

ISBN-13: 978-1642550337

Available: Paperback, Kindle edition

 

C.H.U.D., or “Contamination Hazard Urban Disposal,”  more commonly termed by people on the streets as “Cannibalistic Humanoid Underground Dwellers,” is a cult classic horror film, featuring flesh-eating monsters that call the sewers below New York home. New York police officer Bosch, and Reverend, the manager of a homeless shelter, join forces to investigate the disappearances of the homeless population only to discover cannibalistic monsters devouring anything that moves and mutating those who try to stop them.

This anthology expands the story of the movie with tales of humanity dealing with, or, let’s be honest, being consumed by, these underground dwellers. We are reintroduced to familiar characters like Bosch, the Reverend, and others, as well as meeting a new cast of hapless or up-to-no-good characters. Between those who desperately attempt to get the word out about the danger to the place they call home, and the suits and top brass who are involved in the great governmental cover-up, what’s a city to do?

C.H.U.D Lives! is full of amazing stories. I’ll only highlight my favorites in this review, but I recommend giving this a read to get the full effect of the anthology. “Dog Walker”, by Robert E. Waters, centers on Captain Martin Bosch’s wife, Flora, who is unhappy in her marriage. With a fella on the side, she’s feeling guilty, but not enough to tell her overworked cop husband. She decides to ignore his warnings and takes their dog, Bull, out at night for walkies. What’s the harm in taking little Bull out tonight, just for a bit? She finds out when she gets too close to a manhole. What struck me is that this is actually the opening scene of the film, and the perfect opening to this anthology.

Nick Cato’s “The Dwellers” introduces us to a new hardcore band, The Dwellers, who are playing their first official gig. Tommy couldn’t be more excited, but he faces two problems. The first is his father, who, less than enthused that his son thinks he’s a rock star, needs him to do a job at the warehouse moving some pretty hefty barrels. The other problem is what’s in the barrels. Tommy doesn’t feel so good when he gets on stage later that night. Soon, the packed crowd won’t fare any better.

“Date Night”, by David Robbins, centers on schoolteacher Angela Swinton, who teaches the special needs homeless children in the neighborhood. She braves the street to get to the Anything Goes nightclub to engage in some less than scholarly activities. She picks up Lance, an outwardly brave man who makes it all the way to Angela’s “home away from home” to spend the night with the attractive, yet matronly, teacher. Lance doesn’t know that he is on the syllabus.

Dr. Varlerius Alexkavich discovers new cult activity in Christopher Fulbright and Angeline Hawkes’ “Strange Gods.” The good doctor talks with his student, Karen, who has been attending worship services with a group who revere the strange gods Gog and Magog. When he accepts her invitation to witness her “Purification of the Soul” ceremony, he discovers more than he expected…much more.

In “Step Ate”, by Chad Lutzke, Harlan and Darlena used to be together, but heroin and poor life choices drove them to different lives. Harlan is wracked with guilt for the pain he put her through; she’s still a junkie working the streets for her next fix, while he’s cleaned up and working a regular job. When she turns into a raging, frothing, beast, he may have found a way to make his amends.

“You Will Never Leave Harlan Alive”, by Jonathan Maberry and Eugene Johnson, focuses on the newly minted Sheriff Bosch, working a case in the middle of nowhere. With Deputy Singer at his side, he ventures out to Senator Alvin Joseph’s cabin. There, they meet Lynch, a man claiming to be the senator’s bodyguard, and encounter a gruesome crime scene: the mutilated body of the senator’s driver. Who, or what, did this, and where is that shrill scream coming from? This one is set in 1989, sometime after the end of the film. It’s comforting to know someone made Bosch a sheriff after the ordeal he went through at the end of the movie, but it’s not comforting to know the whole thing had been called “the incident” and all of the evidence was burned and hidden from the public. This is definitely one of the strongest of the stories in this anthology. The authors capture Bosch to the letter, and the tension between the new sheriff and Lynch is palpable.

Other authors who contributed to this incredible anthology include Ryan C. Thomas, Greg Mitchell, Alex Laybourne, Michael H. Hanson, Ben Fisher, Tim Waggoner, Jason White, Mort Castle, David Bernstein, Martin Powell, JG Faherty, and Ross Baxter. There are also interviews with Parnell Hall, C.H.U.D.‘s screenwriter, and the late Andrew Bonime, the film’s producer. The book is dedicated in loving memory to Andrew Bonime, who died before the completion of this project.

Anyone who loves cult classic horror, especially C.H.U.D., will enjoy this book. For readers who haven’t come across this cult classic, check out the trailer from IMDB here (https://tinyurl.com/y8lgohcy).

 

Contains: blood, cannibalism (please don’t tell me you’re surprised), gore, some body horror

Highly recommended (for die-hard C.H.U.D. fans especially)

Reviewed by Lizzy Walker

Book Review: October by Michael Rowe


 
October by Michael Rowe

ChiZine, 2017

ASIN: B076ZMWGPN

Available: Kindle edition, audiobook, MP3 CD

 

Michael Rowe is one of those writers who can swing from the eloquent prose of a Peter Straub to the brutality of a Richard Laymon. His novels Enter, Night, and Wild Fell were excellent examples of pushing the envelope while holding onto what makes the genre so good. October is the best of Rowe’s writing yet: a traditionally-styled tale, with some surprise twists. At only 151 pages, it can, and should, be read in one sitting, for the reader to feel the full impact.

Mikey Childress is a bully’s dream. He’s not exactly the most popular kid in town; he’s undersized, and a bit odd. His one friend, Wroxy, isn’t much different from him, but she is much more comfortable with who she is. Mikey wants more out of life; he wants to be accepted, to be loved for who he is, and to not have the crap kicked out of him on a daily basis.

When Mikey stumbles upon a black mass in the woods of his town, he’s terrified.  When the bullies’ beatings of him intensify, though, becoming more dangerous, Mikey investigates what happened during the summoning he witnessed. October truly takes off then; a new friend shows up at school, someone who Mikey has always wanted and needed in his life, who may be just a little too good to be true. The novel could have become cliched at that point, but instead, Rowe takes a hard left into the unexpected, forcing the characters to examine what they truly want and need in their lives, and has a surprise ending. While a twisty novel like this one can only truly surprise the reader on a first read, October is worth reading a second time. Highly recommended.

Reviewed by Dave Simms

Book Review: Hunger Moon by Alexandra Sokoloff

Hunger Moon (Huntress/FBI Thrillers #5) Series) by Alexandra Sokoloff

Thomas & Mercer, 2017

ISBN-13: 978-1503942721

Available: Paperback, Kindle edition, audiobook, MP3 CD

Alexandra Sokoloff has never strayed away from the controversial in her work, either in her Stoker-nominated horror titles or in her Huntress series. Hunger Moon is the fifth book in the series, and plenty has been written about it already: it will be easy for the reader to figure out why, once the final page is turned.

The concept of a female serial killer was a unique one when the Huntress series began. The first book, Huntress Moon,  is a stellar novel that introduced something new to the field of crime fiction that left an impact close to the one chewed out by Hannibal Lecter.

Cara Lingstrom is the killer readers crave in stories. Nothing about her is simple, nothing is easy, and her motivations dive deeper than the typical sociopath/family issues/revenge stories. Sokoloff draws her in deft strokes, creating a character both brutal and sympathetic, surgical in mission yet human beneath the murders.

In Hunger Moon,  Cara has disappeared from FBI Special Agent Matthew Roarke’s radar. Something evil is happening on college campuses nationwide. Rapes are increasing everywhere, and rapists are being targeted by a mysterious killer who leaves Santa Muerte symbols behind. When the country’s leaders prove to be no different that the rapists targeted by the killer, a fury erupts, dividing the nation. It’s a situation that, unfortunately, too many readers will find familiar. Cara is in hiding, planning something that will shake up the novel, and Roarke, hot on the heels of the men she is chasing, knows she is just a step away.

Hunger Moon is a white-knuckle ride by a talented thriller author, tackling a subject that needs to be addressed more, both in fiction and in real life. Reading the others in the series is not necessary at all but highly recommended. A thriller series this strong doesn’t come around often.