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Book Review: Darling by Brad Hodson

Darling by Brad C. Hodson

Bad Moon Books, 2012

ISBN-13: 978-0-9884478-1-3

Available: Used paperback, Kindle edition

 

At its heart, Darling is a classic haunted house novel. It doesn’t cross genres, or break any daring new ground, but that’s okay. It centers around Raynham Place, an apartment complex built on land that has a history of violence and death going back more than a century; t was the site of a Civil War battlefield, and then became a tuberculosis hospital. This setting might sound like old hat, but it is created with style and unfolds perfectly within the plot. Although the story takes place in the present, the classic haunted atmosphere has a great 80’s horror novel feel— similar to books published under Dell’s Abyss imprint (I loved many novels in that line…reading this novel is like slipping on a favorite old shirt.)

 

The story begins when Dennis decides that his younger friend, Mike, move into Raynham Place. Once in the building, they start to notice strange things afoot. The behavior of the main characters begins to change, and the building’s past is slowly divulged. Hodson’s timely uncovering of the elements of his plot, from the background of the building, to the personal history between the main characters, is carefully revealed to perfect effect. This extended suspense, combined with Hodson’s gift for super creepy tone, makes the whole thing work perfectly. Darling is an excellent horror novel, and readers who are looking for a fresh voice telling classic-style horror tales have a new author to check out. Highly recommended.

 

Contains: violence and psychological terror.

Reviewed by David Agranoff

 


Book Review: In Hell by L. Marshall James

In Hell by L. Marshall James

Highwater Publishing, 2013

ASIN: B00E5MWIRC

Available: Kindle

 

Paul is just your average young American guy living in Pittsburgh; he loves his family, but spends little time with them. He has a decent job that he automatically dislikes. He tries to eat healthy, but usually goes the route of fast food and beer. He enjoys guns, sports, women, and one hobby that borders on childish obsession: Zombies. He grew up watching legions of zombies terrorize the earth in countless movies. He collected posters, action figures, undead memorabilia, and amassed a small weapons stash, preparing for the imaginary possibility of defending himself and his loved ones from the brain eaters. It was all good fun until he wakes one day to discover his fantasy is now real; zombies are everywhere.

The basic premise is good; an escape-to-a-better-place survival story. The characters have distinct voices, and I didn’t have trouble following them. The action is well described, very graphic and “in your face”, and I liked the twist at the end, which got me thinking a bit as I neared the finish. James has a good way of explaining how the Zombiepocalypse started and what the implications of it would be.

Unfortunately, the first person point of view, with so many sentences starting with “I,” became tiresome and actually got in the way of the story. There were also some typographical errors scattered throughout– not the worst I’ve read, but noticeable. In Hell was an okay read.

 

Contains:  Graphic Gore and violence, sexual situations, profanity.

Reviewed By:  Aaron Fletcher

 

A note from the editor: If you are curious about this book PLEASE use our link to find it. Searching Amazon for the book by title did not, for some reason, pull it up.

Kaiju Lovers Are The Best: G-Fest Report

The Monster Kid chatting with a kaiju at G-Fest’s Dojo Studios

This past weekend we went to G-Fest, a Godzilla fan convention in Chicago. The Monster Kid comes by his love of monsters honestly– he inherited it from his dad. The Monster Librarian has been a kaiju lover since before I met him, and in our first apartment I couldn’t walk through our shared study without some crazy looking critter falling on me. Boxes more of them in boxes were stacked in the closet until we moved out and my mom, over his intense objections, took all of them out of their original packaging to make them fit better in the packing boxes (all collectors wince now). The monsters were packed away in boxes again when we transformed the study in our first house into a bedroom in preparation for the arrival of the Monster Kid, and when we moved to a bigger house, they were packed into a closet. But not forgotten.

When the Monster Kid was about four, Dylan pulled out a giant tub of action figures and said, “I don’t think I can count on these being collectibles anymore. I want to take them out and play with them with the kids.” I was a little wary of this as toddlers and preschoolers aren’t generally known to be gentle with their toys. But his enthusiasm was contagious. Suddenly the Lego table became a battleground for King Ghidorah, Godzilla, Mothra, and friends (if you can call them friends). It was the beginning of a beautiful friendship between father and son, although, unsurprisingly to me, many of the action figures were battered or broken (Dylan always seemed taken aback). They watched all the movies, then American 1950s science fiction monster movies. The Monster Kid discovered Ultraman, and a new obsession was born. We all discovered (or rediscovered) the coolness of Ray Harryhausen and stop-motion animation. Kaiju and giant robots appeared in the Monster Kid’s drawings and stories. I still have the piece of paper on which he wrote, for the first time, “Godzilla” (the letter z is backwards). Other creatures and characters have come and gone (although Harry Potter has had some considerable staying power), but the kaiju are always there. With the release of Pacific Rim, the collecting kicked up a notch, and interest in creating stop-motion videos caught on (it’s possible that our family is the only one in town to consider Pacific Rim a family film). Before he died, Dylan was building paper-mache mountains, painting models, and going through spray paint at an alarming rate. And for the first time he decided it would be fun to go to a fan convention. He and the Monster Kid were very excited about the movie they were making (the story was never actually written down) and going to the convention. We planned to go as a family. And even though Dylan couldn’t be there with us, we went to G-Fest.

I have to say that going to G-Fest really put fandom in perspective. We went to “Dojo Studios”, where fans were filming an original kaiju movie that they had been working on for something like five years. There was a life-size spaceship cockpit made, basically, out of cardboard, styrofoam, and spray paint. I saw the prices on some of the kaiju the Monster Kid has been playing with (and breaking) which bring a whole new meaning to what it meant for Dylan to bring out his collection for the kids to play with. I saw other kids who were as obsessed as the Monster Kid. I saw a lot of fathers and sons getting excited– in fact, there were several pairs in the costume contest (there were also mothers and sons, and brothers and sisters). It’s possible that this is the only time they get to be around other kids who love kaiju so much. And I saw the incredible font of information that my son possesses on the movies and monsters that populate the world of Japanese fantasy film.

I want to thank the organizers of G-Fest for making it possible for us to come this year, the fans I encountered who were pleasant, generous, and compassionate, and my non-fan friends who gave up vacation time so we could go. Kaiju lovers, and their friends and families, really are the best.