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Penguin Throws Libraries a Rotten Egg

You can add Penguin to the list of “Big Six” publishers refusing to sell digital copies of their books to libraries.

Penguin announced on Monday that it will no longer sell digital books for new titles, and has disabled the ability to download ebooks in Kindle format in ALL of its titles. This is so frustrating to me! One of my big gripes with the Kindle was always that it used a proprietary format and that Amazon wouldn’t allow Kindle books to be lent in libraries. As of September 21, that changed, and it was HUGE for both libraries and library users who owned Kindles. Circulation statistics for ebooks went way up, and libraries spent a big chunk of money buying Kindle books. Now that Penguin has disabled Kindle functionality, I hope it also plans to refund some money and offer an apology for leaving libraries to deal with huge numbers of irate library patrons. Further, now Random House is “actively reviewing” its policy- although it’s hard to know what that actually means.

So here’s where we are with the “Big Six” publishers. Macmillan and Simon and Schuster refuse to sell ebooks to libraries at all. Hachette, and now Penguin, decline to sell frontlist titles in digital format, Penguin has disabled Kindle functionality, and HarperCollins requires libraries to re-license an ebook after 26 circulations (although that’s apparently under discussion). Who exactly are the winners in this situation?

Frankly, this stinks for pretty much everyone. Surely, publishers, authors, libraries, and readers can come up with something workable? Even if there are compromises that need to be made, it would be nice to find a way to make things come out with the sunny side up.

Dear Ms. Cadwalladr…

I loved your interview of Nora Roberts. I really did. But I think you misunderstand the place of horror in the world of genre fiction. You describe romance as “lower than crime, lower than horror, lower, even, than sci-fi.” Let’s take a look at that, shall we?

How many romance imprints are there, Ms. Cadwalladr? How many mainstream publishers devote entire lines to romance fiction? There are major publishers, like Harlequin, that produce ONLY romance. There is a well-oiled professional organization devoted to promoting romance fiction and romance author (including me). According to the Romance Writers of America, almost 75 million people read at least one romance novel last year.

Romance is not a stepchild of genre fiction. It’s a STAR.

Let’s compare this to horror. How many horror imprints are there in the mainstream press? Most mainstream publishers will do almost anything to avoid calling a book “horror”. Literary “supernatural fiction”; dark fantasy; urban fantasy; dark science fiction; paranormal thriller; YA paranormal; paranormal romance; ANYTHING but horror.

Let me ask you- Do you know the names of any horror authors besides Stephen King, Anne Rice, Clive Barker, and Laurell K. Hamilton? Did you know that when you browse for subjects on Amazon.com, you can find mysteries, thrillers, science fiction, fantasy, and (yes) romance, but not horror? What’s the demographic for horror readers? I doubt you can find that out(if you can, I’d love to know), because nobody has collected that information. Romance fiction is a tidal wave in genre fiction, compared to horror fiction’s tiny ripples.

That doesn’t mean we aren’t here. Horror readers and writers are everywhere, and they’re terribly under-recognized and underserved. That’s exactly why MonsterLibrarian.com exists. It’s just that most people have decided it’s a genre that doesn’t matter. RWA, the same organization that reported nearly 75 million readers in its genre, didn’t even bother to compare its market share to horror. Mystery, science fiction and fantasy, literary fiction, and even religious fiction, sure. But to miss out on an entire genre?

It doesn’t get any lower than this.

But, thanks, at least, for noticing that the horror genre exists.

November reviews at MonsterLibrarian.com

In our mid-November update we have:

In the adult Horror Anthologies section:

Benjamin Franz reviews Decayed Etchings by Brandon Ford.

In the adult Supernatural Horror section:

Benjamin Franz reviews Miss Peregrine’s Home for Peculiar Children by Ransom Riggs and Cuckoo by Richard Wright.

Colleen Wanglund reviews Carnival of Fear by J.G. Faherty and The White Faced Bear by R. Scott McCoy.

In the Horror Adventure/Urban Fantasy section:

Sarah Renish-Ratelis reviews a book from the TV show Supernatural,  Bobby Singers Guide To Hunting by David Reed.

Lucy Lockley reviews Ghost Story:A Novel of the Dresden Files by Jim Butcher.

In the adult Thrillers section:

David Simms reviews Half Past Dawn by Richard Doetsch.

Benjamin Franz reviews The Paradise Prophecy by Robert Browne

In the adult Cthulhu Mythos section:

Colleen Wanglund reviews That What Should Not Be by Bret J. Talley.

The MonsterLibrarian reviews The Creeping Kelp by William Meikle

 

In the Books Based on Video Games section:

Benjamin Franz reviews Thrall: Twilight of the Aspects by Christie Golden.

In the young adult Vampires section:

Shelia Shedd reviews Lost in Time: A Blue Bloods Novel by Melissa de la Cruz.

In the young adult Werewolf section

Kirsten Kowalewski reviews Red by Kait Nolan.

In the Scary Books for Kids section:

Kirsten Kowalewski reviews Island of the Skog by Steven Kellogg.

 

Keep reading!

The Monster Librarian

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