{"id":8240,"date":"2021-02-03T00:17:20","date_gmt":"2021-02-03T04:17:20","guid":{"rendered":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/?p=8240"},"modified":"2021-02-03T00:17:20","modified_gmt":"2021-02-03T04:17:20","slug":"women-in-horror-month-book-review-black-cranes-tales-of-unquiet-women-edited-by-lee-murray-and-geneve-flynn","status":"publish","type":"post","link":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/women-in-horror-month-book-review-black-cranes-tales-of-unquiet-women-edited-by-lee-murray-and-geneve-flynn\/","title":{"rendered":"Women in Horror Month: Book Review: Black Cranes: Tales of Unquiet Women edited by Lee Murray and Geneve Flynn"},"content":{"rendered":"<p><a href=\"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-content\/uploads\/2021\/02\/Black_Cranes_anthology.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-8260\" src=\"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-content\/uploads\/2021\/02\/Black_Cranes_anthology-200x300.jpg\" alt=\"cover art for Black Cranes: Tales of Unquiet Women edited by Lee Murray and Geneve Flynn\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-content\/uploads\/2021\/02\/Black_Cranes_anthology-200x300.jpg 200w, https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-content\/uploads\/2021\/02\/Black_Cranes_anthology.jpg 333w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p>( <a href=\"https:\/\/bookshop.org\/a\/3144\/9781949054279\" target=\"_blank\" rel=\"noopener noreferrer\">Bookshop.org<\/a>\u00a0 |\u00a0\u00a0<a href=\"https:\/\/amzn.to\/2LjMuJq\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon.com<\/a> )<\/p>\n<p><em>Black Cranes: Tales of Unquiet Women, <\/em>edited by Lee Murray and Geneve Flynn<\/p>\n<p>Omnium Gatherum 2020<\/p>\n<p>ISBN: 9781949054279<\/p>\n<p>Available: Paperback, Kindle<\/p>\n<p>&nbsp;<\/p>\n<p><em>Black Cranes: Tales of Unquiet Women <\/em> is an anthology of stories by Southeast Asian women writers of horror. No one questions that the dangers cultures try to warn against in their ancient stories exist, but should we take the stories themselves as fact or fiction? The \u201cunquiet\u201d Southeast Asian mothers, daughters, wives, and girlfriends in <em>Black Cranes<\/em> ask this very question as they experience the the disturbing intrusion of these supernatural stories into their modern lives. Many of these characters think that by leaving home or separating themselves from their cultural roots, they can learn to forget, discount or even reject the stories they have grown up with about ghosts, terrifying beasts, bloodthirsty demons, deadly tricksters, and zombies only to find out that is impossible.<\/p>\n<p>&nbsp;<\/p>\n<p>Several of the stories in this collection are built around characters from Asian myths and legends. The kapre, a tree demon, protects an infant and loves her for life, as kapres do, in \u201cA Love Story\u201d by Rin Chupeco. In Gabriela Lee\u2019s \u201cRites of Passage,\u201d no matter how an unmarried pregnant girl from Manila tries to escape, the demon child or tiyanak that she has killed will eventually make her pay. Nadia Bulkin asserts that \u201cTruth Is Order and Order Is Truth\u201d in her tale of a conquering Demon Queen who retakes her kingdom from the \u201cfish people,\u201d while the wily fox spirit of Rena Mason\u2019s \u201cNinth Tale\u201d masquerading as a beautiful woman vies for a tricky bride-to-be\u2019s young man. There is also a daughter who is shocked into believing in a kwee-kia, a dead or miscarried child brought to life again, by catching her mother breastfeeding her own in \u201cLittle Worm\u201d by Geneve Flynn. There is even a take on what started as a 1970\u2019s Japanese urban legend involving the kuchisake-onna, or \u201cslit-mouthed woman\u201d in \u201cA Pet Is for Life,\u201d also by Geneve Flynn.<\/p>\n<p>&nbsp;<\/p>\n<p>A few of these tales read like modern updates of older stories. Their focus is the clash of cultures within an individual\u2019s psyche. Grace Chan\u2019s \u201cOf Hunger and Fury\u201d explores the separation between a daughter and the mother who sent her into a foreign world for a better life. Chan\u2019s poetic descriptions and strong sense of place enhance this tale of the superstition and deeply held beliefs that hold the old generation captive and threaten to erase those in the new who dare to ignore their roots or move beyond the past. The resulting sense of loss is revealed from the mother\u2019s perspective in \u201cFrangipani Wishes\u201d by Lee Murray, in which the mother destroys her own life to forge a future for her daughter. In \u201cPhoenix Claws\u201d, also by Lee Murray, a young woman\u2019s boyfriend is culture tested when he is offered chicken feet at a family meal. When she covers for him by eating the feet herself, she is given a supernatural punishment.<\/p>\n<p>&nbsp;<\/p>\n<p>The remaining science fiction stories suggest what could happen when culture, relationships, and conflict reach the <em>mythological<\/em> future. Elaine Cukegkeng predicts the next iteration of overbearing mothers as those who can genetically alter their daughters. A \u201ccosmetech\u201d surgeon can upgrade his wife\u2019s appearance in \u201cSkin Dowdy\u201d by Angela Yuriko Smith, but will she or he ever be satisfied? In Smith\u2019s \u201cVanilla Rice,\u201d a daughter threatens to undo her mother\u2019s work by removing her physical trait chip. Finally, in \u201cFury\u201d by Christina Sng, we find out what new horrors\u00a0 a pandemic will unleash and ask ourselves why the husband in \u201cThe Mark\u201d by Grace Chan has a zipper on his chest.<\/p>\n<p>&nbsp;<\/p>\n<p>There are so many ways into this horror collection: mythology, science fiction, legend, women\u2019s issues, and cultural issues. Readers will appreciate the variety and be drawn in by the storytelling that leads us to believe that the horrors of the past are real, have not died, and are waiting to be reborn in the present. Recommended.<\/p>\n<p>Contains: violence and sexual situations<\/p>\n<p>&nbsp;<\/p>\n<p>Reviewed by Nova Hadley<\/p>\n","protected":false},"excerpt":{"rendered":"<p>( Bookshop.org\u00a0 |\u00a0\u00a0Amazon.com ) Black Cranes: Tales of Unquiet Women, edited by Lee Murray and Geneve Flynn Omnium Gatherum 2020 ISBN: 9781949054279 Available: Paperback, Kindle &nbsp; Black Cranes: Tales of Unquiet Women is an anthology of stories by Southeast Asian women writers of horror. No one questions that the dangers cultures try to warn against<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/women-in-horror-month-book-review-black-cranes-tales-of-unquiet-women-edited-by-lee-murray-and-geneve-flynn\/\">Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[3737,590,4731,4729,4738,4737,4735,4732,4736,396,3771,4734,3768,4733,4730,1114,825,828],"class_list":["post-8240","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-angela-yuriko-smith","tag-anthologies","tag-asian-horror","tag-black-cranes-tales-of-unquiet-women","tag-christina-sng","tag-elaine-cukegkang","tag-gabriela-lee","tag-geneve-flynn","tag-grace-chan","tag-horror-writers","tag-lee-murray","tag-nadia-bulkin","tag-rena-mason","tag-rin-chupeco","tag-southeast-asian-writers","tag-women-in-horror","tag-women-in-horror-month","tag-women-writers"],"_links":{"self":[{"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/posts\/8240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/comments?post=8240"}],"version-history":[{"count":2,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/posts\/8240\/revisions"}],"predecessor-version":[{"id":8261,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/posts\/8240\/revisions\/8261"}],"wp:attachment":[{"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/media?parent=8240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/categories?post=8240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/tags?post=8240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}