{"id":10867,"date":"2026-06-03T15:51:26","date_gmt":"2026-06-03T19:51:26","guid":{"rendered":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/?p=10867"},"modified":"2026-06-03T15:51:26","modified_gmt":"2026-06-03T19:51:26","slug":"book-review-why-i-love-horror-essays-on-horror-literature-edited-by-becky-siegel-spratford","status":"publish","type":"post","link":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/book-review-why-i-love-horror-essays-on-horror-literature-edited-by-becky-siegel-spratford\/","title":{"rendered":"Book Review: Why I Love Horror: Essays on Horror Literature edited by Becky Siegel Spratford"},"content":{"rendered":"<p><a href=\"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-content\/uploads\/2026\/06\/Why_I_Love_Horror_Spratford.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10900\" src=\"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-content\/uploads\/2026\/06\/Why_I_Love_Horror_Spratford-197x300.jpg\" alt=\"Cover art for Why I Love Horror edited by Becky Siegel Spratford\" width=\"197\" height=\"300\" srcset=\"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-content\/uploads\/2026\/06\/Why_I_Love_Horror_Spratford-197x300.jpg 197w, https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-content\/uploads\/2026\/06\/Why_I_Love_Horror_Spratford-672x1024.jpg 672w, https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-content\/uploads\/2026\/06\/Why_I_Love_Horror_Spratford-768x1170.jpg 768w, https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-content\/uploads\/2026\/06\/Why_I_Love_Horror_Spratford.jpg 985w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/a><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><i>Why I Love Horror: Essays on Horror Literature<\/i><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"> edited by Becky Siegel Spratford<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Saga Press, 2025<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">ISBN-13: 9781668205099<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Available: Paperback, Kindle edition, audiobook, audio CD<\/span><\/span><\/span><\/p>\n<p><strong>Buy:\u00a0<a href=\"https:\/\/bookshop.org\/a\/3144\/9781668205099\" target=\"_blank\" rel=\"noopener\">Bookshop.org<\/a> |\u00a0\u00a0<a href=\"https:\/\/amzn.to\/4el66Y1\" target=\"_blank\" rel=\"noopener\">Amazon.com<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Librarian Becky Siegel Spratford presents eighteen essays by current horror authors on why they love horror. The collection begins with a welcome to the reader by Sadie Hartman, followed by Spratford&#8217;s own essay, &#8220;Why Ask Why,&#8221; where she tells her story about how she found herself working with horror and curating this book full of talented horror writers. Before each essay, Spratford includes an introduction to the authors, a book recommendation to start with from their works, and a recommendation of an author in a similar vein.<\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">My experience reading this was like opening a door to different times in my life where horror made significant appearances, despite having never really left me. Childhood memories and horror are foundational for some in this community. In \u201cBrian Keene\u2019s Giant-Size Man-Thing,\u201d the author discusses his introduction to horror through comics and how horror helped him cope with dread and fear. John Langan writes of his childhood fascination with cryptids in &#8220;In the Bermuda Triangle with Sasquatch, Flesh Smoldering.\u201d Jennifer McMahon&#8217;s \u201cMonster Girl: How Horror Gave Me a Place to Belong\u201d hit particularly close to home in terms of feeling out of place, being the weird girl who liked horror, and experiencing struggles at home. \u201cMy Mother Was Margaret White\u201d by Cynthia Pelayo discusses abuse she experienced at home and at school, never feeling safe anywhere. Horror saved us both. <\/span><\/span><\/span><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">&#8220;Permission to Scream&#8221; by Rachel Harrison and and &#8220;Tales From My Crypt&#8221; by Mary SanGiovanni specifically focus on girlhood and horror, both also speaking to similar experiences for me.<\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Horror providing comfort or a safe space is another thread that ties these essays together. Hailey Piper describes, in \u201cThe Giant Footprint of Horror\u201d, how Godzilla introduced her to horror, and that there is joy in this dreadful genre. \u201cMy Long Road to Horror\u201d, by Tananarive Due, describes horror as feeling. She writes a short but powerful history of her family and their personal horrors of racism and struggle.<\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Authors remind the reader that horror is more than a genre, it is an entire community. Alma Katsu&#8217;s <\/span><\/span><\/span><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">\u201cWhat You Can Learn from Horror: <\/span><\/span><\/span><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Don\u2019t Run from Darkness; It\u2019s Trying to Teach You a Lesson\u201d, <\/span><\/span><\/span><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">presents an essay questioning why people shy away from horror. A true crime writer I had a conversation with during my undergrad found it fascinating that there is a line in the sand between what his audience will and will not read: that line is fictional horror. Katsu states \u201cI\u2019m here to argue against running away from darkness,\u201d (52) and provides personal information regarding past employment with government agencies as an intelligence analyst. Gabino Iglesias, in &#8220;Horror is Life: A Blood-soaked Love Letter,\u201d discusses his life in Puerto Rico and discovering horror, which turns into a moving statement on how horror changed his life. In &#8220;A Day in My Psychedelic World,&#8221; Nuzo Onoh, dubbed the Queen of African Horror, reminds us there is horror for everybody.<\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">There are so many great essays in this book. Other authors who contribute are Josh Malerman, Paul Tremblay, whose piece is accompanied by his daughter Emma, Grady Hendrix, Clay McLeod Chapman, Victor LaValle, <\/span><\/span><\/span><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">David Demchuk, and Stephen Graham Jones<\/span><\/span><\/span><span style=\"color: #1e1915;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">. This would make a great addition to a general library collection, as well as essential reading for a course on horror. <\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Highly recommended.<\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Reviewed by Lizzy Walker<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Why I Love Horror: Essays on Horror Literature edited by Becky Siegel Spratford Saga Press, 2025 ISBN-13: 9781668205099 Available: Paperback, Kindle edition, audiobook, audio CD Buy:\u00a0Bookshop.org |\u00a0\u00a0Amazon.com &nbsp; &nbsp; Librarian Becky Siegel Spratford presents eighteen essays by current horror authors on why they love horror. The collection begins with a welcome to the reader by<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/book-review-why-i-love-horror-essays-on-horror-literature-edited-by-becky-siegel-spratford\/\">Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[3674,395,14,8,4647,3835,5981,645,749,5074,5980,2843,9,1975,5982,5092,4906,11,5644,5979],"class_list":["post-10867","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-alma-katsu","tag-becky-siegel-spratford","tag-brian-keene","tag-collection-development","tag-cynthia-pelayo","tag-gabino-iglesias","tag-hailey-piper","tag-horror-book-reviews","tag-horror-books","tag-horror-nonfiction","tag-jennifer-mcmahon","tag-john-langan","tag-librarians","tag-mary-sangiovanni","tag-nuzo-onoh","tag-personal-essays","tag-rachel-harrison","tag-readers-advisory","tag-tananarive-due","tag-why-i-love-horror-essays-on-horror-literature"],"_links":{"self":[{"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/posts\/10867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/comments?post=10867"}],"version-history":[{"count":2,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/posts\/10867\/revisions"}],"predecessor-version":[{"id":10901,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/posts\/10867\/revisions\/10901"}],"wp:attachment":[{"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/media?parent=10867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/categories?post=10867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.monsterlibrarian.com\/TheCirculationDesk\/wp-json\/wp\/v2\/tags?post=10867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}