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Book Review: Vampires of Lore: Traits and Modern Misconceptions by A.P. Sylvia

Vampires of Lore: Traits and Modern Misconceptions by A. P. Sylvia

Schiffer Publishing, 2019

ISBN: 978-0-7643-5792-3

Available: Hardcover

 

Vampires of Lore: Traits and Modern Misconceptions by A. P. Sylvia is a readable, concise deconstruction of vampire legends. Sylvia compares vampires in modern-day fiction to superstitious beliefs about vampires in folklore. The author describes vampires in literature and movies of the 1800s and later, such as Bram Stoker’s 1897 Dracula, the German 1922 movie Nosferatu and the 1990’s television series, Buffy The Vampire Slayer, as well as creatures in folk tales from around the world.

 

Sylvia defines vampires in fiction and folklore as “undead corpses of once living people, who are harming the living is some way, and are killed via taking action against the corpse itself”. The author examines 18 traits of modern-day fictional vampires, ranging from blood-drinking to transformation into bats and other animals. Surprisingly, fangs are inventions of fiction, whereas compulsive counting, exemplified by Sesame Street’s Count Von Count, is described in folklore.

 

The book has 120+ pages , footnotes and handsome illustrations on its cover and pages. However, it is not a dense, scholarly book. The author’s style is conversational and wry. Sylvia’s book would be a good addition to any vampire fan’s library. Highly recommended.

 

Reviewed by Robert D. Yee

Graphic Novel Review: Brothers Dracul, Vol. 1: Blood of the Dragon by Cullen Bunn, illustrated by Mirko Colak

Brothers Dracul Volume 1: Blood of the Dragon by Cullen Bunn, illustrated by Mirko Colak

Aftershock, 2018

ISBN-13: 9781935002473

Available:  Paperback, Kindle, comiXology

 

The first volume of Brothers Dracul contemplates the answer to the question of what could have possibly made Vlad Tepes, or Vlad the Impaler, one of the most disturbing killers in history. Cullen tells the story of a teenage Vlad, when he and his brother Radu were held hostage by the Ottoman Empire in 1442 so that the Sultan Mehmed II could solidify their father’s loyalty to the empire. Despite their imprisonment, they were taught combat, politics, and how to hunt vampires. The brothers are tasked with accompanying the son of the sultan who is himself taught to be a strong force against vampires. However, the young Mehmed does not live up to this, and Vlad and Radu end up saving him from the creatures that he is supposed to kill. This leaves a bad taste in Vlad’s mouth, as he is protecting someone who he sees as a not only a weakling, but a whining royal as well. The brothers are placed in awkward situations as Radu is offered a way to freedom, and Vlad falls in love with a young woman who may have a strange connection to the vampires plaguing the land.

I thoroughly enjoyed this volume. Bunn referenced real places in his story, rather than relying on the existing Dracula canon and mythos. He provides a great story and characters. The reader can sympathize with both brothers at different times, as they are both facing their imprisonment and treatment in vastly different ways. Radu is more willing to play nice with the Ottoman Empire, while Vlad remains angry at their predicament, and feels betrayed by his brother at times. Vlad’s willingness to hunt and kill vampires acts as a means to work out his aggression. Colak’s artwork is vibrant, and his character design is fantastic. I would recommend this book to anyone who likes a strong plot, plenty of political intrigue, and blood and guts in their horror comics. Highly recommended.

Volume 1 collects Brothers Dracul, issues 1-5.

 

Contains: blood, gore

Reviewed by Lizzy Walker

Book Review: Monsterland by James Crowley

Monsterland by James Crowley

G.P. Putnam’s Sons Books for Young Readers, 2017

ISBN-13: 978-0399175893

Available:  Hardcover, paperback, Kindle edition

 

It’s Halloween, and Charlie Cooper is missing his best friend, Billy, who was lost in the river the previous year.  Too dispirited to trick-or-treat, he wanders into the woods, to hide out in an abandoned army base where they used to play. When he sees a figure that looks like Billy, he follows him through the base and into a graveyard he’s never noticed, down into a crypt that leads to a tunnel, and discovers that he has not been following his friend: he has followed a vampire, into Monsterland, an unmapped territory where the U.S. government has contained the world’s monsters. The vampire is Prime Minister of Monsterland, tasked with keeping the peace between all the factions and creatures. Learning that Charlie is looking for his “lost” friend, the Prime Minister sends him on a journey with Frankenstein’s Monster that will lead Charlie to a place where he might find Billy, if he’s lucky.

Charlie’s journey with the Monster is eventful, with kidnappings, near-drownings, robberies, and dramatic rescues. He meets various types of monsters, who are fascinated to find a live boy in their country.  While some characters are well-drawn, especially the Monster, Crowley spends several chapters at the beginning introducing Charlie, with the result that, while Crowley does some terrific world-building, the story is too jam-packed with action and new characters to do everything (and everyone) justice. The door is definitely left open for a sequel– there are many characters I wanted to know more about, and the overall idea that government budget cuts are undermining control of Monsterland is intriguing.

What is most interesting, and most fully developed, is Charlie’s relationship with the Monster, who is not just uninterested but actively hostile to the idea of traveling with Charlie. Charlie insists that nobody should be referred to as Monster or Creature all the time, and helps the Monster choose a name (the discussion, which involves his annoyance with Mary Shelley, leads to the Monster being named Franklin Prometheus), something that significantly changes their relationship. Watching them interact is one of the most interesting parts of the book.

I was bothered by the plot being driven by Charlie’s need to look for Billy. It is pretty clear from the very beginning of the book that Billy isn’t just lost, and I didn’t like that the Prime Minister and all the monsters encouraged Charlie’s magical thinking and the idea that Billy was tangible. Magical thinking is a part of grief you want children to work through, and Charlie is protected from having to do this. Crowley did a nice job of depicting Charlie’s grief before he entered Monsterland, but once there, the possibility of finding Billy made it an adventure.

I wouldn’t call this horror so much as a monster-laden fantasy adventure, but there is certainly potential for it to go darker if there is a sequel. It is a great choice for monster-loving kids. Recommended.