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Book Review: (CON)science: A Novel (Phoenix Horizon #3) by PJ Manney

cover art for (Con)science by PJ Manney

(CON)science: A Novel (Phoenix Horizon #3) by PJ Manney

47North, 2021

ISBN-13: 9781503948501

ISBN-10: 1503948501

Available: Paperback, Kindle edition, audiobook, audio CD, MP3  Bookshop.org  |  Amazon.com )

 

Note: this review contains spoilers for all three books in the series.

 

(CON)science is the third novel in PJ Manney’s Phoenix Horizon trilogy. Some trilogies by other authors can drag out plots that can be presented in one book, but Manney’s intricate, compelling story about a dystopian future, in which morality and ethics don’t keep pace with technology, requires multiple books.

 

In her first book (R)evolution, Manney introduces Peter Bernhardt, a driven, young Stanford graduate whose goal is to use breakthroughs in nanotechnology and computer science to cure brain disorders using computer implants that connect directly to brain cells by submicroscopic nanowires. Nanobots injected into blood vessels create the wires and also connect the rewired brain to other parts of the body. Peter creates a Silicon Valley start-up, but his venture capitalist insists that the nanobots be developed first and brought to market before the implants. Terrorists make aerosolized nanobots with Peter’s technology and kill thousands at a tech convention.

 

Another venture capitalist and former classmate, Carter Potsdam, helps Peter create a new company. An impatient Peter becomes the first cyborg. He has a miniaturized memory unit and neocortex implanted in himself and experiences the problems of accumulating and controlling every memory.

 

Carter initiates Peter into the Phoenix Club, a secret organization created by the Founding Fathers after the American Revolution. Members of the club include select politicians, businessmen, generals, scientists and other leaders who work to control and guide the country’s future. The Club planned the attack at the convention and plans to spread nanobots throughout the country to control the populace and maintain its power indefinitely.

 

Peter discovers the Club’s plans and sets out to stop them. He assumes a new persona, the cyborg Tom Paine, naming himself after the American revolutionary, and he and his friends infiltrate the Club’s secret compound, destroy missiles containing the nanobots and kill the Club’s leaders. Before Tom dies, his brain is uploaded into cyberspace and becomes the first fully autonomous, self-conscious, artificial human intelligence (AHI), known as Major Tom after David Bowie’s song. Major Tom exposes the secrets and plans of the Club to the public.

 

Manney’s second book (Id)entity describes the political disintegration of the United States after the Phoenix Club is exposed, and the struggle between a resurgent Club and groups like Major Tom’s that strive to stay independent. Most state governments  have dissolved. Some large cities, like New York, Los Angeles, Chicago and San Francisco govern themselves loosely. Other groups form offshore or deep ocean, self-sustaining colonies called sea steads that use cryptocurrencies like bitcoin.

 

The AHI Major Tom used hidden servers in New Zealand and elsewhere to support his group of scientists, programmers, hackers, doctors and other followers. In a fatal mistake, Tom created AHIs of the two dead leaders of the Phoenix Club, Carver and Josiah Brandt, to converse with. Their AHIs escaped their confinement from Major Tom’s virtual Memory Place and reconstituted the Phoenix Club.

 

The Club reunited several southern states into the Southern States of America (SSA). The SSA revised history by destroying records and altering videos and other computer files to show Peter Bernhardt, Tom Paine and Major Tom causing death, destruction and chaos. Advanced nano and computer technology created insect-sized, video cameras for surveillance and contact lenses that changed what a person saw from real-life squalor to a virtual suburban bliss. The SSA used swarms of drones armed with lasers and machine guns and frenzied, brainwashed mobs to expand its territory.

 

Major Tom and the Phoenix Club’s AHIs needed physical bodies on the ground. Technology enabled both groups to create cyborgs out of robots originally designed as sexbots and the bodies of recently deceased humans. The robots and cyborgs could be in continuous contact with the AHIs.

 

An independent sea stead in the Pacific Ocean was mysteriously destroyed and the dark web’s superstar of false identities and Major Tom’s ally, Dr. Who, was kidnapped. The SSA lures the decommissioned destroyer Zumwalt with Major Tom’s cyborg and his top hacker and the hospital ship Savior into Port Everglades, Florida. Thousands gather at the port fleeing an SSA onslaught hoping for places on the ships. Armed SSA drones slaughter hundreds, but videos are altered to show Major Tom’s cyborg orchestrating the massacre. Most of the world now sees Major Tom’s group as the villains.

 

In book three (CON)science, the SSA creates multiple AHIs of Peter Bernhardt. Their memories are manipulated to accept the SSA’s version of history that the original human Peter Bernhardt, cyborg Tom Paine and AHI Major Tom overthrew the legitimate U.S. government and caused the chaos and death that followed. The SSA instructs its AHIs to create war games to simulate a doomsday attack against Major Tom’s group if it attacks the SSA.

 

The SSA chooses its most naïve and gullible AHI to make a trial run of its game. Unbeknownst to the AHI, actual attacks against major East and West Coast cities begin. Explosives planted by human infiltrators, soldiers and drones destroy infrastructure and kill thousands of people. At universities like Stanford, MIT, Caltech and the University. of Chicago, faculty and students are arrested or killed.

 

The Phoenix Club’s resurgence and victory are almost complete. Only a few of Major Tom’s team remain on the Zumwalt. They face monumental tasks: 1. convince others that the SSA’s version of history is false, 2. rescue captured team members, 3. protect persons fleeing from SSA massacres, 4. convince China to help or at least be neutral in the conflict, and 5. finally destroy the Club despite all of the humans, robots, cyborgs, AHI’ s and other resources it controls.

 

Many readers will find Manney’s novels interesting and relevant because they address contemporary problems. Autocrats and oligarchs can acquire political power and wealth by controlling the public’s access to information. Advances in computer science and the internet have made the influence of social media and control of news sources more effective. Given the rapid pace of breakthroughs in many scientific fields, the author’s nanobots, robots, cyborgs and AHI’s are not out-of-the-question in the near future.

 

Highly recommended

 

Contains: moderate gore, moderate graphic sex

 

Reviewed by Robert D. Yee

 

 

 

 

 

 

 

Graphic Novel Review: Upgrade Soul by Ezra Claytan Daniels

Upgrade Soul by Ezra Claytan Daniels

Lion Forge, 2018

ISBN-13: 9781549302923

Available:  Paperback, Kindle, comiXology, iTunes app

Hank and Molly Nonnar decide to go through an experimental rejuvenation procedure to celebrate their 45th anniversary, a procedure which will allegedly revive their aging cells and restore vim and vigor. However, the results are not what they expect. Dr. Kenton Kallose, the lead scientist in this endeavor, isn’t completely honest with them about how things will, and do, pan out. As they discover the process is not so much rejuvenation as it is cloning, and they make more disastrous revelations along the way. Their clones, Henry and Manuela, who are both superior to their originals, are left physically deformed after the process. As both originals and clones navigate through their new lives, they realize that not all of them can survive.

Hank and Molly’s story is told in the present, as well as in flashbacks that give the reader the history of how they heard about the experimental procedure and the questions they faced as they made their mutual decision. The story is thought provoking and leaves readers with questions of their own about identity, facing the aging process, ethics, and more. I read it multiple times and each time discovered something I missed in previous reads.

It isn’t a story for the faint of heart.

There were a few things I did not know about the graphic novel prior to reading the physical copy I received at the 2019 American Library Association conference, signed by the creator (Ezra is super nice—if you have the chance to meet him, do it). I did not know this was developed and released by Erik Loyer as an app in 2012. I recently downloaded it and viewed the first chapter for free. It’s beautiful. The soundtrack provided by Alexis Gideon is incredible. It is available for purchase from Bandcamp as a digital download or on vinyl, including a signed copy by Ezra, here: https://fperecs.bandcamp.com/album/upgrade-soul. I found myself lingering in certain sections until the pieces played out. Navigating through the app is very smooth, and the 3D effects add so much to the story. I encourage readers to explore it. You can unlock the entire book for $7.99 here: https://apps.apple.com/us/app/upgrade-soul/id549051057. See a preview of the app here: https://youtu.be/14CPAXh3NYA. Highly recommended

 

 

Reviewed by Lizzy Walker

Check out my interview with Upgrade Soul creator Ezra Claytan Daniels.

 

Interview: Ezra Claytan Daniels, Creator of Upgrade Soul, Talks to Lizzy Walker

Ezra Claytan Daniels

We were lucky enough to have the opportunity for one of our reviewers, Lizzy Walker, to interview Ezra Claytan Daniels, the creator of the interactive graphic novel Upgrade Soul, which she just reviewed for Monster Librarian. Thanks so much, Ezra, for taking time for us! We are looking forward to seeing what comes next from you! Check out Lizzy’s review of Upgrade Soul here!

 

Lizzy: Tell Monster Librarian readers about yourself.

Ezra: I’m a writer and illustrator originally from Sioux City, Iowa, and currently based in Los Angeles. I worked for many years as a trial graphics consultant, creating medical and technical illustrations, and charts and graphs for high-stakes trials. I worked with the Department of Justice to help present the case against former Illinois Governor Rod Blagojevich. That job was a huge influence on my approach to comics and storytelling.

Lizzy: What inspired you to create Upgrade Soul?

Ezra: The seed for Upgrade Soul came to me in my first year of art school. I moved to Portland, OR from a small town in Iowa, where I was kind of THE art kid. Then I started college, where I was suddenly not the best at anything. All the skills and ideas that had defined my identity my whole life, where suddenly not unique to me. So that existential terror of being made obsolete by someone who is better at being me that I was, is what eventually became Upgrade Soul.

Lizzy: What do you want readers to take away from your story?

Ezra: I wanted to challenge people’s ideas not only of what is normal, but what is good or bad, or better or worse. The central conflict in the book involves a person being faced with a clone that is smarter, stronger, and healthier than they are, but is severely disfigured. So the drama is, which version is better? The one that looks like the person we recognize, or that one that’s better in every measurable way, but because of the way they look, won’t be able to move through the world with the same ease? It’s this horror that our lives are governed and restricted by these arbitrary preferences for certain types of bodies, abilities, genders, or skin colors.

Lizzy: One of my favourite sections in the book is when Molly’s bandages are being taken off. The perspective shift is so well done, and the emotional reaction Molly has to her new body is so strong. What is your writing process like to be able to evoke so much emotion in your story?

Ezra: That specific sequence is an homage to a classic sci-fi trope. I think it first entered the lexicon with the “Eye of the Beholder” Twilight Zone episode, but you also see it in Robocop, and Tim Burton’s Batman, and I even just spotted it in that Tarsem Singh movie, Self/Less. But to answer your question, I love working within strict limitations. One of the main challenges I set for myself with this book was that I wanted to try to write a soap opera. I’m not a fan of soap operas, so the challenge was to write a soap opera that I would really love. So from day one, the main spine of Upgrade Soul was really big dramatic moments and heightened emotions.

Lizzy: What was the hardest part about writing Upgrade Soul?

Ezra: Writing Lina was by far the hardest part. She’s a character who was born with a severe disfigurement, which is not my experience. It took a lot of research, interviews, and introspection to write her in a way I felt comfortable with, but it’s still by far the part I’m most self-conscious about.

Lizzy: I have had the chance to explore the first chapter in the new app. It’s fantastic! Can you talk about the creation of the associated app? 

Ezra: The comic was actually originally designed for the app—that’s partly why the panel structure is so rigid and cinematic. But the whole idea with the app is to try to create a more immersive comics reading experience. The developer, Erick Loyer and I spent many, many hours working out how far we could use technology to push a comic before it stopped feeling like a comic. The main rule we established (you can see our whole philosophy at https://screendiver.com/digital-comics-manifesto/) was to never take control of time from the reader. The main immersive feature of our app is the original score, composed by Alexis Gideon. The score is reactive, so it keeps perfect pace with your progress through the story—you’re really controlling the pace of the music in the same way that you control the pace of the story. Every panel transition triggers a change in the music, so every emotional beat in the story is perfectly accompanied by the score, no matter how fast or slow you read.

Lizzy: Why should libraries be interested in this title?

Ezra: It’s an extremely dense book, loaded with references, homages, and entry points to other works. I worked on it off and on for 15 years, and every time I went back to it, I would add more layers from my life experience and current interests. I namedrop authors like Octavia Butler and Samuel Delany; I reference the history of pulp science fiction; I touch on concepts of experimental neurology and genetics; there’re primers for debates about transhumanism and eugenics. I see this book as a gateway to all sorts of other books and fields.

Lizzy: What else would you like librarians to know about your work?

I think about my high school self a lot. I’m constantly judging my progress and accomplishments through the lens of, “would 17 year old Ezra be proud?” I see my 17 year old self as my primary audience. I was a precocious kid who dressed weird, loved weird movies, and didn’t have a lot of friends. If any librarians know a kid who fits this description, I would love nothing more than to get my books into their hands.

Lizzy: What are you working on currently?

Ezra: I’m working on some non-comics stuff in the Upgrade Soul world. I have a new non-fiction zone that will be available at www.radiatorcomics.com in the first week of November, called “Are You at Risk for Empathy Myopia?”

 

Interview by Lizzy Walker