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Musings: Breaking Out of Your Reading Slump

A note from the editor:

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Horatio P. Bunnyrabbit with a pumpkin for trick-or-treating

For a list of the books mentioned in this post, check out the Monster Librarian store on Bookshop.org!

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October is the big month for the horror genre, and in hopes of getting up a review every day, I do a lot of reading in hopes that I can do exactly that. The pandemic has killed my ability to focus, though, and especially if I’m reading something long, it seems to take longer to read about it, think about it, and write about it. That’s especially true if I’m reading similar kinds of books– after awhile I just have to stop.

This has been especially aggravated by my library closing down and my kids’ schools going virtual so that I don’t get time in those libraries either. Libraries are my haven and not physically getting to be in that space is so difficult for me! I know I’m not the only person who is dealing with this right now. A dear friend of mine who typically gobbles up anything horror-related has stacks and stacks of books that he just keeps buying but is unable to focus enough to finish anything. So what can you do?

First, it’s okay to put a book down if you just can’t handle it.  I like ebooks for really long books because holding those in my hands gets me thinking on how much there is to read, which sometimes can be intimidating. Is your fiction too close to your current reality?  This month was not the month I needed to start watching The Man in the High Castle.  I also read Leigh Bardugo’s Ninth House, not realizing how intense it was going to be. Reading Goodreads reviews after the fact, I found that readers were providing content warnings to potential future readers. If a book is stressing you out instead of entertaining you, you don’t need to keep going.

Second, mix it up! Short stories are great, and I love them, but if you’re reading several anthologies in a row from cover to cover, it’s no longer a vacation. I just finished the excellent SLAY: Stories of the Vampire Noire, edited by Nicole Givens Kurtz, so I’ll be switching to something different before I start another one. There are plenty of authors who don’t get the kind of attention they should, classic authors you might not have read, and new books coming out all the time. Reading T. Kingfisher’s new book The Hollow Places led me to track down The Willows by Algernon Blackwood. In addition to the HWA’s newly published series of genre classics, if you are short on funds, many classics are available free as ebooks through Project Gutenberg.

There’s some really good horror-related nonfiction out there, such as Lisa Morton’s recently released Calling The Spirits.  Although these can seem long, nonfiction is great because you can read a chapter and put it down for awhile until you’re ready to come back to it. Kit Powers’ My Life in Horror, Volume 1 is a series of standalone personal essays on growing up as a horror fan, easy to pick up and put down until you’re ready for more. You might also consider checking out some poetry. Even if you’re convinced it’s not your thing, Alessandro Manzetti’s Whitechapel Rhapsody might change your mind, although it’s not for the faint of stomach.

This is also a great time to check out some of the titles that tie into current television and movies. The HBO series   Lovecraft County is based on a book of the same name by Matt Ruff, a great book of interconnected stories. Netflix’s The Haunting of Bly Manor riffs on the ghost stories of Henry James, notably The Turn of the Screw.

You don’t have to seek out anything new, though. I’ve reread some old favorites when I needed a break. Looking for something lighter? Maskerade by Terry Pratchett isn’t horror, but it is an entertaining riff on a story that definitely is, The Phantom of the Opera.  Seanan McGuire’s InCryptid series, starting with Discount Armageddon, takes a lighter approach to slayers, monsters, and ghosts than is typical for horror, but it is a lot of fun. Sometimes a thriller is what you need, as long as it’s not too close to life for you. Alyssa Cole, mostly known for her excellent romance novels, has an #OwnVoices thriller out right now on gentrification spiraling out of control titled When No One Is Watching, and David Simms has a supernatural thriller, Fear the Reaper, that reveals the dark history of American eugenics.

Despite protestations that they aren’t “real reading”, graphic novels definitely are, and if too many words on the page is a struggle right now, you might try them. Marjorie Liu’s Monstress has even won awards, Or try a novella. A recent entry into the novella category that I raced through was Stephen Graham Jones’ Night of the MannequinsThere are a lot of great titles in the middle grade and YA fiction categories as well. No, you are not too old for good middle-grade fiction. If you haven’t read Neil Gaiman’s The Graveyard Book in either its novel or graphic novel formats it is well past time.

If you are a doer or a maker, I don’t personally have the patience for audiobooks or most podcasts, but if you spend a lot of time driving or run long distance, that’s another opportunity. And it’s the perfect time of year to explore Halloween cookbooks and crafts! My son collected and loved these even before he could read them, and a lot of gruesome-looking foods are pretty easy to make. We’ve worn out Ghoulish Goodies There is even an unofficial Walking Dead cookbook called The Snacking Dead

Third, go outside. It’s a little cool where I am to go outside and sit and read right now, but I went for a long walk yesterday that really cleared my head and got me focused again. All the sitting inside, social media, news, attempting to get along with your family you’ve been stuck inside with for seven months leaves you feeling tired and your brain cloudy. Reading is supposed to be relaxing, but apparently you need to really relax before you can enjoy it.

Clear out your brain, clear space for yourself inside and out, turn off your television, and give yourself permission. It’s the Halloween time of year, so, whatever makes you feel the season, give yourself a treat.

Book Review: Killing November by Adriana Mather

cover of Killing November by Adriana Mather

Killing November by Adriana Mather (  Bookshop.orgAmazon.com  )

Ember, 2020

ISBN-13 : 978-0525579113

Available: Library binding, paperback, Kindle edition, audiobook.

 

November Adley was told she was being sent to boarding school for her own safety, but on her arrival, she discovers it is full of intrigues she knows nothing about but is expected to rise to the challenge and survive deceptions, strategies, and attempts on her life from both students and teachers. The classes are like nothing she’s ever had to take before: knife throwing, poisons, deception, and tree climbing, among others. Deadly midnight challenges lead to shifting allegiances, every word and action has the potential to put her life at risk… and, while everyone assumes she knows exactly what’s going on, she has no idea why her father would send her to this school (I also question why her father would send her to a school filled with enemies she knows nothing about for safety. It would be a spoiler to reveal what she has in common with the other students, and that doesn’t make me question his judgment less).

November does have some survival skills she learned from her parents, mostly as games: she’s not unfamiliar with knife-throwing or tree climbing, she is good at observation and memorization, and she’s learned to think outside the box (her parents have kept a LOT of family secrets, and uncovering these is essential to her understanding of events and relationships at the school). But she has never learned to disguise her emotions or hide the truth, a disadvantage in the dangerous games of the school. She has to earn the trust of her prickly roommate, Layla, and decide whether she can trust Layla’s brother Ashai, an expert in deception, to survive.

Killing November rockets along from start to finish, and even the most unbelievable aspects of the story get caught up in the rush. It is the first in a series, and with November scrambling to figure out what’s going on, whose loyalties she can depend on, and who she is supposed to be, trapped in the claustrophobic boarding school environment, it is a really fun read. With much of this settled in the second book, while there’s still plenty of action, it’s less engaging. Both Killing November and its sequel, Hunting November, are enjoyable thrillers that have the potential to appeal to teen lovers of action, murder, mystery, and romance. Recommended.

 

 

Book Review: In the Vines by Shannon Kirk

Cover image of In The Vines by Shannon Kirk

In The Vines: A Thriller by Shannon Kirk (Bookshop.orgAmazon.com )

Thomas & Mercer, Seattle, 2018

ISBN-13: 9781503901940 (hardcover)

ISBN-13: 9781503900752 (paperback)

Available: Hardcover, Paperback, Kindle edition, compact disc, MP3 CD

 

In The Vines: A Thriller by Shannon Kirk is a murder mystery with a sprinkling of horror and gore. Fans of Edgar Allan Poe will recognize the technique of peeling away the layers of an onion, slowly revealing past sins, guilt, self-doubt and escalating violence. The main characters are Mary Olivia Pentecost, aka Mop, and Lynette Viola Vandonveer, aka Aunty Liv. They are descendants of Boston Brahmins, both with scions  who seem to have guilty secrets, as well as privilege and power. Their character traits and secrets lead to tragedy.

 

Mop is a recent college graduate searching for her own identity She is to marry her childhood sweetheart, a son of a nouveau-riche family with an adjoining estate in Rye, New Hampshire. Aunty Liv is an unmarried nurse having an illicit affair with a Boston surgeon, and is spying on her lover’s wife. The novel begins with Mop bleeding from a leg wound, dragging an unconscious, unnamed companion out of hiding during a nor’easter. An unidentified, shrouded figure wields an ax over them. Who are they? How did they come to this? What will be the story’s denouement?

 

The author uses the voices of Mop and Aunty Liv to narrate the story. The story jumps back and forth between scenes from the present, two years in the past and two weeks ago. Kirk’s technique is disconcerting, but it is important in slowly revealing the characters’ secrets and building a sense of frustration, anxiety and anticipation in readers. The main characters are well-drawn, and readers will understand why they make seemingly bad decisions that often lead to disaster.  The author describes the ocean, beach, rocks, cliffs, trees and brambles of New England’s coast beautifully. They become participants in the story. Highly recommended for adults.

 

Contains: Moderate gore, moderate violence, mild profanity

 

Reviewed by Robert D. Yee