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Book Review: Her First Mistake by Kendra Elliott

Cover art for Her First Mistake by Kendra Elliot

Her First Mistake by Kendra Elliot

Montlake, 2025

ISBN-13 ‏ : ‎ 978-1662525773

Available: Hardcover, paperback, Kindle edition, audiobook

Buy:  Bookshop.org  |  Amazon.com

 

 

Thirteen years after the unsolved murder of a member of the California state legislature, the case is reopened byf the FBI, and Detective Noelle Marshall finds herself in the middle of it. However, this job is going to be challenging for Noelle, because she is the wife of the victim and was attacked and left for dead during the crime.

 

This thriller shifts back and forth between the past, the recent past, and the present right from the start. There is a large cast of characters, including those who worked on the original case, family members, and friends of Noelle’s and her husband’s. The characters are developed enough to make them distinctive, but they are not complex enough to excite much speculation about their possible role in the murder.

 

Because Noelle was at the scene on the fateful day and cannot remember what happened, there had been speculation as to whether she might have faked her own attack and killed her husband. However, because so much of the emphasis is put on Noelle’s perspective as part of law enforcement, that intriguing idea seems to go out the window quite quickly.

 

Kendra Elliot carefully builds the plot and effectively creates a world that suggests these are real people living real lives after a terrible event. Ironically, for that reason, there is less urgency, drama, and excitement than this reader looks for in a thriller. It is disappointing that even the more intriguing parts of the book, like those focusing on Noelle’s relationship with her husband before their marriage, disappear, as the plot loses momentum midway through.

 

Elliot plans to develop a series based on this book and has found successful readership to this point in earlier books. It will be interesting to see how she grows the story after this  first installment.

 

 

Reviewed by Nova Hadley

Book Review: Black Planet, Vols. 1-4 by Nikki Noir

Black Planet Books 1-4 by Nikki Noir

Black Planet, Books 1-4, by Nikki Noir

Blood Bound Books, 2020

ISBN: 9798675368907

Available: paperback, Kindle editionAmazon.com )

 

With her short stories, author Nikki Noir has carved out a place for herself in the world of spleaze (that’s ‘splat and sleaze’) writing.  Black Planet was previously released electronically as four separate sections, now all combined into one paperback book.  It’s a decent effort, with the first two ‘setup’ sections being the best parts.  The third section, which carries the bulk of the story’s motion, is a bit of a letdown, with too many of the essential plot details held back.  Still, the first two sections help make up for the third.  The fourth section is basically just a lead-in to whatever comes next, as according to the author, there will be more.

 

The first section sets up the story beautifully, replete with the author’s usual trashy intensity.  Two teens eking out a living by doing sleazy online fetish films have the good fortune of a relative dying, thus giving them a dead body to use in their videos.  They hook up with a girl who is into the occult and crazier than they are. That concludes the excellent first section, and no question, it’s the best one.  Section 2 is a different thread but still setting the story up, and it’s almost as good as the first section.  This time it involves teen girl Haley, her younger brother, and weird mechanical owls in the woods.  There’s also a shade of what’s to come, with the introduction of the shadowy organization Stillwater.  

 

Where the first two parts ran at high speed, you’d expect the overdrive gear to kick in for the third section, where the plot threads start to tie together.  But, this section feels more like it’s stuck in neutral.  The author’s trademark freaky sex and messy murders are there, the writing is fine… it just doesn’t have the same sense of urgency as the first two sections.  Part of the problem is almost none of the “why” part is given in this section, and it would have been the perfect time to do it.  The organization called Stillwater keeps lurking in the background, but its presence is given very little time, or explanation.  To keep readers interested, an author have to give them something in the book for a bit of the ‘why’ things are happening.  Otherwise, it seems more like a linear sequence of events that happen for no real purpose, and it’s frustrating.  It’s playing the plot cards too close to the vest for a bit too long, you gotta throw a few cards on the table to keep the game going.  The storyline is good, it just needs to be less of a mystery.   

 

There’s some definite fun to be had with reading Black Planet, it just could have used a few tweaks to help keep reader interest higher.  Hopefully, the next sections will reveal more to the readers in terms of the overall plot.   

 

Reviewed by Murray Samuelson.

Book Review: Doll House by John Hunt

 

Doll House by John Hunt  (Bookshop.org)

 Black Rose Writing, 2017

ISBN: 9781612968070

Available: paperback, Kindle

 

Doll House is a white-knuckle horror/thriller that takes a common plot device and spends most of the book on “well, what about after it happens?'” The plot you know: young person abducted by a psycho or two, held captive and tortured for months or years, then escapes at the very end of the book, often killing their torturers in the process.  It’s been done before, sometimes well (Jack Ketchum, Whitley Streiber) and sometimes not so well (Ryan C. Thomas).  In Doll House, that basic plot is wrapped up in the first fortysomething pages.  It’s the “what next?” part that makes up the majority of the book, and it makes for a compelling story.  How will Olivia, the victim, cope with the rest of her life, knowing that one of the abductors got away?  Will the abductor give up and move on, or come back and try again?  How long can the cops provide protection, as the story fades from public eye and budgets are stretched thin?  All good questions, and the book delivers on them all, while providing a rip-snorting good read.

 

A critical part of this story type is hiding the killer’s identity until the end, keeping the reader guessing. The author does an excellent job concealing it, using red herrings and a few scattered clues extremely well.  The clues are there, but you have to read pretty carefully to catch them.  I didn’t guess right, and most readers probably won’t either.  It is very well done.

 

It’s worth nothing that the book is definitely heavy in the narration department, and pretty light on dialogue.  It’s a stylistic choice, but a bit more dialogue would have helped break the story up a bit and pushed it the extra mile. There’s still plenty to generate reader interest, and the story doesn’t drag at any point.  Some of the most interesting parts concern the police and their struggles to track a killer who left no evidence: it’s interesting how difficult detective work really is, and that unfortunately, it can be limited by financial constraints.  As far as nastiness, the author wisely shows restraint and only uses it where needed.  There are a few ugly scenes like toes getting snipped off and an ear getting razored off, but there’s not much blood, and no graphic rape sequences. It’s a horror novel with a few quick bouts of ugliness, and it’s a good one.  There is a sequel to Doll House due to be released later this year, and it will be reviewed here shortly.  Recommended.

 

Reviewed by Murray Samuelson