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Book Review: The Trials of Apollo: The Hidden Oracle by Rick Riordan

The Trials of Apollo: The Hidden Oracle by Rick Riordan

Disney-Hyperion, 2016

ISBN-13: 978-1484732748

Available: Hardcover, paperback, Kindle edition, Audible

 

The Hidden Oracle is the first book in a new series in the world of Percy Jackson and the Olympians, The Trials of Apollo. This book takes place six months after the war with Gaea and the giants’ army, at which time Apollo was cast out from Olympus by Zeus. Now Apollo finds himself living a mortal life as a sixteen year old boy, indentured to Meg, a cranky demigod with a bad temper, hidden past, and voracious appetite. Apollo has many lessons to learn. Always vain about his appearance, now he faces himself in the mirror as a homely teenager with acne. Used to changing the world to suit himself, he must now find a way to fit in to the world as it is, and learn the worth of others. Arrogant about his supernatural powers, it’s quite a comedown to him when things no longer come as easily.

The Hidden Oracle is told only from the point of view of Apollo, and it’s an unusual point of view to find in a children’s or YA book, because Apollo has had the experiences of an ageless adult, in an adult body, but with the temperament and selfishness of a teenager. While he’s stuck in the body of an actual teenage human, his view is complicated by this combination of life experience, temperament, and the unfamiliar physical limitations of being mortal. When he’s wounded, for instance, his son, Will, acts as his healer… but physically, Will is nearly the same age, and has more emotional maturity. Apollo is matter-of-fact about things that can often be hot buttons in children’s books, like his regrets about his love relationships with Daphne and Hyacinthus, and his description of Will’s and Nico’s relationship (their bantering is a high point in the book). As the book advances we see Apollo the god begin to mature and connect emotionally with others as he learns his limits and how far he can push himself. As with any self-absorbed teenager, he can be incredibly irritating, but it’s worth it to see his self-reflection and changing attitudes.

The plot follows the arrival of Apollo and Meg at Camp Half-Blood with a storyline about communications being cut off with the outside world, the camp’s oracle deserted, and campers wandering into the woods never to be seen again. Apollo and Meg accidentally get lost in the Labyrinth during a camp exercise and discover that the physical location of Oracle of Delphi has been taken over by the monster Python, working with a mysterious character named the Beast. The Beast is attempting to take over all the oracles and destroy them. Meg has had some frightening experiences with him in the past: he’s responsible for the death of her father, and she will do anything to avoid him.

On returning to camp, they find that two of Apollo’s children wander off into the woods. Apollo and Meg go after them, battling giant ants with both weapons and musical talent, and answering marketing surveys from geyser gods (one of the funniest parts of the book) They finally find the missing campers and, despite the destruction of the other oracles, are able to discover a prophecy that can send them on a quest.  A terrifying standoff with the Beast reveals Meg is much more vulnerable than she looks, and leaves a fracture in the relationship between Meg and Apollo… and there’s still a battle to be fought for Camp Half-Blood. It’s quite a lot to pack into 376 pages, and the story rockets along.

The Hidden Oracle is worth reading more than once– there is a lot of character development that takes place, and it’s easy to miss if you get caught up in the action. This really isn’t a book intended for the same age group that read the original Percy Jackson books, though, or even the Heroes of Olympus books, which are really targeted at teens and, while they are darker, have a much more YA soap-operaish feel. Because of its more adult themes on relationships, trauma, and abuse, and the frequently adult perspective of the narrator, The Hidden Oracle seems intended for more mature readers. I recommend reading the previous two series, though, particularly Heroes of Olympus, because that’s where the events of the story begin, as well as Nico’s and Will’s relationship, and there are references to characters and events from earlier books. If you are a fan of Riordan’s work going all the way back, this is a great addition to his Greek mythology series, and more complex than his other books. He is writing a series grounded in Norse mythology concurrently, and I much prefer this. I look forward to seeing where Riordan takes the story of Apollo from here. The second book in the series, The Dark Prophecy, will be released in May 2017, and will undoubtedly answer some of the questions raised in the first book while introducing new ones. Highly recommended for YA and “new adult” readers, for middle and high school libraries, and for Rick Riordan fans.

 


Book List: Schools for Peculiar Children

      

 

Miss Peregine’s Home for Peculiar Children hits theaters this week, and it will be interesting to see how it measures up to the book. It looks cool– click here for a link to the trailer. For me, the letters and the real photographs used, and the scrapbook-type format, were much of what made it intriguing, and I can’t imagine how that will translate to the screen. But the trailers look pretty awesome, so even if the movie doesn’t turn out to be just like the book, perhaps it will stand well on its own.

Miss Peregrine’s Home for Peculiar Children is far from the first book to be set in a school or home intended for particularly unusual children, though– some really excellent books for middle grade and teen readers exist in this category.  Here are a few you might check out.

 

Down a Dark Hall by Lois Duncan

Kit Gordy is attending an extremely exclusive, isolated, boarding school. Spoiler: it’s also haunted by ghosts who take possession of the students to create amazing works of art. Nothing could possibly go wrong here, right? This is a good one for tweens and middle schoolers, although, in my opinion, you don’t outgrow Lois Duncan.

 

 

The Cavendish Home for Boys and Girls by Claire LeGrand

This is a disturbed fairy tale of a book. Victoria, a perfect 12 year old in every way, living in a picture-perfect community, has chosen just one friend, the very imperfect, messy, and musical Lawrence. When Lawrence disappears, Victoria goes on a search for him, uncovering some very unpleasant things. As more children disappear, and creepy creatures start invading, Victoria becomes even more determined to solve the mystery. She discovers that the orphanage across the street is actually a deeply disturbing, magically operated facility with the mission of turning all the imperfect children that have disappeared, including Lawrence, into identical, perfect children, Stepford-style. Mrs. Cavendish, the headmistress of the school, is truly diabolical, and the school itself is creepy, disquieting, and disorienting. This one is not for the faint of stomach, but people who liked Coraline  or the more nightmarish writing of Roald Dahl might very well like this. This is Gothic children’s horror at its best– highly recommended, but for no younger than age 10.

Contains: body horror, cannibalism, insect hordes, torture.

 

Matilda by Roald Dahl

Speaking of Roald Dahl, Matilda is surely every book lover’s favorite story of a peculiar child. While her school isn’t specifically for peculiar children, the people who work there certainly qualify as peculiar, especially the headmistress. You can’t help cheering for Matilda as she uses her unusual powers to defeat the sadistic Miss Trunchbull.

 

The Grounding of Group 6  by Julian F. Thompson

What’s a parent to do when a child repeatedly breaks the rules, gets thrown out of school again, or breaks that last straw? You send them to the school of last resort– Coldbrook County School– and then never worry about them again. That’s right, the school will take care of your problem child for you, in a permanent way, while the students are out on retreat in a wooded area full of sinkholes. Nothing supernatural in this book, all the horror is in the way humans treat each other.
I’d wait until high school to read this one– it’s got some harrowing moments. There’s also an implied sexual relationship between one of the students, in her late teens, and her “counselor”, who is in his twenties.

 

A Great and Terrible Beauty by Libba Bray

After the death of her mother, Gemma Doyle is sent from her home in India to a young ladies’ boarding school in Victorian England. Gemma has visions, and her unusual upbringing and uncanny knowledge mean a chilly reception from the other girls. Gemma learns to control the visions so she can visit magical realms. As she makes friends, she involves them in her journeys, but while the girls enjoy the power and escape they have in the realms, Gemma learns there is also a darker side. This is the first book in a trilogy: the other two books are Rebel Angels and The Sweet Far Thing. Recommended for middle school and up.


Book List: 6 Great YA Dystopian Novels

Even though the media-generated excitement over teen dystopias like the ones in The Hunger Games and (to a lesser degree) Divergent, has died down a bit, anyone living through the past year can see that dystopian fiction is still terrifyingly relevant. Some days it really doesn’t feel like we’re all that far from living through The Handmaid’s Tale, and George R.R. Martin’s early story “And Death His Legacy” is so prescient that it made me shiver.

A lot of dystopian novels have a depressing world view: the main character’s attempt to change things is thwarted, and, even if that character survives intact, the world they live in doesn’t really alter (Winston, in 1984, is one of the most broken characters ever).

What is different about most YA dystopias is that there’s an individual there who starts to question the status quo, and acts to change it– not without some horrifying struggles, but usually, they’re successful at either overturning the system or escaping to establish one they hope will be better. In the recently released book on children’s and YA horror, Reading in the Dark, there is an essay suggesting that YA dystopian novels aren’t necessarily about individual self-discovery: they are more about teens figuring out their responsibilities to society. I think it’s both. Seeing that there is a possibility to change things, and that it could be one person, a teen not all that different from them, who instigates that change, makes YA dystopian fiction a literature of hope. It makes me optimistic for the future.

That being said, here are some excellent YA dystopias that start with a (usually) pretty ordinary kid chosen to perpetuate the system, who ends up creating a better world.

 

 

The Giver by Lois Lowry

You can’t go wrong with this Newbery Award winner that tells the story of Jonas, living in a future utopian society, who is chosen, in a ceremony with his peers where they are all assigned jobs for their adult lives, to be the Receiver of Memories, the one person allowed to know the memories of the past in human history. It’s not as action-oriented as Divergent, but packs a much more powerful and memorable emotional punch. The Giver is part of a four-book series, but the first is the best and definitely stands alone. There is a movie based on the book that was released a few years ago. Be aware that euthanasia and eugenics are important to the plot, and part of why the book is so heartbreaking.

 

Enclave by Ann Aguirre

This is the first book in the Razorland trilogy (which now also includes two novellas), and it’s quite a bit more graphic than the first two books, probably on par with Divergent. In yet another post-apocalyptic underground world (one decidedly more primitive than Ember) Deuce goes through her naming ceremony and becomes a Hunter in her enclave, a sort of tribal society. As a Hunter, Deuce is supposed to find and catch food and rid the tunnels around her enclave of Freaks, ravening, cannibalistic creatures. Although she’s a believer in the way things work in her enclave, her exposure to a wider world and a partner who’s not so convinced lead her to question the actions of her leaders.

 

 

 

 The City of Ember by Jeanne DuPrau

The city of Ember is an underground city built as a last refuge in a world about to be annihilated by nuclear weapons. Two hundred years later, everything, from food to electricity, is running out. After the ceremony where Lina and Doon, along with their peers, are assigned their future careers, the two of them trade places, and discover a puzzling mystery they must solve to save the residents of Ember from darkness. This has more action than The Giver, and more of a mystery at its center, and is a compelling read even for those of us well over the target age range. The City of Ember is also part of a series, and all of them are great reads. It has been made into a movie already, with Bill Murray as the corrupt mayor. and I really enjoyed it.

 

 

 

  Across The Universe by Beth Revis

The first book in a trilogy, this science fiction thriller is told from the point of view of  two teenagers– Amy, the only person not specifically chosen for a role in settlement of a new planet, and Elder, whose future leadership of the spaceship Godspeed was chosen early in his life. There’s mystery, cloning, genetic and hormonal manipulation, general lying and betrayal, and a surprising amount of action given that this all takes place in a closed environment. In some ways, it reminded me very much of The Giver. There’s suicide, near-rape, and euthanasia in this book, among other things, although I think Revis handles it all pretty well. The target audience for Divergent should enjoy this.

 

 

 

Legend by Marie Lu

June is the elite of the elite, being groomed for a position high up in the military in a dystopian society that’s more or less under military rule. Day is a rebel trying to undermine it.  What could possibly go wrong when their lives intersect?
 

 

 

Uglies by Scott Westerfeld

Here’s one that’s interesting because almost everyone is chosen, eventually. It’s not wanting to be chosen that makes Tally stick out. Or, to make it more complicated, it’s wanting to be chosen but having to pretend she doesn’t want to be chosen and standing out as special when she wants to blend in. And then changing her mind. And changing it again. While it could stand alone, I think, it’s a good thing it’s part of a series because I have no clue where it’s going to end up. Westerfeld pretty much turns the tropes on their heads.

 

 

 

Editor’s note: This post originally appeared with a different introduction at Musings of the Monster Librarian on March 3, 2015.