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Book Review: Root Magic by Eden Royce

cover art for Root Magic by Eden Royce

Root Magic by Eden Royce

Walden Pond Media, 2021

ISBN-13 : 978-0062899576

Available:  Hardcover, Kindle edition, audiobook  Bookshop.orgAmazon.com )

 

 

Root Magic takes place on Wadmalaw, one of the Sea Islands off the coast of South Carolina that is home to the Gullah-Geechee nation, a unique ethnic group with a combined heritage from African and indigenous individuals with its own language and traditions. Author Eden Royce, creates a vivid picture of Gullah-Geechee culture and traditions in the setting of the Sea Islands around the time of the Kennedy assassination though her eleven-year old narrator, Jezebel.

After her grandmother dies, Jezebel’s grandfather decides it is time to teach Jezzie and her twin brother Jay the basics of root magic for the purposes of protection, such as painting their house “haint blue” so evil spirits and boo-hags can’t enter, mixing potions, and creating root bags.  The nearby marsh, previously a place the twins used to play, becomes dangerous as it tries to suck Jezzie in.  Still, the twins are fascinated by root magic and can’t wait to learn more.  Jezzie, in particular, starts to develop new powers, such as the ability to astrally project.

Things are not so easy at school. Jezzie has been jumped a year forward, and new girls from families with more money have moved to town. Jezzie, with her darker skin, mended clothes, and rumors of witchiness, becomes a target. Her only friend is Suzie, who can’t invite her over or visit her home, for reasons that become clear later.  In his grade, Jay has become friendly with the other boys, and Jezzie is worried that her connection to him is breaking.

In addition to troubles at school, there are troubles at home. A police officer has taken a particular interest in Jezzie’s family, invading their home in their absence, demanding food, threatening them, and breaking their things. He knows they are a family of root workers and his behavior towards them escalates. While Jezzie and Jay do face supernatural threats in the book, it is Jezzie’s compassion to animals and creatures in trouble (including boo-hags) that helps protect her family from this dangerous but not at all supernatural threat.

Royce’s descriptions make it feel almost like the reader could step through to the island, and she is able to set the time period effectively with just a few sentences. Jim Crow and racist policing are alive and well, and that’s built into the story. Children questioning why the school would still be segregated, the police searching Jezzie’s house without a warrant, and the effect of the Kennedy assassination on the community will get their answers without an exposition dump.  Royce’s presentation of the controversy over passing on root working practices both in the community and in the same family is also interesting, and she illustrates that root work is not a religion, but is a way of connecting with the world.

While the Gullah-Geechee nation became official in 2000, its existence is not well known, and it has a unique culture and language. Introducing Gullah-Geechee culture and language to a more mainstream audience through a middle-grade novel makes it very accessible. Eden Royce is a member of the Gullah-Geechee nation, and I think it would be very difficult to write about it from outside (in fact, there was a controversy over this not that long ago). Royce has a background as a horror writer for adults, with writing grounded in folklore and the Southern Gothic. I’m so glad she chose to use some of these same elements in this engaging historical Southern Gothic #OwnVoices novel for children. Children who enjoy this book may also enjoy Tracey Baptiste’s The Jumbies, Claribel A. Ortega’s Ghost Squad, and Marie Arnold’s The Year I Flew Away. Highly recommended for ages 8-12.

 

Contains: racism, police brutality, violence

Book List: A Year of Witchy Reads

My library informed me that this year was the Return of the YA Vampire, and indeed we did see a number of YA vampire novels this year, not least of which was Stephenie Meyer’s latest addition to the Twilight saga, Midnight Sun. 

For myself, I discovered I had read a number of very good books focused on witches and witchcraft.

 

A Deadly Education by Naomi Novik was an interesting YA title that followed a teenage witch at a boarding school for witches, who is aggressively beleagured by her powerful talent in black magic that she is trying to avoid using. The school is regularly invaded by monsters who feed on the students and their magic and also surround the school, making survival until graduation and escape afterwards a deadly challenge. This is significantly different from Novik’s previous endeavors in alternate history and fantasy, and presents a unique twist on the “boarding school” genre.

 

 

 

   Gideon the Ninth by Tamsyn Muir is a strange combination of space opera, necromancy, and political maneuvering. In this book, there are nine Houses, each responsible for a different variety of magic. The Ninth House specializes in necromancy. When a competition for a high position working with the Emperor  arises, each House is required to send a magic user with a bodyguard. Gideon, much against her will, reluctantly agrees to accompany Harrow, the powerful and very unpleasant necromancer who heads the Ninth House.  I can’t even try to explain the puzzles, magic, politics, personalities, and relationship dynamics in this book except to say that Gideon and Harrow are a compelling pair, regardless of whether you love, hate, or are exasperated by either or both of them. The sequel, Harrow the Ninth, came out recently as well, and is also mindbending and disturbing.

 

Cemetery Boys  by Aiden Thomas is another  #OwnVoices YA novel that has gotten a lot of press, and a lot of praise. Our main character, a Latinx trans boy, proves he deserves to be accepted in the coming-of-age ceremony for brujos, who can see, control, and banish ghosts.  While not as thoroughly horrific as a genre reader might expect, the conclusion makes up for it, and this is an outstanding book with great representation.

 

 

 The Mercies by Kiran Millwood Hargrave is a terrifying work of historical fiction strongly grounded in fact, about a fishing village of women in an isolated, freezing location are left to manage everything on their own when the men are all swept away during a storm while they are on the water. Once the government steps in, the idea that women could be competent enough to take care of themselves suggests that at least some of them must be witches. I wrote a more extensive review of this book earlier this year and I really suggest that you read it, and then read the book.

 

Conjure Women by Afia Atakora is an #OwnVoices work of historical fiction with threads of horror and the supernatural throughout. It alternates between “slaverytime” and “freedomtime”. The “slaverytime” storyline takes place on an unnamed plantation in the South and follows Miss May Belle, the conjure woman responsible for healing, midwifery, and sometimes, casting curses and spells. The “freedomtime” storyline is told from the point of view of Rue, Miss May Belle’s daughter, who has taken over her responsibilities as conjure woman. The former enslaved people from a burned down plantation have built a hidden village nearby. While they respect Rue at first, after she delivers a baby with a caul over its head and an illness she can’t cure causes children to sicken and die, they turn against her. There’s no way to avoid horror when evoking slavery, and Atakora based a lot of her story on oral accounts and slave narratives. While the pacing was relatively slow and not everyone will appreciate the shifting points of view, I found this a compelling story.

 

The Graces by Laure Eve is a YA novel about a girl who believes she has magic and is looking for others like her. She finds them in the Grace siblings, beautiful and charismatic, who may or may not have magic. The narrator, identifying herself as River, is an unreliable reporter of events, making it a challenge to tell what is actually happening.

 

Cinderella is Dead by Kalynn Bayron is an #OwnVoices YA novel that explores what might happen after the happily ever after of the Cinderella story. If you’ve read any book about a repressive, patriarchal society, from The Handmaid’s Tale to The Grace Year, you’ll be able to guess that the answer is “nothing good”.  200 years after Cinderella married her true love, all teenage girls must know the government-approved version of the story by heart, and be ready to be chosen by an eligble man as his wife. Sophia would rather marry her friend Erin than any man, but she’ll have to take down the patriarchy to do it. I’d spoil the story if I revealed the part the witch takes in this story.

 

 Year of the Witching by Alexis Henderson is a dark tale of witchcraft, wildness, and the dangers of a patriarchal theocracy. Immanuelle is the child of a forbidden affair that led to her parents’ death and her grandparents’ ostracism, and she has been told never to enter the woods because dangerous witches live there and would seduce her into witchcraft. Entering the woods despite the warnings, she discovers her mother’s diary, which contains both evidence of her love for Immanuelle’s father and of a descent into madness. When inexplicable plagues begin to destroy her community, the head of the Church, known as the Prophet, decides they must be due to witchcraft and starts culling possible witches from the women, including Immanuelle. While the plagues send illness, darkness, and blood, the Prophet, his co-leaders, and his most devout followers are also sources of dark and terrible things.

 

 

 Undead Girl Gang by Lily Anderson was a surprise to me! Despite appearing on a list of YA vampire titles (there are no vampires) and a title suggesting a zombie romp, this book actually centers on a fat, Mexican, teenage witch, Mila, who is grieving the sudden death (and probably murder) of her best and only friend, Riley, following the sudden deaths (and probably murders) of Dayton and June, popular mean girls at school, all of which have been chalked up to suicide.  Mila discovers a grimoire with a dark spell that will allow her to bring Riley back from the dead for seven days to help prove and solve her murder, but when she casts it, she accidentally also brings back Dayton and June– and now they’re all connected okay, so maybe it is a little of a zombie romp, but the plot centers on Mila and her witchery). The reunion with Riley isn’t exactly what Mila expects it to be, and both Dayton and June turn out to be a little more three-dimensional than they seemed while they were alive and tormenting Mila. The mystery is pretty predictable– it’s the girls, and especially Mila, who make it fun. Anderson sensitively deals with grief, death, and friendship, with touches of humor.

 

The Once and Future Witches by Alix Harrow was also published this year,  but I haven’t yet had an opportunity to read it. But there are great books of all kinds on witches, for teens and adults, for lovers for horror, fantasy, space opera, dystopia, and historical fiction… If you are looking for a little witchcraft to spice up your holiday season, you might want to check one of these out.

 

Book Review: The Boatman’s Daughter by Andy Davidson

cover of The Boatman's Daughter by Andy Davidson

The Boatman’s Daughter by Andy Davidson  ( Bookshop.org |  Amazon.com )

Farrar, Straus & Giroux, 2020

ISBN: 978-0-374-53855-2

Available: Kindle, Paperback

 

 

The old witch Iskra knows the secrets of the bayou where Miranda runs her Alumacraft under the cypress trees in the murky, humid gloom. It’s an ugly, decaying place filled with lurking dangers, brutal violence, and the tragic history of its inhabitants. Miranda is linked to Iskra through the murder of her father and a ritual involving a web-fingered baby. In order to find her father’s bones, reunite Littlefish and his clairvoyant sister, and save her own life, Miranda must read the signs that are leading her into a mortal combat against evil forces. Her challenge involves the local constable, a crazy preacher, a dwarf, and a dead wife’s mistakes. No one is safe in The Boatman’s Daughter by Andy Davidson.

 

Davidson ratchets up the tension from the very first chapter and maintains it throughout as Miranda tries to stay one step ahead of her enemies and encounters drug dealers, murderers, and even supernatural forces. These forces have their origin in Russian myths to which Davidson adds a Southern Gothic spin. This makes for a setting that is as terrifying to the younger characters as nightmarish horror stories and yet is so realistically detailed that the reader can feel the saw grass and smell the rotting bodies. It is that very combination that makes the witchcraft believable and turns the events into the stuff of imagination. To Davidson’s credit, it is often difficult to tell where the line is between the two.

 

The plot of The Boatman’s Daughter moves at breakneck speed. Davidson’s characters might spend a few seconds thinking and planning, but the action never stops. The characters are mythological or fairytale figures in terms of good and evil, but they are always truly human which makes the evildoers all the more frightening and the heroine even more amazing. The rich descriptions and Davidson’s talent for keeping the reader entertained with a multi-layered and complicated plot make this an outstanding read that will make you dream of a film version while still being certain nothing can beat the book. Highly recommended.

 

Reviewed by Nova Hadley