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Book Review: Howl by Shaun David Hutchinson

 

Howl by Shaun David Hutchinson

Simon & Schuster, 2022

ISBN: 978-1-5344-7092-7

Available: Hardcover, paperback, Kindle edition, audiobook Bookshop.orgAmazon.com )

 

Virgil Knox is a gay teen who has moved from Seattle to live with his grandparents in his father’s rural hometown in the South with his father while his parents resolve their divorce. Following a party, he finds himself in rags with bloody claw marks and a bite mark, certain he has been attacked by a monster but unable to remember what happened or how. He is told by multiple people it didn’t happen. Captured on video, he goes viral and receives a lot of hate and nasty jokes from other students. The only class he cares about is theater, and a student from that class, Tripp, and his cousin, Astrid are his only friends. As the cuts heal, he notices his body is changing in disturbing ways. His classmates Finn and Jarrett swing from being friendly to being cruel. Virgil is afraid there is a monster inside him trying to get out. The question is, will he become a monster or master it?

 

This is a supremely uncomfortable book to read. While there is no explicit description of rape the description and narrative around the main character’s attack is suggestive of trauma caused by sexual assault combined with gaslighting (it is unclear what actually occurred as he is blackout drunk). There’s self-harm, body dysmorphia, hazing, severe bullying and cyberbullying. The town’s treatment of Virgil is the real horror of the story.

 

 

Reviewed by Kirsten Kowalewski

Graphic Novel Review: Mary Shelley Presents: Tales of the Supernatural Vol. 1 by Nancy Holder, art by Amelia Woo

cover for Mary Shelley Presents Vol. 1

Mary Shelley Presents: Tales of the Supernatural Vol. 1 by Nancy Holder, art by Amelia Woo (available only through Kymera Press)

Kymera Press, 2020

ISBN: 978-0-9965558-0-7

Available: Hardcover, trade paperback

 

Mary Shelley Presents: Tales of the Supernatural #1 is the first in a series from Kymera Press adapting stories by Victorian-era women writers of supernatural fiction. With a foreword by Lisa Morton, who just published her own anthology of Victorian women’s supernatural fiction, followed by Isabelle Banks’ poem “Haunted”, this first volume adapts “The Old Nurse’s Tale” by Elizabeth Gaskell, “Man-Size in Marble” by Edith Nesbit, “The Case of Sir Alister Moeran” by Margaret Strickland, and “Monsieur Maurice” by Amelia B. Edwards.  Each story is preceded by a short introductory paragraph from the publisher and the author, Nancy Holder, and then introduced by a spectral Mary Shelley, accompanied by her Creature. These authors have written some wonderful, chilling stories , but they do get wordy for an impatient, modern audience. Holder’s adaptations slim the stories down while preserving the quality of the storytelling, and Amelia Woo’s gorgeous color illustrations are a perfect accompaniment. The brilliant ghosts, period clothes, and detail in darkened woods and cemeteries pull the reader right in. Each adaptation is followed by the full text of the story. As someone with poor eyesight I could have wished the text was a little larger, but some of the original stories are very long– it took skill and collaborative effort to be able to successfully adapt them.

This is a great way to introduce readers to some excellent women writers who, until very recently, had not received recognition for their supernatural fiction, as well as a treat for those of us already familiar with these authors, who would love to see them gain a larger audience.  I’m hoping we won’t have to wait too long for volume 2. Highly recommended for ages 12+.

 

 

Editor’s note: In the interests of full disclosure, I backed the Kickstarter for this book.

 

 

 

 

Book Review: The Only Good Indians by Stephen Graham Jones

The Only Good Indians by Stephen Graham Jones

Gallery/Saga Press

ISBN-13: 978-1982136451

Available: Hardcover, Kindle edition, audiobook, audio CD

 

The past year, for me, has been the year of menacing deer. After encountering the demonically controlled deer that trap unwitting victims in the Pennsylvania woods in Imaginary Friend and the unsettling antelope shapeshifters in The Antelope Wife,  the vengeful, shapeshifting elk out for blood shouldn’t have surprised me.  Stephen Graham Jones has given us his version of  I Know What You Did Last Summer, taking place on reservation land.

Ten years earlier, four stupid kids stampeded a herd of elk meant to be left in peace, and shot as many as they could. One of them was a pregnant mother. Unable to take advantage of the meat of all the elk they had killed, they left their slaughter behind. After the incident, the park ranger banned them from hunting. It’s a horrifying scene to read, and anger-inducing, but who, and how long, pays for sins like these? Is forgiveness even possible?

Two of the boys from that night escape the reservation and are gone for years, but the first evidently doesn’t go far enough– chased by some white guys looking to pick a fight, he encounters an elk that escalates the situation and is brutally killed. The second, Lewis,  returns to the reservation with his wife for the funeral, only to have things escalate as he enters a hallucinatory, murderous state. The remaining two, Gabe and Cassidy, who have stayed on the reservation, decide to hold a sweat in memory of their friend, which turns out to be a poor decision for everyone involved. It is up to Gabe’s teenage daughter, Denorah, to outrun the Elk Head Woman and resolve things.

I had to read this strange, supernatural slasher tale more than once to understand what was going on, but it was totally worth it. The character development is well-done, the unsettling aspect of the supernatural getting more and more entangled into the destruction of these men and their families really sinks in, and the reservation setting and its conflicts felt very real. It is kind of reality-bending to see an animal that I think of as being generally peaceful out for violent revenge. Yet Graham Jones makes it all work. Highly recommended.

 

Contains: violence, gore, murder, body horror.