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Book Review: White Flight by Peter O’ Keefe

 

cover art for White Flight by Peter O'Keefe

White Flight by Peter O’Keefe

Uncomfortably Dark Horror, 2025

ISBN-13: 9798268263374

Available: Paperback, Kindle edition

Buy: Bookshop.org |  Amazon.com

 

 

Willow and Joel Ward are struggling with the recent murder of their Black adopted daughter, Diamond. When she became a teenager, they decided to move out of the suburbs and into a predominantly Black neighborhood. This was supposed to open opportunities for their child, make her more comfortable in her own skin, and allow her the chance to live within her community. While their desires are outwardly noble, their past actions and internal voices show something else. Are they really doing it to help their daughter, or show that they are the right kind of white people? Willow especially begins facing her motives when teenage Diamond comes home from school, learning new terms like white privilege, leaving a sign on her door denying white people entry, and still feeling alienated by her peers because of her circumstances. After a heated argument, Diamond is gunned down by the police. Now, the couple has put their house on the market and are getting ready to leave the neighborhood.

 

However, their problems are just beginning. Since they moved in, strange things have happened in the house. For instance, dropped objects roll on the floor in unpredictable directions. This is nothing compared to what is coming. Between the unknown parties banging on the front door, the rumbling of an unseen train nearby, and the house changing, the Wards and the officer they have called to the scene are in for a night of terror they won’t soon forget. As the couple inches closer to getting some answers, the house decides it has had enough.

 

There is so much tension in this book, I could not put it down. The Wards as a couple are difficult to sympathize with, as their motives are questioned by the reader, and they are both in denial about so many things, not just the treatment of their daughter. Willow is an outwardly supportive mother, but overcompensates frequently, at the risk of overshadowing her daughter’s identity. Joel, who grew up close to their new neighborhood, frequently demonstrates his own racial bias. I constantly asked myself if they adopted Diamond for the right reasons. The police are insensitive and have clear racial bias. Is it wrong of me to cheer on the house at times? Perhaps, but when the adult characters in the story consistently fail Diamond, in life and death, it is difficult to think of them as trustworthy and capable.

 

I would recommend this book for readers wanting a haunted house story with themes of systemic racism, social commentary, and familial struggle, such as The Spite House by Johnny Compton, Model Home by River Solomon, and Out There Screaming: An Anthology of New Black Horror edited by Jordan Peele. Highly recommended

 

 

Reviewed by Lizzy Walker

Graphic Novel Review: Abbott by Saladin Ahmed, art by Sami Kivela

Abbott by Saladin Ahmed, art by Sami Kivelä

BOOM! Studios, 2018

ISBN-13: 978-1684152452

Available:  Paperback, Kindle, comiXology

Hugo Award-nominated novelist Saladin Ahmed gives us the story of journalist Elena Abbott, who is investigating police brutality and corruption in 1972 Detroit. There are crimes being committed by the very people sworn to protect and serve. Elena doesn’t shy away from controversy, and isn’t afraid to ruffle a few feathers. One of her recent reports, however, has received the attention of some racist white men who own the paper, and she’s been ordered to work on other, less interesting, cases. Instead, she discovers supernatural forces controlled by a secret society made up of the city’s elite. However, these forces are not unknown to her. After all, her husband was taken by the shadowy Umbra. When she’s chased down by masked men and creatures that are stitched together from remains of animals and Black citizens, things get messier for our intrepid reporter.

Abbott doesn’t just face the Umbra (the raised and stitched creatures), and the dark society that cultivates them, but also racism, sexism, and, to some degree, homophobia, in this dark tale. Looking at other reviewers’ words to describe Abbott, one rings out clear: badass. She really is. She is the only Black reporter on staff at her paper, she loves her brandy, and smokes incessantly. While she exhibits a healthy fear of the shadows closing in on her, she never backs down in moments of stress, especially when it comes to her convictions. The social and historical commentary is important for us to read today. For the other strong readers out there, do yourself a favour and pick up Abbott. Ahmed pens an excellent story, and artist Sami Kivelä provides incredible illustrations. They make an excellent team for this book. I need to search out other work both of them have created. Highly recommended.

Contains: blood, gore, misogyny, police brutality, racism

 

Reviewed by Lizzy Walker

 

Editor’s note: Abbott is a nominee on the final ballot for the 2018 Bram Stoker Awards in the category of Superior Achievement in a Graphic Novel. 

Graphic Novel Review: Victor Lavalle’s Destroyer by Victor Lavalle, illustrated by Dietrich Smith

Victor Lavalle’s Destroyer by Victor LaValle, illustrated by Dietrich Smith

BOOM! Studios, 2018

ISBN-13: 9781684150557

Available: Paperback, Kindle edition, comiXology

Victor LaValle’s Destroyer is set in a world where Victor Frankenstein is real, and so is his Creature. Having survived by living under the frigid environment of Antarctica, he becomes angered when a whaling vessel invades the waters and sheds blood of the ocean creatures he is seen swimming with in the first pages. Here begins the journey of the Destroyer, his only goal to eliminate humanity from the planet.

But Destroyer isn’t simply the story of Frankenstein’s Creature and his revenge. At the center is Dr. Josephine Baker, who herself is a descendant of the Frankenstein family, and her resurrected son, Akai. He had been gunned down by the Chicago police after a paranoid woman called them insisting a Black man was brandishing a firearm in her neighborhood. Dr. Baker brought him back using nanotechnology, plus a little of her ancestor’s methods. Two scientists, Percy and Byron, believe they’re searching for Dr. Baker to protect her from the Destroyer, but they discover their mission may be greater than they thought. Add to the mix Akai’s estranged father, the Bride, and a ruthless agent who will stop at nothing to get her hands on Dr. Baker’s creation, and you have yourself one amazing story.

LaValle does not shy away from sociopolitical commentary in Destroyer. Strong themes in this graphic novel include misogyny, racism, and police brutality, all of which are timely and necessary topics. LaValle expertly weaves a tale of modern-day United States fear and hatred with the original Frankenstein story using elements and names familiar to readers of Shelley’s original work. The artwork supplied by Smith creates the perfect accompaniment to a gripping story.

I watched a keynote given by LaValle during the Library Journal Library Con Live! 2018 where he discussed the graphic novel. I highly recommend seeing him speak if you have the chance.

Contains: blood, gore, misogyny, police brutality, racism, violence

Highly recommended

Reviewed by Lizzy Walker

Editor’s note: Victor Lavalle’s Destroyer is on the final ballot for the 2018 Bram Stoker Award in the Graphic Novel category.