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Book Review: Evangeline of the Bayou by Jan Eldredge, illustrated by Joseph Kuefler

Evangeline of the Bayou

Balzer + Bray, 2018

ISBN-13: 978-0062680341

Available: Hardcover, Kindle edition, audiobook

While the supernatural Southern Gothic tradition and Louisiana setting are well-known in adult and YA fiction, I have never come across a supernatural Southern Gothic middle-grade novel like Evangeline of the Bayou,  that so beautifully evokes the wilderness of bayou country, so that it is almost a character itself ( I was reminded of Carl Hiaasen’s descriptions of the Everglades in Scat and the descriptions of the swamps of  Texas in Kathi Appelt’s Keeper and The Underneath,  also middle-grade novels, but otherwise these are very different kinds of books).

Eleven-year-old Evangeline Clement lives in the bayou with her grandmother. Evangeline is the last in a long line of  “haunt huntresses”, women with the power and skill to defeat the supernatural creatures of the bayou, and is anxiously waiting to come into her powers and meet her familiar, which must happen by the time she turns 12. Her disastrous attempts to overcome supernatural creatures on her own suggest that she’s not quite ready to operate independently, though. When her grandmother volunteers to help with a supernatural problem in New Orleans, Evangeline, as her apprentice and assistant, accompanies her to the Midsomer family’s luxurious mansion to try to discover what might be ailing the beautiful Mrs. Midsomer. At the Midsomers’, Evangeline encounters Camille, the solicitous housekeeper; Julian Midsomer, the maddening, bluntly honest, routine-bound son of her hosts; the skeptical Mr. Midsomer; the distressed Mrs. Midsomer, who is running out of time; and Laurent Andreas, leader of the exclusive krewe to which Mr. Midsomer belongs. She is not impressed with the trappings of wealth, and her inner commentary on it is great, but she has a good heart and genuinely wants to help.

When Evangeline’s grandmother breaks her leg just before things are about to go out of control, it is up to Evangeline, unwillingly accompanied by an unbelieving Julian, to stop things before it’s too late.  The tension builds slowly in the Midsomers’ mansion at first, but once we’ve met all the characters, the story moves at a breakneck pace, and exposition is tied in so skillfully that you almost don’t notice. As dark as the story gets (and it gets pretty dark) it still has moments of humor, and strongly demonstrates the power of love and self-sacrifice. There are certainly some outrageously unbelievable moments; for instance, Evangeline’s grandmother is far more resilient than anyone could possibly expect from an ordinary human being. In a story populated with banshees and revenants, though, I’m willing to cut Eldredge a little slack.

Author Jan Eldredge avoids writing in dialect, which I think works fine for this book, but the names of the creatures Evangeline encounters are so unusual that I didn’t realize that the supernatural creatures in the book are all grounded in Cajun folklore until I reached the glossary at the end (searching the Internet for more information on these creatures was a challenge, and there were many I couldn’t find). As a native of Louisiana, perhaps it didn’t occur to Eldredge that children interested in monsters and cryptids who are not from the area would have trouble tracking additional information down.

While Evangeline, the bayou, and the supernatural creatures of Louisiana are the most convincing characters in this book, as far as I can tell, it is unique in its combination of genres in middle-grade fiction. Try it with kids who are interested in ghost stories, cryptids, supernatural creatures, monsters and monster hunters, books set in the American South, and American folklore. This book has an audience out there, just waiting to find it. Recommended.

Contains: Violence, murder, death in childbirth, blood

Graphic Novel Review: Scarlett Hart: Monster Hunter by Marcus Sedgwick, art by Thomas Taylor

Scarlett Hart: Monster Hunter by Marcus Sedgwick, art by Thomas Taylor

First Second, 2018

ISBN-13: 9781626720268

Available: Hardcover, paperback, Kindle edition

 

Scarlett Hart is the orphaned daughter of two legendary monster hunters, and is determined to carry on in her family business. However, two obstacles consistently get in her way. The Royal Academy for the Pursuit and Eradication of Zoological Eccentricities (T.R.A.P.E.Z.E. ) insists Scarlett is far too young to fight the creatures their organization faces. Then, she struggles with her parents’ archrival, Count Stankovic, who turns her over to T.R.A.P.E.Z.E. and takes her rewards for himself. In addition to these problems, more monsters are appearing and no one knows the cause. The only person brave enough to handle the problem is Scarlett: the adults in her midst just don’t know it yet. With her loyal butler, Napoleon, and her monster-hunting gadgets at her side, she’s ready to face anything.

It’s rare that I read middle-grade books, but after reading the description and knowing that it was a strong female lead, I knew I had to pick it up. I love this story. Scarlett doesn’t give up, no matter the circumstances. She’s also ready with pithy insults, which is fantastic.  Thomas Taylor illustrates this tale of the monster-smashing Scarlett. His name will be recognizable to Harry Potter fans, since he did the illustrations for the original edition of Harry Potter and the Philosopher’s Stone. One common complaint I saw in other reviews was that it was too fast-paced, and I must respectfully disagree. We need to remember that her parents were considered legendary in the monster-hunting community. She has a reputation to grow into, and she’s clearly adept at carrying on the family name. Recommended,

Reviewed by Lizzy Walker

Book Review: The Black Pearl by Scott O’Dell

The Black Pearl by Scott O’Dell

HMH Editions for Young Readers, 2010 (reprint)

ISBN-13: 978-0547334004

Available: Paperback, Audible, Kindle edition

 

Scott O’Dell is best known as a writer of historical fiction for children, particularly for novels set  in California or Mexico. He is most well-known for his middle-grade survival story and Newbery Award-winning novel Island of the Blue Dolphins, as well as three Newbery Honor books: The King’s Fifth, Sing Down the Moon, and The Black Pearl. In addition to winning several additional awards, he also established one: The Scott O’Dell Award for Historical Fiction, which is awarded yearly to an American writer of an outstanding work of historical fiction for children. The Black Pearl, first published in 1967, is indeed a work of historical fiction– but it’s also a pretty terrifying book, with much of it devoted to a legendary sea monster, the Manta Diablo.

Sixteen year old Ramon Sandoval’s father is a pearl merchant, and has just made him a partner in the business. Ramon is eager to learn to dive for pearls, but his father has reservations. His father and the other pearl divers are large, muscled men, while Ramon is still not entirely grown. When Ramon finally convinces his father to take him on an expedition, he meets the Sevillano, a talented diver with a storehouse of outrageous stories about frightening monsters and giant pearls.

During his father’s next absence, Ramon, determined to prove himself, pays an Indian who has come to sell a pearl to teach him how to dive. He hopes to find the great pearl of the Sevillano’s stories: the Pearl of Heaven. The Indian warns Ramon of the Manta Diablo, a vengeful giant black manta ray who guards the pearls in his cave under the lagoon where the Indian dives. Despite the warning, Ramon dives into the cave, pries out a gigantic oyster, and finds an enormous black pearl.  When the Manta Diablo discovers the cave is in disarray,  it’s a race to escape home with the pearl before he is caught.  Once revealed, the pearl garners a great deal of unwanted attention from the town, but despite its size and beauty, he and his father are unable to sell it. Ramon comes to believe the pearl is cursed and that he must return it to the monster, but the Sevillano has other ideas, and they embark on a dangerous voyage by water, chased by the Manta Diablo.

The story is framed by the introduction of the Manta Diablo, a local legend used by mothers to scare their children into behaving. Ramon, while not a believer, loves this story. The Sevillano, who has been out in the ocean, makes this a more believable story, and the Indian’s dread reinforces it. None of this is enough to convince the skeptical Ramon, who is determined to find the legendary Pearl of Heaven– when it comes to legends, apparently greed and ambition outweigh fear. As the novel progresses, the Indian’s dread is infectious, and Ramon actually begins to believe that there might really be some truth to the legend. The manta’s chase and the battle with the manta up the tension, although it’s certainly possible that Ramon is more terrified of the Sevillano than he is of the manta.

While the writing is somewhat stilted and dated, and the book starts with somewhat of a slow pace, once the pearl divers enter the scene the story becomes engaging, not just because Ramon is engaged in the experience, but because it is fascinating, and something most people know little about. As the book progresses, it’s interesting to see how his relationship with both his father and the Sevillano develop. Ramon’s experiences as he learns to dive in the lagoon are immersive; O’Dell’s descriptions are gorgeously written. Ramon’s interactions with the Indian at that time start to ratchet up the suspense, especially once Ramon enters the cave of the Manta Diablo. The legendary manta of terror and its appearances in the novel, be they through story or through Ramon’s perceptions of his experience, snagged this reader from the first page, and O’Dell’s suggestion that something can be both beautiful and evil is food for thought.  Recommended for grades 4 and up.

Reader’s advisory note: Older children and teens who like this book might like The Pearl by John Steinbeck or The Old Man and the Sea by Ernest Hemingway.

Content note: The representation of the Indians in the book as especially superstitious and violent is a talking point you might want to cover with your child, as well as the religious motivations behind some of the actions (not being Catholic, certain children thought the Madonna referred to in the story was the American pop singer, which caused some confusion).