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Musings: Breaking Out of Your Reading Slump

A note from the editor:

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Horatio P. Bunnyrabbit with a pumpkin for trick-or-treating

For a list of the books mentioned in this post, check out the Monster Librarian store on Bookshop.org!

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October is the big month for the horror genre, and in hopes of getting up a review every day, I do a lot of reading in hopes that I can do exactly that. The pandemic has killed my ability to focus, though, and especially if I’m reading something long, it seems to take longer to read about it, think about it, and write about it. That’s especially true if I’m reading similar kinds of books– after awhile I just have to stop.

This has been especially aggravated by my library closing down and my kids’ schools going virtual so that I don’t get time in those libraries either. Libraries are my haven and not physically getting to be in that space is so difficult for me! I know I’m not the only person who is dealing with this right now. A dear friend of mine who typically gobbles up anything horror-related has stacks and stacks of books that he just keeps buying but is unable to focus enough to finish anything. So what can you do?

First, it’s okay to put a book down if you just can’t handle it.  I like ebooks for really long books because holding those in my hands gets me thinking on how much there is to read, which sometimes can be intimidating. Is your fiction too close to your current reality?  This month was not the month I needed to start watching The Man in the High Castle.  I also read Leigh Bardugo’s Ninth House, not realizing how intense it was going to be. Reading Goodreads reviews after the fact, I found that readers were providing content warnings to potential future readers. If a book is stressing you out instead of entertaining you, you don’t need to keep going.

Second, mix it up! Short stories are great, and I love them, but if you’re reading several anthologies in a row from cover to cover, it’s no longer a vacation. I just finished the excellent SLAY: Stories of the Vampire Noire, edited by Nicole Givens Kurtz, so I’ll be switching to something different before I start another one. There are plenty of authors who don’t get the kind of attention they should, classic authors you might not have read, and new books coming out all the time. Reading T. Kingfisher’s new book The Hollow Places led me to track down The Willows by Algernon Blackwood. In addition to the HWA’s newly published series of genre classics, if you are short on funds, many classics are available free as ebooks through Project Gutenberg.

There’s some really good horror-related nonfiction out there, such as Lisa Morton’s recently released Calling The Spirits.  Although these can seem long, nonfiction is great because you can read a chapter and put it down for awhile until you’re ready to come back to it. Kit Powers’ My Life in Horror, Volume 1 is a series of standalone personal essays on growing up as a horror fan, easy to pick up and put down until you’re ready for more. You might also consider checking out some poetry. Even if you’re convinced it’s not your thing, Alessandro Manzetti’s Whitechapel Rhapsody might change your mind, although it’s not for the faint of stomach.

This is also a great time to check out some of the titles that tie into current television and movies. The HBO series   Lovecraft County is based on a book of the same name by Matt Ruff, a great book of interconnected stories. Netflix’s The Haunting of Bly Manor riffs on the ghost stories of Henry James, notably The Turn of the Screw.

You don’t have to seek out anything new, though. I’ve reread some old favorites when I needed a break. Looking for something lighter? Maskerade by Terry Pratchett isn’t horror, but it is an entertaining riff on a story that definitely is, The Phantom of the Opera.  Seanan McGuire’s InCryptid series, starting with Discount Armageddon, takes a lighter approach to slayers, monsters, and ghosts than is typical for horror, but it is a lot of fun. Sometimes a thriller is what you need, as long as it’s not too close to life for you. Alyssa Cole, mostly known for her excellent romance novels, has an #OwnVoices thriller out right now on gentrification spiraling out of control titled When No One Is Watching, and David Simms has a supernatural thriller, Fear the Reaper, that reveals the dark history of American eugenics.

Despite protestations that they aren’t “real reading”, graphic novels definitely are, and if too many words on the page is a struggle right now, you might try them. Marjorie Liu’s Monstress has even won awards, Or try a novella. A recent entry into the novella category that I raced through was Stephen Graham Jones’ Night of the MannequinsThere are a lot of great titles in the middle grade and YA fiction categories as well. No, you are not too old for good middle-grade fiction. If you haven’t read Neil Gaiman’s The Graveyard Book in either its novel or graphic novel formats it is well past time.

If you are a doer or a maker, I don’t personally have the patience for audiobooks or most podcasts, but if you spend a lot of time driving or run long distance, that’s another opportunity. And it’s the perfect time of year to explore Halloween cookbooks and crafts! My son collected and loved these even before he could read them, and a lot of gruesome-looking foods are pretty easy to make. We’ve worn out Ghoulish Goodies There is even an unofficial Walking Dead cookbook called The Snacking Dead

Third, go outside. It’s a little cool where I am to go outside and sit and read right now, but I went for a long walk yesterday that really cleared my head and got me focused again. All the sitting inside, social media, news, attempting to get along with your family you’ve been stuck inside with for seven months leaves you feeling tired and your brain cloudy. Reading is supposed to be relaxing, but apparently you need to really relax before you can enjoy it.

Clear out your brain, clear space for yourself inside and out, turn off your television, and give yourself permission. It’s the Halloween time of year, so, whatever makes you feel the season, give yourself a treat.

Book Review: Slasher Girls & Monster Boys edited by April Genevieve Tucholke


Slasher Girls & Monster Boys edited by April Genevieve Tucholke

Speak, 2015

ISBN-13: 978-014751408

Available:

 

 

Slasher Girls & Monster Boys  is an anthology of stories by YA authors, including Kendare Blake, Jonathan Maberry, Carrie Ryan, Leigh Bardugo, and Marie Lu. Each story is based on a horror movie, television show, or fiction, or some combination. Strangely, the inspirations for the stories are only indicated at the end of each story, upside down in tiny print at the bottom of the page. Observant fans with a wide knowledge of the genre will probably be able to hazard some good guesses, but it really doesn’t matter– the theme is incidental, and the stories stand on their own.

Some stories stand out more than others. Nova Ren Suma’s “The Birds of Azalea Street” is a creepy tale about three girls who uncover a neighborhood pedophile. April Genevieve Tucholke’s “The Flicker, The Fingers, The Beat, The Sigh” riffs on I Know What You Did Last Summer, with an outcast girl from school as the victim. The awfulness of the teenagers, and the regret and memories of the narrator, as well as the eventual consequences, are what make this a horrific and tragic story. In “Fat Girl With a Knife” Jonathan Maberry gives us a great character with a taste for revenge who discovers a talent for zombie-killing. I would love to see him do more with this character, as it felt like this ended too quickly.  Megan Shepherd spins a story about a girl who outwits death in “Hide and Seek.”  In “Sleepless”, Jay Kristoff pulls the rug right out from under your feet, just when you think you’ve figured out what’s going on. This is one of the best stories in the book.  In Marie Lu’s powerful “The Girl Without A Face” a boy at the height of privilege is forced to face the consequences of raping a girl who died by suicide by her ghost. What part of this story is most horrifying is up to the perception of the reader. “Stitches”,  by A.G. Howard, while it required a significant suspension of disbelief as regards medical procedures, is an imaginative twist on Frankenstein, and a great character study of a girl whose abusive father makes a deal with a “collector” to have her amputate his body parts and replace them with others in order to pay the bills. Finally “On the I-5” gives us the story of a hitchiker ghost out for revenge.

Some stories didn’t hit quite the right note with me. Carrie Ryan’s “In The Forest, Dark and Deep”, is a surreal, disturbing, and bloody take on Alice in Wonderland. It’s one of the truly horrific tales in the set, but I’m not sure most teens will have the patience for the style. “Emmeline”, by Cat Winters, mixes up several movies and books to create a supernatural tale set in the era of World War I, setting up an uneasy Angela Carter-esque romance that can only end badly. While I enjoyed the story I don’t know that it has a contemporary enough tone to appeal to modern teen readers. “Verse Chorus Verse” gets into the price a parent is willing to pay for their child’s fame, and the build-up is freaky, but as it’s mostly told from the parent’s point of view, it didn’t seem to really belong in a YA anthology.  In”The Dark, Scary Parts and All” a bullied, grief-stricken girl is offered the power to do her worst, if she’s willing to take it. The relationships and decisions in this story just felt off.  “M” is a strange little story that seems to belong more in an Agatha Christie novel than in an anthology of horror stories. I wanted to like it more, as there was a very Edward Gorey-esque influence, and the choice of a blind main character was interesting, but it wasn’t enough. “A Girl Who Dreamed of Snow” seemed more like fantasy than horror, with a shaman girl  sacrificing the men who kidnap her to appease spirits who will end a plague and save humanity from extinction.

A strong majority of the authors in this anthology are women, which seems to be the case overall in YA horror right now, as are the majority of the protagonists. In the cases where the story is told from a boy’s point of view, he is not usually presented in a terribly sympathetic manner, and generally it’s difficult to believe he isn’t getting his just desserts. Very few stories stood out to me as presenting a woman with agency: “Fat Girl With a Knife” has a main character who’s already out for revenge against the school bullies when a zombie outbreak starts, “A Girl Who Dreamed of Snow” has a girl with a plan in place that she carries through, and the girl in “Hide and Seek” is smart, strategic, and tricky. I loved seeing these characters take charge.

While I found this anthology to be a mixed bag, it covers a lot of ground, and I think most readers, especially girls, will find something to enjoy. Recommended.

 

Contains: gore, violence, murder, torture, references to pedophilia, references to rape, references to suicide, body horror

 

Editor’s note: Slasher Girls and Monster Boys was a 2019 Summer Scares YA pick.