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Book Review: Across the Dunes: A Folk Horror Fairy Tale Set in the Present Day by Dan Soule

Cover art for Across the Dunes by Dan Soule

Across The Dunes: A Folk Horror Fairy Tale Set in the Present Day by Dan Soule

Silver Thistle Press, 2025

ISBN: ‎ 9781917794008

Available: Paperback, Kindle edition

Buy:  Amazon.com

 

An eclectic mix of fairy/folk tale, horror splat, and modern times, this will certainly appeal to readers who were taken with Stephen King’s Fairy Tale and Joseph Sale’s Carcosa series. Across the Dunes is not set in a separate realm, unlike the above, but it retains many of the same elements. Most importantly, like those books, this tale is one you will want to read right through to the finish.

 

The story takes a measured pace through the first 88 pages, as protagonist Michael Lorimer returns to the English seaside town where he grew up to sell the family beach house nestled by the dunes of the ocean. He has his 16 year old son with him, who he has just learned about. It’s a good use of a lead-in to the main plot, as you learn a bit of the town history and associated legends, and get the idea that there is something forbidding about the sand dunes around the house and town. It’s given in snippets: there’s no predictable, lengthy, exposition. On page 89, the gears of weirdness start really whirling and firing, with a graveyard of dolls and an abandoned bus starting the next phase of the story. From there on, it runs in high gear right to the finish.

 

This book gets high marks especially for its unpredictability and creative settings. Just when you think it will throw you a fastball down the middle, you get a curve instead, and it happens throughout the story. What happens in the sand dunes with the old equipment found there is a good example, but you’ll have to read it, as I don’t want to give too much away. Creative settings, like the doll graveyard (and other oddities found there) keep the story interesting.

 

The author does an excellent job turning the sand dunes into a living, breathing entity that exudes menace; not the easiest job in the world, considering the normal state of sand, but it is great fun here, as the sand slithers and worms its way after the heroes, always finding a way in. This is turning the inanimate into an animated object, without resorting to overblown gimmicks like screaming faces and appendages appearing in the sand. It’s a fresh take on folk horror, brought into the modern day with some pretty messy sections, especially when one of the locals starts going wild with a meat cleaver. This book truly is a blend of a lot of different things, and the parts certainly add up to an entertaining whole.

 

It’s hard to categorize this book overall, and that’s probably a good thing, it doesn’t slip neatly into any category, other than the “you don’t want to miss this” category. It’s certainly worth the read, and recommendation.

 

Reviewed by Murray Samuelson

 

 

Graphic Novel Review: Monstress, Volume 4 by Marjorie Liu, illustrated by Sana Takeda

Monstress, Volume 4: The Chosen by Marjorie Liu, illustrated by Sana Takeda

Image Comics, 2019

ISBN-13: 978-1534313361

Available: Paperback, Kindle, comiXology

 

Maika Halfwolf and Corvin D’Oro of the Dusk Court travel in search of the young Arcanic Kippa, who was kidnapped at the end of the third volume. Meanwhile, a forced marriage between the Dawn and Dusk Courts is being conducted, with Maika’s childhood friend Tuya marrying  Moriko Halfwolf’s ruthless twin sister and Maika’s aunt.

During their search, Maika and Corvin are abducted by Yvette Lo Lim and a mysterious man bearing the same eye symbol on his chest as Maika’s,  claiming to be her father. They are members of the newly formed Blood Court, a group led by Maika’s father, who is also known as the Lord Doctor. Maika wakes up in unfamiliar surroundings, with a prosthetic arm the Lord Doctor attached to Maika without Maika’s consent. He and the rest of the Blood Court try to convince Maika to join their cause. The Lord Doctor offers to tell her more about her childhood, as well as about Zinn, the Monstrum sharing Maika’s body, and his experience as Zinn’s former host. However, after learning of his terrible experimentations and the cannibal murders he committed that earned him the nickname “The Ghoul Killer”, she isn’t sure that she wants the answers she has been searching for after all.

Meanwhile, Kippa escapes her captors and discovers some of her own past. Her own Arcanic abilities are emerging. When she jumps into a pit running away from the abductors who are taking her to the Lord Doctor, she comes face to face with creatures that emerge from the shadows. Before they can attack her, a Dracul that resembles a giant three-eyed dragon stops them, recognizing her abilities and has conversation with Kippa about loss, slavery, and of the nature of the Monstrum.

Volume 4 collects issues 19 through 24.

Monstress is one of the few comics where I collect individual issues, and one where I find something new when I have gone back to revisit the series. The story is deep and intriguing, and it is easy to miss something in the first reading. Liu is a great storyteller, and this is one of the most intricate plots in a comic series I have ever read. Takeda’s intricate artwork is gorgeous, with character designs and creatures that are both beautiful and terrifying. There are plenty of reasons why Monstress won multiple Eisner Awards and nominated for this year’s Stoker Award Superior Achievement in a Graphic Novel category.

Contains: forced marriage, sexual content

Highly recommended

Reviewed by Lizzy Walker