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Book Review: Jawbone by Monica Ojeda translated by Sarah Booker

cover art for Jawbone by Monica Ojeda

Jawbone by Monica Ojeda., translated by Sarah Booker

Coffee House Press, 2022

ISBN-13 ‏ : ‎ 978-1566896214

Available: Paperback, Kindle edition

Bookshop.org  | Amazon.com )

 

Fernanda wakes up, disoriented, to discover she has been kidnapped by Miss Clara, her literature teacher. Figuring out how she got there is the first step in navigating a twisty narrative.

 

Fernanda, her close friend Anne, and their friends had found an abandoned, isolated house where they told horror stories, participated in violent dares, and worshipped the White God (as friend groups of teenage girls do). Fernanda and Anne pushed their limits further than the other girls, but Fernanda finally reaches hers.

 

Anne is forced to take extra lessons from Miss Clara after the teachers discover an irreligious drawing of an insect god in drag. Miss Clara has closely modeled herself on her mother and has anxiety and frequent panic attacks that result in repetitive and neurotic behaviors and self-harm, making her a perfect target for Anne, who is angry with Fernanda for drawing boundaries. Anne uses her conversations and assignments with Miss Clara to manipulate Miss Clara’s anxieties and turn her focus on Fernanda as a villain victimizing Anne…

 

The writing varies in style. Parts of the book record Fernanda’s therapy sessions; conversations between Anne and Clara;  and a long essay on “white horror” by Anne for Clara. Others get into the mental state of Clara or Fernanda which are quite disorienting, vivid, and sometimes gut-punching, with insect and body horror. The descriptions of physical responses to anxiety and panic attacks are hard to read. It gets harder and harder to trust any perception of events.

 

There is so much left to the imagination that it creates a real sense of unease. The violence keeps escalating but a lot of it happens off the page. This is generally effective but left me confused with the ending. There is so much left to the imagination that it creates a real sense of unease.

 

This is far from being a straighforward narrative, Readers who enjoy experimental narratives and unreliable narrators will find much to recommend it, though. ,.

 

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: Jawbone was a finalist for the 2022 National Book Award in Translated Literature. 

Book Review: Petite Mort by S.C. Mendes and Nikki Noir

 

Petite Mort by S.C. Mendes and Nikki Noir

 

Blood Bound Books, Oct. 2022 (Halloween release date)

 

ASIN: BOBB87TLWY

 

Available: Kindle edition Amazon.com )

 

Petite Mort is a short story collection that reads like a crossbreed of the Hostel movies and a Jenna Jameson film fest, but with more originality and better storytelling.  This will appeal to readers who like healthy doses of gore and raunchiness.  If you can handle that, the stories are worth a read.

 

There are eight stories, six short and two longer ones. A few have been previously published in other collections.  The main selling point: none of the stories have the tired and overused “male psycho kidnaps, rapes, and tortures helpless woman” plot.  There are elements of the supernatural to the majority of the stories, and some of them are WAY off the path of normalcy.  “Santa’s Package”, the longest (and maybe best) story, has a young woman pregnant by either a) Santa Claus, b) alien abduction, or c) she’s just totally nuts.  ‘”Into the Pit” has a demon residing in one of those plastic ball pits kids play in at places like Chuck E. Cheese eateries.  “Cucumbers and Comforters” has a kappa, a somewhat reptilian water deity from Japanese folklore.  Kudos to author Nikki Noir for working the kappa into a story. It’s fun when authors use lesser-known deities from mythologies other than the familiar Greeks as a story backbone.  

 

The rest of the stories are a touch more “normal”, that being a relative term here, but they all are page turners and pack good doses of creativity, along with heavy doses of splat and lewdness.  Certain tumescent organs being chopped off, horror movie themed sex toys, people being literally torn apart through every possible orifice, it’s all here… for a certain reader type.  

 

Two other things worthy of special mention: the story “HorrorGasm”, which does a slick job of creating a wild revenge tale, while managing to poke fun at the dorks who sit around watching online porn all day.  For hilarity, “Santa’s Package” wins, running away with the writing of Santa’s bedroom scene. He’s quite the ‘jolly old elf’!  The author’s turning of Christmas clichés into witty double entendres is side-splittingly funny: you’ll laugh hard enough to turn your own belly into a bowl full of jelly.  

 

Bottom line: this one is good entertainment for certain readers, just don’t take any of it too seriously.  It’s all meant to be fun, over-the-top craziness, and it succeeds well on that score.  However, this is for adults only: don’t let your junior high students near this one.  Recommended for lovers of splat and sleaze.

 

Reviewed by Murray Samuelson

Book Review: The Mammoth Book of Folk Horror: Evil Lives on in the Land! edited by Stephen Jones

The Mammoth Book of Folk Horror: Evil Lives on in the Land! edited by Stephen Jones

Skyhorse, 2021

ISBN-13: 9781510749863

Available: Paperback, Kindle edition ( Bookshop.org  | Amazon.com)

 

 

Folk horror is finally getting the attention it deserves. Ancient traditions and practices, crumbling buildings surrounded by nature that has reclaimed the land, rituals that call down the gods, myths and legends coming to life. All of these and more can be found in the pages of The Mammoth Book of Folk Horror edited by Stephen Jones, acclaimed author and editor of horror and dark fantasy. While a relatively new term, folk horror has existed for much longer than this subgenre’s name.

 

This anthology contains many great tales of folk horror, old and new. The following are some of my favorites. “Jenny Greenteeth” by Alison Littlewood, set in the wartime English countryside, is the story of a young girl named Alice, an evacuee sent to live with a family that has two young daughters, Olivia and Betty. Olivia torments Alice with tales of Jenny Greenteeth until the stories seem to come true. In M. R. James’ “Wailing Well,” two members of a troop of scouts do not take the warning of a local shepherd seriously about avoiding the field containing the titular well, let alone using the water from it. Michael Marshall’s “The Offering,” set in Copenhagen, concerns a family on vacation staying in an Airbnb. When wife Lauren throws about a bowl of mysterious gray porridge in the refrigerator, Bill soon finds a sacrifice is made to the proper guardian of the house. Could it be the Nisse? “Gavin’s Field” by Steve Rasnic Tem tells of the titular character inheriting his father’s estate, but he discovers he should have done his homework on the property, and the town. “The Fourth Call” by the amazing Ramsey Campbell is my favorite story in the anthology. Mike returns to Leanbridge alone during Christmastime. He is drawn to the neighboring property, formerly owned by the Bundle family. When Mike tries to bring up the strange holiday tradition practiced in the village, longtime family friends, the Darlingtons, insist no such thing happened.

 

Other authors in this anthology include Algernon Blackwood, Christopher Fowler, Maura McHugh, Arthur Machen, Karl Edward Wagner, Simon Strantzas, Mike Chinn, David A. Sutton, H.P. Lovecraft, Kim Newman, Jan Edwards, Storm Constantine, Dennis Etchison, and Reggie Oliver. Included at the beginning of each entry is a write up of the author’s brief biography and works, as well as beautifully eerie black and white photography by Michael Marshall Smith.

 

The Mammoth Book of Folk Horror is a must-read for fans of folk horror, or new readers dipping their toes into the bog of the subgenre. Highly recommended.

 

Reviewed by Lizzy Walker