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Book Review: The Trials of Apollo: The Hidden Oracle by Rick Riordan

The Trials of Apollo: The Hidden Oracle by Rick Riordan

Disney-Hyperion, 2016

ISBN-13: 978-1484732748

Available: Hardcover, paperback, Kindle edition, Audible

 

The Hidden Oracle is the first book in a new series in the world of Percy Jackson and the Olympians, The Trials of Apollo. This book takes place six months after the war with Gaea and the giants’ army, at which time Apollo was cast out from Olympus by Zeus. Now Apollo finds himself living a mortal life as a sixteen year old boy, indentured to Meg, a cranky demigod with a bad temper, hidden past, and voracious appetite. Apollo has many lessons to learn. Always vain about his appearance, now he faces himself in the mirror as a homely teenager with acne. Used to changing the world to suit himself, he must now find a way to fit in to the world as it is, and learn the worth of others. Arrogant about his supernatural powers, it’s quite a comedown to him when things no longer come as easily.

The Hidden Oracle is told only from the point of view of Apollo, and it’s an unusual point of view to find in a children’s or YA book, because Apollo has had the experiences of an ageless adult, in an adult body, but with the temperament and selfishness of a teenager. While he’s stuck in the body of an actual teenage human, his view is complicated by this combination of life experience, temperament, and the unfamiliar physical limitations of being mortal. When he’s wounded, for instance, his son, Will, acts as his healer… but physically, Will is nearly the same age, and has more emotional maturity. Apollo is matter-of-fact about things that can often be hot buttons in children’s books, like his regrets about his love relationships with Daphne and Hyacinthus, and his description of Will’s and Nico’s relationship (their bantering is a high point in the book). As the book advances we see Apollo the god begin to mature and connect emotionally with others as he learns his limits and how far he can push himself. As with any self-absorbed teenager, he can be incredibly irritating, but it’s worth it to see his self-reflection and changing attitudes.

The plot follows the arrival of Apollo and Meg at Camp Half-Blood with a storyline about communications being cut off with the outside world, the camp’s oracle deserted, and campers wandering into the woods never to be seen again. Apollo and Meg accidentally get lost in the Labyrinth during a camp exercise and discover that the physical location of Oracle of Delphi has been taken over by the monster Python, working with a mysterious character named the Beast. The Beast is attempting to take over all the oracles and destroy them. Meg has had some frightening experiences with him in the past: he’s responsible for the death of her father, and she will do anything to avoid him.

On returning to camp, they find that two of Apollo’s children wander off into the woods. Apollo and Meg go after them, battling giant ants with both weapons and musical talent, and answering marketing surveys from geyser gods (one of the funniest parts of the book) They finally find the missing campers and, despite the destruction of the other oracles, are able to discover a prophecy that can send them on a quest.  A terrifying standoff with the Beast reveals Meg is much more vulnerable than she looks, and leaves a fracture in the relationship between Meg and Apollo… and there’s still a battle to be fought for Camp Half-Blood. It’s quite a lot to pack into 376 pages, and the story rockets along.

The Hidden Oracle is worth reading more than once– there is a lot of character development that takes place, and it’s easy to miss if you get caught up in the action. This really isn’t a book intended for the same age group that read the original Percy Jackson books, though, or even the Heroes of Olympus books, which are really targeted at teens and, while they are darker, have a much more YA soap-operaish feel. Because of its more adult themes on relationships, trauma, and abuse, and the frequently adult perspective of the narrator, The Hidden Oracle seems intended for more mature readers. I recommend reading the previous two series, though, particularly Heroes of Olympus, because that’s where the events of the story begin, as well as Nico’s and Will’s relationship, and there are references to characters and events from earlier books. If you are a fan of Riordan’s work going all the way back, this is a great addition to his Greek mythology series, and more complex than his other books. He is writing a series grounded in Norse mythology concurrently, and I much prefer this. I look forward to seeing where Riordan takes the story of Apollo from here. The second book in the series, The Dark Prophecy, will be released in May 2017, and will undoubtedly answer some of the questions raised in the first book while introducing new ones. Highly recommended for YA and “new adult” readers, for middle and high school libraries, and for Rick Riordan fans.

 


Book Review: Zeus, Inc. by Robin Burks

Zeus, Inc. by Robin Burks

Biting Dog Publications, 2013

ASIN:  B00DONI6LA

Available:  eBook(Kindle)

 

Alex Grosjean is a private investigator.  She spends most of her time investigating cheating spouses and insurance fraudsters.  Lately though, the jobs just haven’t been coming her way.  As she wrestles with the panic caused by unpaid bills, she gets a call from her friend Aliesha. Aliesha’s father, Joseph Brentwood, who is also the CEO of of Zeus, Inc., has been missing for two days.  Alex takes the case, and as she digs in, she finds a lead; an email reference to a meeting Mr. Brentwood had just before his disappearance at Club Tartarus.  Alex goes to the club, and before she knows it, she is investigating Greek gods.  What could possibly happen?

 Zeus, Inc. combines the hard-boiled private eye story with Greek mythology in a science-fictional setting.  The author did a good job blending the elements of Greek mythology into the classic private eye investigation.  Each of the characters had good voices, distinct from one another.  The plot moved along at a steady pace, with tension  building as the investigation runs into twists.  The pacing was okay and generally worked well, and the descriptions gave enough details to keep the story moving forward.  All this being said, I feel this story needed more work.  It just was a little too out there for me to really suspend disbelief and get into it.  There were repetitive and overly cutesy elements; it got old to hear Alex constantly referring to her car as, “the Phoebe”.  It felt like the author was trying a little too hard, and stretching just a little too far.  In the end, it was an okay story, but not an exceptional one.  I have not read any of this author’s work before.

Contains:  Swearing, Adult Situations, Sexual Situations

Reviewed by Aaron Fletcher

 

Monster Movie Month: At the Movies with Ray Harryhausen– A Monster Kid Request

In perusing a list of monster movies on Wikipedia recently, my son discovered a movie called 20 Million Miles From Earth. When he clicked on the link to the entry on the movie, there he was, once again… Ray Harryhausen, master special effects artist in stop-motion animation.

It wasn’t our first encounter with Harryhausen’s work. My son had early encounters with Greek mythology due to my own fond memories of spending hours at my grandma’s poring overD’Aulaires’ Book of Greek Mythology, a book I now own. So he’d heard the stories and even seen color pictures of many of the monsters, gods, and heroes, and when we sat down to watch the original Clash of the Titans I didn’t think too much about it. In my defense, I probably hadn’t seen the movie in at least 20 years. I did remember the scene with Medusa being pretty intense, but considering his personal interest in monsters and mythology it didn’t occur to me that his reaction would be anything except “Cool!”

Well, let me tell you, that was not his reaction. First, he became obsessed with watching the scene again and again. If she had been real, those glowing eyes would have had him stuck permanently in place. Luckily, Medusa is not real. And I could prove it. I found pictures of the model online, like this one. Still, she is a fascinating creature, and according to this video, a very complex piece of stop-motion animation. And even once the initial fascination with Medusa had passed we kept tripping over Ray Harryhausen’s movies. The Beast From 20,000 Fathoms, It Came From Beneath the Sea 20 Million Miles To Earth, Jason and the Argonauts… from the Ymir to the skeleton army, there he was, with work to fascinate and terrify.

While Harryhausen worked more in the fantasy and science fiction genres, it all kind of blends together for my monster kid, and the creatures Harryhausen created are memorable. He’s still alive, at age 92, and if you’d like to learn a little more about him, he has an official website. In the past couple of years he’s also published several books through Aurum Press, with the most recent (and most easily available) being Ray Harryhausen’s Fantasy Scrapbook: Models, Artwork and Memories from 65 Years of Filmmaking, which looks REALLY cool! With so many kids and teens now able to do their own simple stop-motion animation, and so many in love with monsters and magic, why not introduce them to Ray Harryhausen? Dust off his movies and not only can you introduce a special effects master to a new generation, but you can remind some nostalgic adults of the way they felt when they saw Harryhausen’s Medusa for the first time.