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It’s Elementary: Sherlock Holmes in the Horror Genre

Sherlock Holmes is one of the most beloved characters in fiction. He’s not particularly lovable, or even likable; in fact, he’s a depressed, drug-addicted, arrogant, misogynistic, obnoxious know-it-all. Even his  creator tried to kill him off. There’s just something about him that draws people to read about Holmes and his faithful chronicler, Watson, and to visit and revisit the characters. Holmes can’t be contained to just the stories Arthur Conan Doyle wrote anymore, most of which are now in the public domain. He belongs to his readers, the visitors to Baker Street.

 

Or does he?

 

The estate of Arthur Conan Doyle approached the publisher of the soon-to-be-released anthology In The Company of Sherlock Holmes, co-edited by Leslie Klinger and Laurie R. King, and attempted to extract a license fee, threatening to discourage distributors from carrying the book unless the fee was paid. Klinger sued the Conan Doyle estate in federal court, asking for a judgement that Sherlock Holmes and a variety of characters and elements from the Holmesian universe were in the public domain and that reference to them does not require that a license fee be paid to the Conan Doyle estate. The judge mostly agreed with Klinger. You can read that story here.

 

What’s important about this is that people don’t just want to read the original stories. They want new takes. There’s a tradition of Sherlock Holmes pastiches– homages to the Master Detective. Some are very good, and some are a lot of fun to read. And many of these fall into the horror genre. Did Arthur Conan Doyle deserve to profit from his creation? Absolutely. But should his estate be bullying writers and publishers a hundred years later, even after the majority of the stories have entered the public domain? It doesn’t make sense to me. It’s past time to explore characters that just can’t stay in the pages of their original stories, and see what new writers can do. Want to check out some of the horror genre’s takes on the Great Detective?  Here are some possibilities.

 

Victorian Undead  by Ian Edginton, illustrated by Davide Fabbri . Victorian Undead is a graphic novel that collects the comic books for this limited series of  six issues, which pit Sherlock Holmes and Watson against zombies, led by Professor Moriarty. It is followed by Victorian Undead II, in which the duo go up against Dracula. The Monster Librarian, a zombie fan, really enjoyed this series. Be warned, there is a fair amount of gore, which is not exactly a signature of the Holmes oeuvre, so this is probably a better way to introduce a zombie-loving reader to Sherlock than a Sherlock lover to the horror genre.

 

   Gaslight Arcanum: Uncanny Tales of Sherlock Holmes  edited by J.R. Campbell and Charles Prepolec.  This is the third volume in a series of anthologies that introduce the supremely rational Holmes to the supernatural and horrific. You can read our review here. Gaslight Grimoire: Fantastic Tales of Sherlock Holmes and Gaslight Grotesque: Nightmare Tales of Sherlock Holmes precede this volume in the series. While these books have both excellent and not-so-excellent stories, there are definitely more winners than losers, and there are some fantastic authors included. Gaslight Arcanum includes a fantastic story by Kim Newman. This is a good volume to offer to both Holmes lovers and horror lovers, so if your library doesn’t have it already, you might consider it for its appeal to both mystery and horror readers.

 

   Sherlock Holmes: Revenant by William Meikle. William Meikle grew up in Scotland reading Sherlock Holmes, and you can really tell. Read our review here. It’s not long, but it gets the point across. Again, keeping in mind that you can’t please everyone all of the time, this is a great story appreciated by lovers of both Holmes and the supernatural.

 

  Shadows Over Baker Street (Sherlock Holmes) edited by Michael Reaves and John Pelan. Here you’ve got a collection of stories in which Sherlock Holmes and company encounter the gods and creatures of the Cthulu mythos. I am admittedly not a fan of Lovecraft, so I haven’t picked this up, but it’s an intriguing concept and when the two come together in the right way, could make for some really effective storytelling. This might be a way to introduce Lovecraft and Lovecraftian fiction to a new audience– like Sherlock Holmes, the Cthulu mythos has moved beyond the original stories to reach its tentacles out in many directions.

 

The Canary Trainer: From the Memoirs of John H. Watson by Nicholas Meyer. Nicholas Meyer’s pastiches are considered to be some of the best. Preceded by The Seven-Per-Cent Solution and The West End Horror, The Canary Trainer pits Holmes against The Phantom of the Opera.

 

Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson by Lynsay Faye. Naturally, as a horror review site, we couldn’t leave out Jack the Ripper.  The combination of Sherlock Holmes and Jack the Ripper is a tempting one for many authors, so there are quite a few pastiches that take on this theme. Faye’s 2009 debut novel received great reviews, so if you’re looking for a pastiche that pits Holmes against the Ripper, this one is a good choice.

 

  Sherlock Holmes and the Horror of Frankenstein by Luke Kuhns, illustrated by Marcie Klinger. Now, frankly, I don’t know anything about this book, but it appears to be a graphic novel, and just the cover makes me want to open it up. Frankenstein and Sherlock Holmes– what a perfect combination! It’s just out, so if you decide to try it out I would love to find out what you think of it.

 

This is not anywhere near the number of pastiches of varying quality out there that you can check out, and I’ve shared just a few of them here (so please don’t feel indignant if I left one of your favorites out). There are many short stories as well, including Neil Gaiman’s excellent “A Study in Emerald”. For more suggestions, you can visit this blog post at Tor.com, which did a project a while back titled “Holmes for the Holidays”.  Enjoy!

 

Teen Read Week: Guest Blog by Jason Henderson– John Polidori, Mary Shelley, and the Haunted Summer

Jason Henderson is the author of the Alex van Helsing books, about a fourteen year old descendant of the vampire hunter from Bram Stoker’s Dracula living in a boarding school near Geneva, who just might be the supernatural world’s James Bond. The first book depends a lot on the events of the Haunted Summer at Villa Diodati, where Mary Shelley, John Polidori, Lord Byron, and others decided to test their ability to write an original ghost story on a dark and stormy night.

       

I asked Jason if he would write a little about the Haunted Summer. Mary Shelley’s Frankenstein was not the only literary work to emerge from that party at the Villa Diodiati; John Polidori is largely unknown today.Except, apparently, in Texas, around Halloween, when you can go to a Polidori Pumpkin Party. Which would be a TOTALLY cool event for any library (or teen group) to hold. I know I want to go!

John Polidori, Mary Shelley, and the Haunted Summer

by Jason Henderson


My favorite Halloween Activity is something called Polidori’s Pumpkin Party, a major leaf-blown Autumn fiesta started in Texas of all places back in the 90s. We named it after a guy named Polidori; more on him later. But the idea of the party was this:

• Invite your friends to a Halloween Party

• Cost of admission: something creative. A story (keep it under ten minutes, guys), a painted mask, a cupcake if it’s creative

• Everyone has to sit at the hot seat and present without making a fuss about how their offering isn’t any good. If they start doing that, everyone should yell, DECLAIM! Until the person stops apologizing and reads.

• Repeat until everyone has presented.

 

The Polidori Party became a lifeblood of creativity for me and my friends both in school and after because it was an excuse to be creative, to have to be creative at least once in a year. “Are you ready for Polidori”? “I still have to write for Polidori”. Everyone spent time (often literally the day of the party, but that’s life) preparing. Hint: I really recommend making this part of your Halloween tradition.

Every Halloween I think of Polidori and his friends, who were generally considered the coolest kids in Europe, in the cold summer months of 1816. They were the original haunted story-slingers, brash and overconfiden,t and often brilliant.

I wrote about them in my first Alex Van Helsing book, and most of this recap in fact bears a strong resemblance to a talk given by Alex’s mentor, the motorcycle-riding super spy Mister Sangster. Mister Sangster has the benefit of teaching on the very lake where the group hung out—we can only imagine.

It is to me the perfect Halloween story, though it wasn’t actually Halloween. It was summer, and it was cold.

The party at the Villa Diodati in the summer of 1816—the Haunted Summer–consisted of five writers: Lord Byron and Percy Bysshe Shelley, who were already quite famous; two young women writers, Mary Wollstonecraft Godwin (soon to be Shelley) and her half-sister Claire (whom Mary disliked so much that she doesn’t even mention her in the introduction to Frankenstein); and Byron’s doctor friend, Polidori, who wrote short stories. They were bored out of their heads, because although it was summer, there had been a massive volcanic eruption in Asia that had clouded the sky and made the weather everywhere cold and rainy. So Lord Byron issued each of them a challenge: write the scariest, most terrifying story you can.

In her introduction to the 1831 edition, Mary says the famous guys each wrote some minor pieces, and that Dr. Polidori had—and this is kind of fun—“some terrible idea about a skull-headed lady, who was so punished for peeping through a key-hole — to see what I forget — something very shocking and wrong of course.’”

I mean, we had to base our party on him.

Remember: they were all very young.

Lord Byron, on the run from creditors, was 28, Shelley was 24, fleeing his marriage, with his new 18-year-old mistress Mary; John Polidori was 21;  and Claire was 18. After the summer which birthed The Vampyre, Childe Harold Canto IV, and Frankenstein, they didn’t last long, either. Polidori was dead in five years, Shelley a year later, and Byron two years after that. Within eight years, all but Mary and her sister Claire were dead. In between were tragedies no parent should ever endure, and they endured them again and again.

But in 1831, something about the record changed. When Mary was 34, she rewrote her masterpiece Frankenstein for a new edition. She promised her editor that the revisions would be minor, a few typo fixes here and there. But it wasn’t true—the 1831 Frankenstein was a clean-up job. It got rid of  the messy politics of the earlier version, and, best of all, added her introduction, which told the story of the Haunted Summer, but cleaned that up, too: it eliminated Claire, by whom she was embarrassed, and most of all, changed what the attendants were writing about.

When I wrote the first Alex Van Helsing book, the crux of the story was that something about the change Mary made to  when she was in her thirties was an attempt to hide something about what happened when she was a teenager. That there are secrets between the lines. I feel that way today, and it is true of my own books. So there are secrets inside secrets.

Here we are in October. Capture the spirit of that crew: Byron, Shelley, Wollstonecraft, Claremont, Polidori. What are the secrets you can reveal?

__________________

Interested in learning more about John Polidori?

Find out how to host a Polidori Pumpkin Party by visiting the Polidori Society’s website.

Check out The Vampyre, the influential novella he wrote during the Haunted Summer.
Polidori also appears in Veronica Bennett’s teen title Angelmonster, which is very well written.

For a more substantial account of the evening at the Villa Diodiati and the people who were there try The Monsters: Mary Shelley and the Curse of Frankenstein by Dorothy and Thomas Hoobler.

And, of course, there are Jason’s own books. In the spirit of the challenge at the Villa Diodiati during that Haunted Summer, take the time to celebrate your creativity this Halloween!

The Invisible Man @ your library

No, not Ralph Ellison’s Invisible Man. This one. I understand that it can get confusing. Certainly, the reviewers on Amazon seem confused.

Why yes, I do love this picture.

The Invisible Man is often overlooked, and he’s not only important culturally, but has morphed in some pretty cool ways (link). So I thought I’d shine a light on him, so to speak, and share some information, and some resources, about this unusual monster. Note, if you’re going to be making a homemade Halloween costume for an 8 year old boy who loves monsters, as I am, this is an easy one.

Every single one of the items pictured below is related in some way to the Invisible Man. Want to find out how?

                                    

What with Teen Read Week’s theme this year of “Seek the Unseen” it seems like the perfect time to give some visibility to a human monster often lost in the crowd: the Invisible Man. While the Invisible Man doesn’t have the iconic status of vampires, zombies, man-made creatures, and werewolves, he has, in his invisible way, insinuated himself into popular culture.

As with Frankenstein, The Phantom of the Opera, and Dr. Jekyll and Mr Hyde, the Invisible Man has literary origins, first appearing in a novella of the same name by the famed H.G. Wells. And as with Frankenstein and The Strange Case of Dr. Jekyll and Mr. Hyde, The Invisible Man is a cautionary tale about the perils of pride, in taking science just a step too far in the direction of a nightmare. In the novel, Griffin, a scientist who has discovered the secret of invisibility, and tested it on himself, arrives in a small town hoping to complete experiments that will allow him to reverse the process. Obsessed and ambitious even at the beginning, he becomes more and more detached from humanity and willing to commit destructive and amoral acts, until finally he is killed and becomes visible again. The novella was made into a Universal horror film in the 1930s, and since then he has been represented in a number of different ways: as an increasingly psychopathic and violent monster(in the League of Extraordinary Gentlemen, for instance); as a redemptive figure unrelated to the Wells novel except for possessing the power of invisibility(such as the one in the Sci-Fi channel series The Invisible Man); and as an entertaining member of ensemble-related monster movies such as Mad Monster Party and Hotel Transylvania. Queen even introduced him into the world of music with their song “The Invisible Man”. Yet, while he continues to resurface, it doesn’t seem to me that he is especially noticeable (par for the course, I suppose). Many of the tropes of invisibility that appear throughout popular culture (including Harry Potter’s Cloak of Invisibility) can be attributed to The Invisible Man, though, including tween and teen novels (a few are pictured above)  and media (Out of Sight, Out of Mind is a favorite Buffy episode of mine)  I will take a moment to note that the original movie has really awesome special effects– here’s a link— so this is also an opportunity to pull out books on that topic!  As you prepare to seek the unknown for Teen Reed Week you might consider him, and ask teens to consider this: if you had the power of invisibility, what would you do? Where would you go? What kind of person would you want to be?