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Book Review: The Fatal Move and Other Stories by Conall Cearnach

cover art for The Fatal Move and Other Stories by Conall Cearnach

The Fatal Move and Other Stories by Conall Cearnach

Swan River Press, 2021 (reprint, originally published in 1924)

ISBN: 978-1-78380-037-7

Available: Hardcover  Swan River Press )

 

 

Reprinted for the first time in nearly one hundred years, The Fatal Move is a slim collection of six ghostly tales penned by Conall Cearnach (the pseudonym of F.W. O’Connell, a peculiar and versatile Irish clergyman and scholar).

 

Thus, lovers of ghost and supernatural stories have the opportunity to get a taste of a different author rather than keep reading the classic works of the usual suspects.

 

The title story, “The Fatal Move” effectively portrays two bachelor friends, both passionate chess players, in love with the same woman. In a final chess game, an ingenious trick bound to bring death to one of the players will select the survivor(and winner of the woman’s heart).

 

The excellent “The  Fiend That Walks Behind” describes the obsession of a psychiatrist whose fame has usurped that of the real author of a scientific discovery, and becomes the object of a paranormal haunting and vengeance.

 

“The Homing Bone”,  a traditional type of ghost story– featuring an anatomist stealing a femur from a grave site– is  so well-told it entices the reader despite its predictable outcome, while “Professor Danvers’ Disappearance” is an intriguing, clever mystery, with a supernatural veneer.

 

The volume is enhanced by a number of quite enjoyable short essays by the author, addressing topics such as dreams, sleeplessness, nervous children, and the power of languages, plus an Irish alternative view of Dante’s Divina Commedia, “ The Vision of Merlino”.  The book is prefaced by an exhaustive, learned introduction by Reggie Chamberlain-King. “F.W. O’Connell: Master of Strange Tongues”.

 

A delightful change from the usual stuff published nowadays.

 

Reviewed by Mario Guslandi

Book Review: My Life in Horror, Volume 1 by Kit Power

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My Life in Horror, Volume 1 by Kit Power ( Bookshop.com | Amazon.com )

Independently published, 2020

ISBN-13: 978-1912578979

Available: Hardcover, paperback, Kindle edition

 

Kit Power is a UK writer and horror fan who has been writing a column, “My Life In Horror” , for UK horror review website Ginger Nuts of Horror for five years.  With a forward by Jim McLeod of Ginger Nuts of Horror, this book collects Power’s columns written for the site. Each column muses on his memories and current thoughts on a book, movie, or album that changed his life, with occasional columns that touch more on his thoughts and feelings about friendship, addiction, police corruption, mental illness, and racism. Power has a strong voice and does a good job of getting back inside the head of his childhood and teenage self as well as reflecting on his feelings and first time discoveries at that time as an adult.

It’s funny to read about some of his experiences and thoughts because, while as an American Midwesterner, my experiences growing up were very different in many ways,  his essays brought back vivid memories of my own teenage years– listening to the top 40 on the radio, reading IT at age 11 and relating to the characters in the Losers Club, the first time I heard Appetite for Destruction. There’s a very funny piece on The Lost Boys set up with Young Kit and Old Kit in dialogue about the movie, which they disagree on. I think if I hadn’t grown up in the same general time period that Power did, his stories might not have had the same resonance, but as it was, they really took me back.

Other essays took on a different meaning, as he wrote about a coverup by a corrupt police department of a tragedy that killed 96 people that took on credence with the public due to stereotypes of the victims. With Black Lives Matters protests reaching a tipping point in the United States this summer, this essay took on new relevance.

The essays are divided into loose age ranges of when Power remembers first experiencing the movies, books, and albums he’s writing about– early teens, late teens, and young adulthood. The groupings give a sense of continuity to a reader who is working through the collection from beginning to end. Having the essays collected together in one place is appreciated, as it is difficult for some to concentrate on longform writing on screen, and this gives a fuller picture of Kit than it’s possible to get from reading his columns online over time. The collected blog posts are interesting, but there’s potential for a longer story with more continuity, that would be very interesting to see.

At this time, I see this as an interesting niche title that will appeal particularly to other horror writers and horror fans, particularly Gen X, rather than a title that will go mainstream, but those who grew up loving horror, or who have been following Kit’s column, have a treat in store.

Editor’s note:  in the interests of full disclosure, I backed the Kickstarter for this book. 

Book Review: The PS Book of Fantastic Fictioneers: A History of the Incredible (volumes 1 and 2) edited by Pete Von Sholly

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The PS Book of Fantastic Fictioneers: A History of the Incredible (volumes 1 and 2) edited by Pete Von Sholly

PS Publishing, 2019

ISBN-13: 978-1786364258 (volume 1)

ISBN-13: 978-1786364265 (volume 2)

Available: Hardcover

 

Fantastic Fictioneers is a two-volume set from PS Publishing of short essays, arranged alphabetically, meant to celebrate 120 people who have contributed to what creator Pete von Sholly describes as the “imaginative arts”.  This term covers individuals who have contributed to a wide swath of media, from children’s authors to comic book artists and writers, movie directors, animators, actors, publishers, and writers of science fiction, mystery, and horror. Some have passed away, like H.P. Lovecraft and Forrest Ackerman, and others are still with us, like Stuart Gordon and Ramsey Campbell. Each entry starts with a large illustration filling three-quarters of a page including the likeness of the entry’s subject accompanied by an illustration by von Sholly of what made them a prominent “fantastic fictioneer” (for example, the entry on Charles Addams pictures the Addams Family conjuring up Addams’ ghost in a seance; the background of Hiernomyous Bosch’s portrait contains creatures from his paintings; Ray Harryhausen’s face floats among his many models) followed by the first few paragraphs of a short essay. Some essays are detailed biographical entries, others are more personal accounts, and many are a combination. The entry on H.R. Giger includes musings and analysis on his work; the entry on Octavia Butler goes into detail on her life but includes a personal account; and Maria Alexander’s entry on Clive Barker is mainly a personal account of her experiences with him and his work.  Each essay includes many photographs of artifacts and artwork related to the work of the essay’s subject, as well as photos of the individual. Von Sholly was able to get some prominent names to write many of the essays, including S.T. Joshi on Lovecraft, J.D. Lees on Ishiro Honda, and Harlan Ellison on Frank Herbert. If you have the time, you could spend quite a while turning the pages and learning a little about the varied “fantastic fictioneers” included.

The entries aren’t consistent enough in their format and content for the books to be used reliably as a reference source of biographical information, but the collection of individuals profiled crosses many areas of the “imaginative arts” and there is information on individuals that might not be typically covered (I had never heard of Seabury Quinn before). Although it could have benefited from a little more diversity (very few women and minority “fictioneers” are covered), Von Sholly explains that, outside of a few “obligatory” entries, the majority are subjective favorites. As long as the set already is, ultimately choices about what would be included had to be made, and there is no doubting that Fantastic Fictioneers is a labor of love. Unfortunately, while it is a gorgeous volume, it lacks an index, and many of the images are not credited, which could be a detriment to a library purchasing it. Fantastic Fictioneers will appeal most to collectors and fans, and large libraries interested in adding specialized biographical reference materials to their collections.

Due to the variety of individuals covered, and the expense of purchasing the set (about $130 for both volumes), I’m including images of the table of contents of both volumes below. It really is a wide-ranging collection of entries! For those fascinated by all aspects of speculative fiction, this is a unique collection!

Editor’s note: I received a PDF file from the publisher for this review.

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